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Page: 1 SX - KN2400 KEYBOARD SX - KN2400 KEYBOARD SX - KN2600 SX - KN2600 ( ENGLISH ) Operating Instructions SX - KN2400 SX - KN2600 Matsushita Electric Industrial Co . , Ltd . Before connecting , operating or adjusting this product , please read these instructions completely . Please keep this manual for future reference . Web Site : http : / / www.panasonic.co.jp / global / QQTG0692 ENGLISH ENGLISH QQTG0692 Se0203S0 Page: 2 01_Caution for AC Mains Lead.fm 2 ページ 2 � � 3 年 3 月 1 1 日   � 曜 日   � 後 1 2 時 1 3 分 Caution for AC Mains Lead WARNING : DO NOT CONNECT EITHER WIRE ( For United Kingdom ) TO THE EARTH TERMINAL WHICH IS MARKED ( For the type as shown in figures A WITH THE LETTER E , BY THE EARTH and B ) SYMBOL OR COLOURED GREEN OR GREEN / YELLOW . For your safety , please read the following text carefully . THIS PLUG IS NOT WATERPROOF — KEEP DRY . This appliance is supplied with a moulded three pin mains plug for your safety and convenience . Before use A 5 - ampere fuse is fitted in this plug . Should the Remove the connector cover . fuse need to be replaced please ensure that the replacement fuse has a rating of 5 - ampere and How to replace the fuse that it is approved by ASTA or BSI to BS1362 . The location of the fuse differ according to the type Check for the ASTA mark or the BSI mark of AC mains plug ( figures A and B ) . Confirm the AC mains plug fitted and follow the instructions on the body of the fuse . below . Illustrations may differ from actual AC mains plug . If the plug contains a removable fuse cover you must ensure that it is refitted when the fuse is Open the fuse cover with a screwdriver . 1 . replaced . If you lose the fuse cover the plug must not be used until a replacement cover is obtained . Figure A Figure B A replacement fuse cover can be purchased from Fuse cover your local dealer . CAUTION ! IF THE FITTED MOULDED PLUG IS UNSUITABLE FOR THE SOCKET OUTLET IN Replace the fuse and close or attach the fuse 2 . YOUR HOME THEN THE FUSE SHOULD BE cover . REMOVED AND THE PLUG CUT OFF AND DISPOSED OF SAFELY . THERE IS A Figure A Figure B DANGER OF SEVERE ELECTRICAL SHOCK IF THE CUT OFF PLUG IS INSERTED INTO Fuse ANY 13 - AMPERE SOCKET . Fuse ( 5 ampere ) ( 5 ampere ) If a new plug is to be fitted please observe the wiring code as stated below . If in any doubt please For United Kingdom and Republic of Ireland consult a qualified electrician . www.panasonic.co.uk ( for UK customers only ) IMPORTANT The wires in this mains lead are coloured in accor - • Order accessory and consumable items for your product with ease and confidence by telephoning dance with the following code : our Customer Care Centre Mon – Fridaylidays . ) 9 : 00am – 5 : 30pm . ( Excluding public ho Blue : Neutral , Brown : Live . • Or go on line through our Internet Accessory As these colours may not correspond with the col - ordering application . • Most major credit and debit cards accepted.acilities oured markings identifying the terminals in your • All enquiries transactions and distribution f plug , proceed as follows : are provided directly by Panasonic UK Ltd . • It couldn’t be simpler ! The wire which is coloured Blue must be con - Customer Care Centre nected to the terminal which is marked with the For UK customers : 08705 357357 For Republic of letter N or coloured Black or Blue . Ireland customers : 01 289 8333 The wire which is coloured Brown must be con - Technical Support nected to the terminal which is marked with the For UK customers : 0870 1 505610 letter L or coloured Brown or Red . This Technical Support Hot Line number is for Panasonic PC software related products only . For Republic of Ireland , please use the Customer Care Centre number listed above for all enquiries . For all other product related enquiries , please use the Customer Care Centre numbers listed above . 2 QQTG0692 Page: 3 01_Caution for AC Mains Lead.fm 3 ページ 2 � � 3 年 1 月 2 7 日   月 曜 日   � 後 1 時 4 � 分 THE FOLLOWING APPLIES ONLY THE FOLLOWING APPLIES IN THE U.S.A . AND CANADA ONLY IN THE U.S.A . CAUTION : This equipment has been tested and found to CAUTION comply with the limits for a Class B digital device , RISK OF ELECTRIC SHOCK pursuant to Part 15 of the FCC Rules . These limits DO NOT OPEN are designed to provide reasonable protection against harmful interference in a residential instal - CAUTION : TO REDUCE THE RISK OF lation . This equipment generates , uses and can ELECTRIC SHOCK , DO NOT radiate radio frequency energy and , if not installed REMOVE SCREWS . NO USER - SERVICEABLE PARTS and used in accordance with the instructions , may INSIDE . cause harmful interference to radio communica - REFER SERVICING TO QUALIFIED tions . However , there is no guarantee that interfer - SERVICE PERSONNEL . ence will not occur in a particular installation . If this The lightning flash with arrowhead equipment does cause harmful interference to radio or television reception , which can be determined by symbol , within an equilateral tri - turning the equipment off and on , the user is angle , is intended to alert the user encouraged to try to correct the interference by one to the presence of uninsulated or more of the following measures : “ dangerous voltage � within the pro - • Reorient or relocate the receiving antenna . duct’s enclosure that may be of • Increase the separation between the equipment sufficient magnitude to constitute a and receiver . risk of electric shock to persons . • Connect the equipment into an outlet on a circuit different from that to which the receiver is con - The exclamation point within an nected . equilateral triangle is intended to • Consult the dealer or an experienced radio / TV alert the user to the presence of technician for help . important operating and main - FCC Warning : tenance ( servicing ) instructions in To assure continued FCC emission limit compli - the literature accompanying the ance , use only the provided power supply cord and appliance . the shielded interface cable when connecting this ( for U.S.A . and Canada ) device to the computer . Also , any unauthorized changes or modifications to CAUTION : this equipment would void the user’s authority to TO PREVENT ELECTRIC SHOCK MATCH WIDE operate this device . BLADE OF PLUG TO WIDE SLOT , FULLY IN - SERT . This device complies with Part 15 of the FCC Rules . Operation is subject to the following two con - ditions : ( 1 ) This device may not cause harmful inter - ference , and ( 2 ) this device must accept any WARNING : interference received , including interference that TO REDUCE THE RISK OF FIRE , ELECTRIC may cause undesired operation . SHOCK OR PRODUCT DAMAGE , DO NOT EXPOSE THIS APPARATUS TO RAIN , MOISTURE , DRIP - Responsible Party : PING OR SPLASHING AND THAT NO OBJECTS Matshshita Electric Corporation of America FILLED WITH LIQUIDS , SUCH AS VASES , SHALL One Panasonic Way BE PLACED ON THE APPARATUS . Secaucus , NJ , 07094 USA Telephone No . : 1 - 800 - 211 - 7262 THE FOLLOWING APPLIES ONLY IN THE U.S.A . The model number and serial number are found Notice : underneath the keyboard . This product has a fluorescent lamp that contains a Please note the model and serial numbers in the small amount of mercury . space provided below and retain this sheet as a It also contains lead in some components . Disposal of permanent record of your purchase to aid identification these materials may be regulated in your community in the event of theft . due to environmental considerations . MODEL NUMBER For disposal or recycling information please contact your local authorities , or the Electronics Industries SERIAL NUMBER Alliance : < http : / / www.eiae.org > THIS UNIT IS INTENDED FOR USE IN TROPICAL CLIMATES . DENNA ENHET ÄR AVSEDD FÖR ANVÄNDNING PÅ PLATSER MED TROPISKT KLIMAT . TÄMÄ LAITE ON TARKOITETTU KÄYTETTÄVÄKSI TROOPPISESSA ILMASTOSSA . DETTE APPARATET ER BEREGNET TIL BRUK UNDER TROPISKE KLIMAFORHOLD . 3 QQTG0692 Page: 4 01_Caution for AC Mains Lead.fm 4 ページ 2 � � 3 年 1 月 2 7 日   月 曜 日   � 後 1 時 4 � 分 4 QQTG0692 Page: 5 01_Caution for AC Mains Lead.fm 5 ページ 2 � � 3 年 1 月 2 7 日   月 曜 日   � 後 1 時 4 � 分 THE FOLLOWING APPLIES ONLY IN THE U.S.A . IMPORTANT SAFETY INSTRUCTIONS Read these operating instructions carefully before using the unit . Follow the safety instructions on the unit and the safety precautions listed below . Keep these operating instructions handy for future reference . 6 . Carts and stands — Use the unit only Safety with carts and stands recommended by 1 . Power Source — Connect the unit to a power the manufacturer . Move carts with care . source of the type described in these instructions or Sudden stops , excessive force , and as marked on the unit . uneven surfaces can cause carts to 2 . Polarization — The unit is equipped with a polarized overturn . power plug where one blade is wider than the other . 7 . Wall and ceiling mounting — Do not mount the unit This safety feature ensures that the plug fits into on walls or ceilings unless specified in the your household AC outlet only one way . If the plug instructions . doesn’t fit one way , try reversing it . If the plug still Environment doesn’t fit , contact an electrician to replace the obsolete outlet . Do not attempt to defeat the safety 1 . Water and moisture — Do not use the unit near purpose of the plug . water , such as near a bathtub or swimming pool . 3 . Power Cord protection — Route the AC power Avoid damp basements . supply cord so that it will not be walked on or 2 . Heat — Situate the unit away from heat sources , pinched by items placed on or against it . Never take such as radiators . hold of the plug or cord with wet hands . Always Do not situate where temperatures fall below 5 ° C grasp the plug body firmly when connecting and ( 41 ° F ) or rise above 35 ° C ( 95 ° F ) . disconnecting it . 4 . Overloading — When connecting the AC power Maintenance supply cord , be careful not to overload the ( See page 6 for details . ) household AC outlet , extension cord , or outlet from any other device as this can result in fire or electric Unplug the unit from the household AC outlet before shock . cleaning . 5 . Nonuse periods — Turn the unit off when it is not in Clean with a damp cloth . use . Unplug the unit from the household AC outlet if Do not use abrasive pads , scouring powders , or it is not to be used for a long time . Unplug the unit solvents . during lightning storms . 6 . Attachments and accessories — Use only the Service attachments and accessories recommended in 1 . Damage Requiring Service — The unit should be these operating instructions . serviced by qualified service personnel if : ( a ) The AC power supply cord or the plug has been Installation damaged ; or ( b ) Objects or liquids have gotten into the unit ; or Placement ( c ) The unit has been exposed to rain ; or 1 . Ventilation — Situate the unit so that it receives ( d ) The unit does not operate normally or exhibits a proper ventilation . Do not install in a confined space marked change in performance ; or such as a bookcase or cabinet . Allow at least 10 cm ( e ) The unit has been dropped or the cabinet dam - ( 4 inches ) clearance from the rear of the unit . To aged . prevent the risk of electric shock or fire due to over - 2 . Servicing — Do not attempt to service the unit heating ensure curtains and other materials do not beyond that described in these operating obstruct the unit’s ventilation . instructions . Refer all other servicing to authorized 2 . Foreign material — Ensure objects and liquids do servicing personnel . not get into the unit . Avoid exposing the unit to 3 . Replacement parts — When parts need replacing excessive smoke , dust , mechanical vibration , and ensure the servicer uses parts specified by the shock . manufacturer or parts that have the same 3 . Magnetism — Situate the unit away from equipment characteristics as the original parts . Unauthorized and devices that generate strong magnetic fields . substitutes may result in fire , electric shock , or other 4 . Stacking — Do not place heavy objects on top of hazards . this unit . 4 . Safety check — After repairs or service , ask the 5 . Surface — Place the unit on a flat , level surface . servicer to perform safety checks to confirm that the unit is in proper working condition . 5 QQTG0692 Page: 6 01_Caution for AC Mains Lead.fm 6 ページ 2 � � 3 年 2 月 7 日   金 曜 日   � � 1 1 時 3 2 分 Cautions for safest use of this unit Installation location If operation seems abnormal Immediately turn off the power , disconnect the A well - ventilated place . 1 . power cord plug from the electrical outlet , and con - Take care not to use this unit in a place where it tact the store where it was purchased . will not receive sufficient ventilation , and not to permit the ventilation holes to be covered by cur - Discontinue using the unit at once . Failure to do so tains , or any similar materials . may result in additional damage or some other Place away from direct sunlight and excessive 2 . unexpected damage or accident . heat from heating equipment . • Because the power source is located inside the A place where humidity , vibration and dust are 3 . unit , it is normal for the cabinet to become warm . minimized . A word about the power cord Power source If the power cord is scarred , is partially cut or Be sure the line voltage selector is in accordance 1 . bronken , or has a bad contact , it may cause a fire or with local voltage in your area before connecting serious electrical shock if used . NEVER use a dam - the plug to the socket . aged power cord for any appliance . Moreover , the DC power cannot be used . 2 . power cord should never be forcibly bent . Handling the power cord Don’t touch the inside parts of this unit . Never touch the power cord , or its plug , with wet 1 . hands . Some places inside this unit have high voltage Don’t pull the power cord . 2 . potential . Never try to remove the top or back panels of this unit , or to touch inside parts by hand or with tools . Metal items inside the unit maymage . result in electric shock or da Contact someone who is qualified in order to inspect the inside , or to replace a fuse , if such Do not permit metal articles to get inside the unit . becomes necessary . Never attempt to do these things yourself . Be especially careful with regard to this point if children are near this unit . They should be warned never to try to put anything inside . Maintenance The following suggestions will assist you in keeping If , nevertheless , some such article does get inside , the unit in top condition . disconnect the power cord plug from the electrical • Be sure to switch the instrument off after use , outlet , and contact the store where the unit was and do not switch the unit on and off in quick purchased . succession , as this places an undue load on the electronic components . If water gets into the unit • To keep the luster of the surface and buttons , simply use a clean , damp cloth ; polish with a Disconnect the power cord plug from the electrical soft , dry cloth . Polish may be used but do not use outlet , and contact the store where it was pur - thinners or petro - chemical - based polishes . chased . • A wax - based polish may be used on the cabinet , although you will find that rubbing with a soft As a precaution , it is suggested that flower vases cloth will suffice . and other containers which hold liquids not be placed on the top of this unit . SVENSK : • This product may receive radio interference • Det kan inträffa att den här produkten under caused by mobile telephones during use . If such användningen tar emot radiostörningar , interference is apparent , please increase separa - orsakade av mobiltelefoner . Öka avståndet tion between the product and the mobile tele - mellan produkten och mobiltelefonen om phone . störningarna är uppenbara . • Keep the SD Memory Card out of the reach of • Håll SD - minneskortet utom räckhåll för barn , för children to prevent them from swallowing it . att förhindra att ett barn sväljer det . ( KN2600 ) ( KN2600 ) SERVICE MUST BE CARRIED OUT BY DEALER OR OTHER QUALIFIED PERSON 6 QQTG0692 Page: 7 02_Contents.fm 7 ページ 2 � � 3 年 1 月 2 7 日   月 曜 日   � 後 1 時 4 1 分 Contents Cautions for safest use of this unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Controls and functions ( KN2400 ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Controls and functions ( KN2600 ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 BASIC FUNCTIONS Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 See and listen to the demonstration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Add effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Play back commercial song disks ( DIRECT PLAY ) ( KN2400 ) . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Play back SD cards ( SD - AUDIO PLAY ) ( KN2600 ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Select the registration for a music style ( MUSIC STYLIST ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Automatic panel settings ( ONE TOUCH PLAY ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Store your panel settings ( PANEL MEMORY ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Record your performance ( SEQUENCER ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Save data on an SD card ( KN2600 ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Load rhythm data from a Technics pattern disk ( COMPOSER LOAD ) ( KN2400 ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 PRACTICAL APPLICATIONS About the display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Favorites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Part I Sounds and effects Overview of sounds and effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Selecting sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Digital Drawbar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Assigning parts to the keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Techni - chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Part II Playing the rhythm Overview of rhythm performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Selecting rhythms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 Playing the rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 Auto Play Chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 Fade In / Fade Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 Sound Arranger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 One Touch Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 Music Stylist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 Music Style Arranger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Panel Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 Part III Performance Pads Playing phrases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 Copying phrases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Compile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70 Record a phrase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 Part IV Sequencer Outline of the Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 Sequencer parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Easy Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77 Realtime Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 7 QQTG0692 Page: 8 02_Contents.fm 8 ページ 2 � � 3 年 1 月 2 7 日   月 曜 日   � 後 1 時 4 1 分 Sequencer Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 Naming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83 Panel Write . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83 Song Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Punch Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Step Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86 Track Assign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91 Quantize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Song Clear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 Track Clear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 Note Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94 Drum Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 Copy and paste the recorded data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Changing the note position etc . of the recorded data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101 SD Audio Synchro ( KN2600 ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Part V Composer Outline of the Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Simple recording method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 Create a completely new rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 Chord Modify Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110 Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111 Step Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111 Measure Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 Pattern Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117 Part VI Disk Drive ( KN2400 ) Outline of the Disk Drive function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117 Outline of the procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119 Loading data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 Direct Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Song Medley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 Saving data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125 Disk management . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128 Set the automatic display when a disk is inserted . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 Part VII SD Card ( KN2600 ) Outline of the SD card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 Loading data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133 SD - Audio Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136 SD - Sound Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137 Playlist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138 SD Song Medley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139 Saving Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140 Create an album of your favorite songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143 SD card management . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144 Set the priority of displays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146 Part VIII Sound Outline of the Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146 Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147 Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150 Master Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 Key Scaling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 Sound Load Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 APC Reverb Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155 Part IX Reverb & Effect Outline of the Reverb & Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155 8 QQTG0692 Page: 9 02_Contents.fm 9 ページ 2 � � 3 年 1 月 2 7 日   月 曜 日   � 後 1 時 4 1 分 Tone Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157 Part X Sound Edit Outline of the Sound Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157 Easy Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158 Tone Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 Pitch Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162 Filter Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 Amplitude Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165 LFO Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167 Effect Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168 Controller Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169 Store the new sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171 Part XI Control Outline of Control functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171 Overall Touch Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172 Foot Controllers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174 Part XII Customize Outline of Customize functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174 Display Time Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175 Data Protection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176 MIDI Setting Load Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177 Part XII MIDI What is MIDI ? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177 Outline of MIDI functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179 Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180 Control Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181 Realtime Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181 Common Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182 Mode Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183 Input / output Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183 MIDI Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184 Computer Connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185 Initialize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186 About the performance data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187 Separately sold options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 187 Terminals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188 Symptoms which appear to be signs of trouble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189 Error messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193 Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195 Supplied accessories � please check the supplied accessories . Music stand □ CD - ROM □ AC cord □ SD Card ( KN2600 ) □ 9 QQTG0692 Page: 10 03_Controls and functions.fm 10 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � � 1 1 時 2 7 分 Controls and functions ( KN2400 ) AUTO PLAY CHORD Add an automatic accompaniment RHYTHM GROUP to your selected rhythm . Various rhythm patterns are ( Refer to page 52 . ) available for each rhythm group . ( Refer to page 49 . ) MUSIC STYLIST You can choose to have all the settings of this instrument automatically set . ( Refer to page 60 . ) SOUND ARRANGER AUTO PLAY CHORD SET OFF / ON SPLIT MODE OFF / ON POINT CHORD FINDER RHYTHM GROUP POP ROCK DANCE POP BALLAD SIMPLE DANCE TRAD T & Z USA BEAT CLUB WAL JAZZ & BALLROOM LATIN L & D SWING & SHOW WOR MEMORY LOAD MUSIC STYLIST SOTHER / TR PART ONE TOUCH FAVORITES CONTRAST PLAY MUTE DEMO MAIN VOLUME AUTO SETTING BANK STOP FADE TEMPO / PROGRAM MUSIC STYLE IN OUT MAX ARRANGER PERFORMANCE PADS 1 2 3 INTRO & ENDING VARIATION FILL IN 1 2 3 4 1 2 1 2 4 6 SOLO MIN SEQUENCER COUNTO 5 POWER RESET INTR OFF ON PITCH BEND PERFORMANCE PADS UP Add various phrases to your performance with the pad buttons . ( Refer to page 67 . ) DOWN ONE TOUCH PLAY Sounds and effects matching the selected rhythm are automatically set . ( Refer to page 60 . ) FADE IN / OUT Begin your song with a slowly PITCH BEND increasing volume , or end it by The PITCH BEND wheel allows having the sound slowly fade away . a “ sliding � change in the pitch . ( Refer to page 57 . ) ( Refer to page 45 . ) 10 QQTG0692 Page: 11 03_Controls and functions.fm 11 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � � 1 1 時 2 7 分 DISPLAY EFFECT Displays performance information , function Add various effects to the settings and other messages . sounds . ( Refer to page 41 . ) ( Refer to page 30 . ) • Use the CONTRAST buttons to adjust the display so that it is easy to read . SOUND GROUP TRANSPOSE Various sounds are available for Raise or lower the key each sound group . of the entire keyboard . ( Refer to page 36 . ) ( Refer to page 46 . ) EFFECT DIGITAL CMULTIT CHORUS REVERB EFFECT EFFE SUSTAIN SOUND GROUP STRINGS & GUITAR & ORGAN & ION VOCAL HARPSI ACCORD PIANO MALLET & RC SAX & WIND BRASS SYNTH ORCH PE WOOD � DRUM SOUNDRER KITS EXPLO BASS MEMORY DIGITAL DRAWBAR DDISPLAY EXIT HELP HOL PAGE TRANSPOSE PANEL MEMORY SEQUENCER PROGRAMS MENU PLAY EASY REC – + PART SELECT 1 2 3 4 SET BANK VIEW SYNCHRO & DTECHNI - START / STOP BREAK LEFT RIGHT 2 RIGHT 1 CHORD STEP CHOR 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC DISK DISK IN USE NEXT BANK LOAD CONDUCTOR TECHNI - CHORD SEQUENCER Block chords are Record and play back your automatically added to the performance . melody . ( Refer to page 47 . ) ( Refer to page 73 . ) CONDUCTOR PANEL MEMORY Assign a different sound to each Store the panel settings , then recall part , then assign the desired them instantaneously just by pressing parts to section of the keyboard . a button or two . ( Refer to page 64 . ) ( Refer to page 39 . ) 11 QQTG0692 Page: 12 03_Controls and functions.fm 12 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � � 1 1 時 2 7 分 Controls and functions ( KN2600 ) AUTO PLAY CHORD Add an automatic accompaniment RHYTHM GROUP to your selected rhythm . Various rhythm patterns are ( Refer to page 52 . ) available for each rhythm group . ( Refer to page 49 . ) MUSIC STYLIST You can choose to have all the settings of this instrument automatically set . ( Refer to page 60 . ) SOUND ARRANGER AUTO PLAY CHORD SET OFF / ON SPLIT MODE OFF / ON POINT CHORD FINDER RHYTHM GROUP POP ROCK DANCE POP BALLAD SIMPLE DANCE TRAD T & Z USA BEAT CLUB WAL JAZZ & BALLROOM LATIN L & D MEMORY SWING & SHOW WOR LOAD MUSIC STYLIST SOTHER / TR PART ONE TOUCH FAVORITES CONTRAST PLAY MUTE DEMO MAIN VOLUME AUTO SETTING BANK STOP / RD FADE TEMPO / PROGRAM MUSIC STYLE RECO IN OUT MAX ARRANGER PERFORMANCE PADS 1 2 3 VARIATION INTRO & ENDING FILL IN 1 2 3 4 1 2 1 2 4 6 SOLO MIN SEQUENCER COUNTO 5 POWER RESET INTR OFF ON PITCH BEND MODULATION UP MAX PERFORMANCE PADS FADE IN / OUT Add various phrases to your Begin your song with a slowly DOWN MIN performance with the pad increasing volume , or end it by buttons . ( Refer to page 67 . ) having the sound slowly fade away . ( Refer to page 57 . ) PITCH BEND / MODULATION The PITCH BEND wheel allows a “ sliding � change in the pitch . The MODULATION wheel is used to add vibrato to the sound . ( Refer to page 45 . ) 12 QQTG0692 Page: 13 03_Controls and functions.fm 13 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � � 1 1 時 2 7 分 DISPLAY EFFECT Displays performance information , function Add various effects to the settings and other messages . sounds . ( Refer to page 41 . ) ( Refer to page 30 . ) • Use the CONTRAST buttons to adjust the display so that it is easy to read . SOUND GROUP TRANSPOSE Various sounds are available for Raise or lower the key each sound group . of the entire keyboard . ( Refer to page 36 . ) ( Refer to page 46 . ) EFFECT DIGITAL CMULTIT CHORUS REVERB EFFECT EFFE SUSTAIN SOUND GROUP STRINGS & GUITAR & ORGAN & ION VOCAL HARPSI ACCORD PIANO MALLET & RC SAX & WIND ORCH PE BRASS SYNTH WOOD � DRUM SOUNDRER BASS MEMORY KITS EXPLO DIGITAL DRAWBAR DDISPLAY HOL EXIT HELP PAGE LPUSHEASE RE TRANSPOSE PANEL MEMORY SEQUENCER PROGRAMS MENU PLAY EASY REC – + PART SELECT 1 2 3 4 SET BANK VIEW SYNCHRO & DTECHNI - START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHOR 1 2 3 4 BEAT TAP TEMPO REC 5 6 7 8 S D SD IN USE NEXT BANK LOAD CONDUCTOR TECHNI - CHORD SEQUENCER Block chords are Record and play back your automatically added to the performance . melody . ( Refer to page 47 . ) ( Refer to page 73 . ) PANEL MEMORY CONDUCTOR Store the panel settings , then recall Assign a different sound to each them instantaneously just by pressing part , then assign the desired a button or two . ( Refer to page 64 . ) parts to section of the keyboard . ( Refer to page 39 . ) 13 QQTG0692 Page: 14 04_Basic functions.fm 14 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions Getting started Basic Before you play AC IN Plug the power cord into an outlet . Press the POWER button to turn it on . 1 3 ( Located on the left of the keyboard ) POWER OFF ON Affix the music stand as shown . 2 • Headphones may be plugged into the PHONES terminal . ( Rear panel ) This will automatically switch off the speaker system , and sound is heard only through the headphones . • The pitch of this instrument can be adjusted for when playing with other instruments . ( Refer to page 152 . ) • Under certain conditions , the functions and memories of this instrument may be initialized when the power is turned on . 14 QQTG0692 Page: 15 04_Basic functions.fm 15 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions Basic Playing EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL CMULTIT SET OFF / ON SPLIT MODE OFF / ON EFFECT EFFE CHORUS REVERB SUSTAIN POINT CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORDION PIANO MALLET & SIMPLE DANCE TRAD & SAX & WIND USA ORCH PERC BRASS SYNTH BEAT CLUB WALTZ WOOD � JAZZ & BALLROOM LATIN & DRUM SOUND SWING & SHOW WORLD MEMORY BASS KITS EXPLORER MEMORY LOAD MUSIC STYLIST DIGITAL DRAWBAR SOTHER / TR PART DDISPLAY EXIT HELP ONE TOUCH LCD CONTRAST HOL < > PLAY MUTE PAGE LPUSHEASE RE MAIN VOLUME AUTO SETTING BANK STOP / DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAMS MUSIC STYLE RECORD IN OUT MENU � + PLAY EASY REC MAX PART SELECT ARRANGER 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & TECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHORD 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC S D SD IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNT 5 LOAD CONDUCTOR RESET INTRO POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN 5 4 3 1 2 In the CONDUCTOR section on the Select a sound from the list of sounds 1 3 panel , press the RIGHT 1 button to turn shown on the display . it on . LEFT RIGHT 2 RIGHT 1 CONDUCTOR PAGE In the SOUND GROUP section , press • The list of sounds is contained on two 2 one of the sound buttons . or more screen “ pages � . To see a SOUND GROUP different part of the list , press either STRINGS & GUITAR & ORGAN & ION VOCAL HARPSI ACCORD PIANO PAGE button . MALLET & RC SAX & WIND Play the keyboard . ORCH PE BRASS SYNTH WOOD � 4 • Your Keyboard features Touch Response . You control the volume by DRUM SOUNDRER KITS EXPLO BASS MEMORY playing the keys harder or softer . Set the MAIN VOLUME to an 5 appropriate level with the sliding control . • Refer to page 36 for detailed information about selecting sounds . 15 QQTG0692 Page: 16 04_Basic functions.fm 16 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions See and listen to the demonstration Basic EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL MULTI SET OFF / ON SPLIT MODE OFF / ON EFFECT EFFECT CHORUS REVERB SUSTAIN POINT CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORDION PIANO MALLET & RC SIMPLE DANCE TRAD T & Z SAX & USA ORCH PE BRASS SYNTH BEAT CLUB WAL WOODWIND � JAZZ & BALLROOM LATIN & DRUM SOUNDRER SWING & SHOW WORLD MEMORY BASS KITS EXPLO MEMORY LOAD MUSIC STYLIST DIGITAL DRAWBAR OTHER PARTS / TR DISPLAY EXIT HELP HOLD ONE TOUCH LCD CONTRAST < > PLAY MUTE PAGE LPUSHEASE RE MAIN VOLUME AUTO SETTING BANK RSTOP / D DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAM MUSIC STYLE RECO IN OUT MENUS � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & TECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHORD 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC S D SD IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNTO 5 LOAD CONDUCTOR RESET INTR POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN 1 3 2 Press the DEMO button . • The demonstration performance and 1 display corresponding to your selection will begin . • To end the demonstration before it has DEMO finished , press the START / STOP button . When you are finished listening to the 3 demonstration tunes , press the DEMO Use the buttons to the left and right the button again . 2 display to select the demonstration tune you wish to see and listen to . ( KN2600 ) • If you press and hold the DEMO button for a performance continues until the START / STOP few seconds , or if you press first the DEMO button or the DEMO button is pressed again . button and then the START / STOP button , all • Some of the buttons do not function during the demo tunes are demonstrated in order in a DEMO mode . medley performance . The medley 16 QQTG0692 Page: 17 04_Basic functions.fm 17 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions Add effects c EFFECT i SOUND ARRANGER AUTO PLAY CHORD DIGITAL MULTI SET OFF / ON SPLIT MODE OFF / ON EFFECT EFFECT CHORUS REVERB SUSTAIN POINT s CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORDION PIANO a MALLET & RC SIMPLE DANCE TRAD T & Z SAX & USA ORCH PE BRASS SYNTH BEAT CLUB WAL WOODWIND � B JAZZ & BALLROOM LATIN L & D DRUM SOUNDRER SWING & SHOW WOR MEMORY BASS KITS EXPLO MEMORY LOAD MUSIC STYLIST DIGITAL DRAWBAR OTHER PARTS / TR DISPLAY EXIT HELP HOLD ONE TOUCH LCD CONTRAST < > PLAY MUTE PAGE LPUSHEASE RE MAIN VOLUME AUTO SETTING BANK RSTOP / D DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAM MUSIC STYLE RECO IN OUT MENUS � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & TECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHORD 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO REC 5 6 7 8 S D SD IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNTO 5 LOAD CONDUCTOR RESET INTR POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN A B C Add breadth . Add reverberation . Press the CHORUS button to turn it on . Press the REVERB button to turn it on . A C CHORUS REVERB Add effect . Press the MULTI EFFECT button to turn B it on . CMULTIT EFFE • You can modify the way in which the various effects are applied . ( Refer to page 42 . ) 17 QQTG0692 Page: 18 04_Basic functions.fm 18 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions Play back commercial song disks ( DIRECT PLAY ) ( KN2400 ) Basic EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL CMULTIT SET OFF / ON SPLIT MODE OFF / ON EFFECT CHORUS EFFE REVERB SUSTAIN POINT CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & ION POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORD PIANO MALLET & SIMPLE DANCE TRAD & SAX & WIND USA ORCH PERC BRASS SYNTH BEAT CLUB WALTZ WOOD � JAZZ & BALLROOM LATIN L & D DRUM SOUND SWING & SHOW WOR MEMORY KITS EXPLORER BASS MEMORY LOAD MUSIC STYLIST DIGITAL DRAWBAR OTHER PARTS / TR DISPLAY EXIT HELP ONE TOUCH LCD CONTRAST HOLD < > PLAY MUTE PAGE PUSH RELEASE MAIN VOLUME AUTO SETTING BANK STOP / RD DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAMS MUSIC STYLE RECO IN OUT MENU � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & TECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP BREAK LEFT RIGHT 2 RIGHT 1 CHORD STEP CHORD 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC DISK DISK IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNT 5 LOAD CONDUCTOR RESET INTRO POWER OFF ON PITCH BEND UP DOWN 2 3 4 Insert the song disk into the Disk Drive Use a the buttons below the display to 1 3 slot . select a song . On the DISK MENU display , select • For SMF songs , use the PLAY AS 2 DIRECT PLAY . button to specify a sound arrangement mode . Press the START button . 4 • The selected song is played back . • DIRECT PLAY is possible from the following disks : Standard MIDI File Standard MIDI File with Lyrics DISK ORCHESTRA COLLECTION ™ ( DOC ) PianoDisc ™ * All product and company names are trademarks or registered trademarks of their respective owners . * DISK ORCHESTRA COLLECTION is a trademark of the YAMAHA Corporation . 18 QQTG0692 Page: 19 04_Basic functions.fm 19 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions Play back SD cards ( SD - AUDIO PLAY ) ( KN2600 ) Basic EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL MULTI SET OFF / ON SPLIT MODE OFF / ON EFFECT EFFECT CHORUS REVERB SUSTAIN POINT CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORDION PIANO MALLET & RC SIMPLE DANCE TRAD & SAX & USA BRASS SYNTH ORCH PE BEAT CLUB WALTZ WOODWIND � JAZZ & BALLROOM LATIN L & D DRUM SOUNDRER SWING & SHOW WOR MEMORY BASS KITS EXPLO MEMORY LOAD MUSIC STYLIST DIGITAL DRAWBAR OTHER PARTS / TR DISPLAY EXIT HELP HOLD ONE TOUCH LCD CONTRAST < > PLAY MUTE PAGE LPUSHEASE RE MAIN VOLUME AUTO SETTING BANK STOP / DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAMS MUSIC STYLE RECORD IN OUT MENU � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & TECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHORD 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC S D SD IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNT 5 LOAD CONDUCTOR RESET INTRO POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN 5 6 1 2 3 4 Open the lid of the SD slot . Press the SD button to turn it on . 1 4 S D SD IN USE LOAD On the SD MENU display , select SD - • Open it completely . 5 AUDIO PLAY . Insert an SD card with the stored songs Press the Playback button . 2 into the SD slot . 6 • Push the card until it locks . Close the lid . • Playback of the first song begins . 3 • No operation is possible when the lid is open . 19 QQTG0692 Page: 20 04_Basic functions.fm 20 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions Select the registration for a ( MUSIC STYLIST ) music style Basic EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL MULTI SET OFF / ON SPLIT MODE OFF / ON EFFECT CHORUS EFFECT REVERB SUSTAIN POINT CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & ION POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORD PIANO MALLET & RC SIMPLE DANCE TRAD & SAX & WIND USA ORCH PE BRASS SYNTH BEAT CLUB WALTZ WOOD � JAZZ & BALLROOM LATIN & DRUM SOUND SWING & SHOW WORLD MEMORY BASS MEMORY KITS EXPLORER LOAD MUSIC STYLIST DIGITAL DRAWBAR OTHER PARTS / TR DDISPLAY EXIT HELP HOL ONE TOUCH LCD CONTRAST < > PLAY MUTE PAGE PUSH RELEASE MAIN VOLUME AUTO SETTING BANK STOP / DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAM MUSIC STYLE RECORD IN OUT MENUS � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & TECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP BREAK LEFT RIGHT 2 RIGHT 1 CHORD CHORD STEP 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC S D SD IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNT 5 LOAD CONDUCTOR RESET INTRO POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN 1 2 3 Press the MUSIC STYLIST button to Use the CATEGORY � and � buttons 1 3 turn it on . to select a category . MUSIC STYLIST Select MUSICAL CATEGORY . 2 20 QQTG0692 Page: 21 04_Basic functions.fm 21 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions Basic EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL CMULTIT SET OFF / ON SPLIT MODE OFF / ON EFFECT CHORUS EFFE REVERB SUSTAIN POINT CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORDION PIANO MALLET & SIMPLE DANCE TRAD & SAX & WIND USA BRASS SYNTH ORCH PERC BEAT CLUB WALTZ WOOD � JAZZ & BALLROOM LATIN & DRUM SOUND SWING & SHOW WORLD MEMORY KITS EXPLORER BASS MEMORY LOAD MUSIC STYLIST DIGITAL DRAWBAR OTHER / TR PARTS DISPLAY EXIT HELP HOLD ONE TOUCH LCD CONTRAST < > PLAY MUTE PAGE PUSH RELEASE MAIN VOLUME AUTO SETTING BANK RSTOP / D DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAMS MUSIC STYLE RECO IN OUT MENU � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & TECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHORD 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC S D SD IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNT 5 LOAD CONDUCTOR RESET INTRO POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN 5 4 Use the STYLE � and � buttons to 4 select a music style . and • You can use the SKIP ∧ ∨ buttons to skip to the previous or following sub category . • When you select a style , the sounds and rhythm which are best suited for the selected style are automatically selected . Play the keyboard . 5 • When you specify a chord , an intro is played , after which the automatic rhythm starts . • You can also search for a style alphabetically or by music era . ( Refer to page 61 . ) 21 QQTG0692 Page: 22 04_Basic functions.fm 22 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions Automatic panel settings ( ONE TOUCH PLAY ) Basic EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL MULTI SET OFF / ON SPLIT MODE OFF / ON EFFECT EFFECT CHORUS REVERB SUSTAIN POINT CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORDION PIANO MALLET & RC SIMPLE DANCE TRAD T & Z SAX & USA ORCH PE BRASS SYNTH BEAT CLUB WAL WOODWIND � JAZZ & BALLROOM LATIN & DRUM SOUND SWING & SHOW WORLD MEMORY KITS EXPLORER BASS MEMORY LOAD MUSIC STYLIST DIGITAL DRAWBAR OTHER PARTS / TR DDISPLAY EXIT HELP ONE TOUCH LCD CONTRAST HOL < > PLAY MUTE PAGE PUSH RELEASE MAIN VOLUME AUTO SETTING BANK RSTOP / D DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAMS MUSIC STYLE RECO IN OUT MENU � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & TECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHORD 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC S D SD IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNTO 5 LOAD CONDUCTOR RESET INTR POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN 3 4 6 1 2 5 In the RHYTHM GROUP section , press Press the AUTO PLAY CHORD’s 1 4 the button for a desired rhythm . MODE button to turn it on . RHYTHM GROUP AUTO PLAY CHORD POP ROCK DANCE POP BALLAD OFF / ON MODE SIMPLE DANCE TRAD T & Z CHORD FINDER USA BEAT CLUB WAL JAZZ & BALLROOM LATIN L & D SWING & SHOW WOR MEMORY Select BASIC on the display . LOAD 5 • Do not select the MEMORY button . Select a rhythm from the list of rhythms 2 on the display . Press and hold the ONE TOUCH PLAY 6 button for a few seconds . ONE TOUCH PLAY Press the AUTO PLAY CHORD’s 3 OFF / ON button to turn it on . . AUTO PLAY CHORD MODE OFF / ON • The sound , effects and tempo suitable for the selected rhythm are CHORD FINDER automatically selected . The tempo can be adjusted with the TEMPO / PROGRAM . 22 QQTG0692 Page: 23 04_Basic functions.fm 23 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions ic EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL MULTI s SET OFF / ON SPLIT MODE OFF / ON EFFECT CHORUS EFFECT REVERB SUSTAIN POINT CHORD FINDER a SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORDION PIANO MALLET & SIMPLE DANCE TRAD T & Z SAX & B USA BRASS SYNTH ORCH PERC BEAT CLUB WAL WOODWIND � JAZZ & BALLROOM LATIN L & D DRUM SOUNDRER SWING & SHOW WOR MEMORY BASS KITS EXPLO MEMORY LOAD MUSIC STYLIST DIGITAL DRAWBAR OTHER / TR PARTS DISPLAY EXIT HELP ONE TOUCH LCD CONTRAST HOLD < > PLAY MUTE PAGE PUSH RELEASE MAIN VOLUME AUTO SETTING BANK STOP / DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAM MUSIC STYLE RECORD IN OUT MENUS � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & DTECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHOR 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC S D SD IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNTO 5 LOAD CONDUCTOR RESET INTR POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN 7 8 C F G7 C C F G7 C Use your left hand to play the chords At the end of your performance , press 7 8 and your right hand to play the melody . the INTRO & ENDING 1 or 2 button . • Pressing a key on the left area of the keyboard will cause the automatic INTRO & ENDING rhythm pattern to start playing 1 2 ( synchro start ) . • An ending pattern is played , after which the automatic accompaniment stops . • If the START / STOP button is pressed , the accompaniment stops immediately . C G7 F • In this example you played chords by pressing • You can insert a fill - in pattern while the rhythm the keys for the “ root notes � ( ONE FINGER pattern is playing by pressing either the FILL chords ) . But you can also specify the chord by IN 1 or FILL IN 2 button . playing all the notes in the chord . ( Refer to page 52 . ) 23 QQTG0692 Page: 24 04_Basic functions.fm 24 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions Store your panel settings ( PANEL MEMORY ) Basic EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL MULTI SET OFF / ON SPLIT MODE OFF / ON EFFECT EFFECT CHORUS REVERB SUSTAIN POINT CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & ION POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORD PIANO MALLET & SIMPLE DANCE TRAD & SAX & WIND USA ORCH PERC BRASS SYNTH BEAT CLUB WALTZ WOOD � JAZZ & BALLROOM LATIN L & D DRUM SOUNDRER SWING & SHOW WOR MEMORY BASS KITS EXPLO MEMORY LOAD MUSIC STYLIST DIGITAL DRAWBAR SOTHER / TR PART DISPLAY EXIT HELP HOLD ONE TOUCH LCD CONTRAST < > PLAY MUTE PAGE LPUSHEASE RE MAIN VOLUME AUTO SETTING BANK STOP / DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAM MUSIC STYLE RECORD IN OUT MENUS � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & TECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHORD 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC S D SD IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNTO 5 LOAD CONDUCTOR RESET INTR POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN 2 3 Set up the desired panel settings With the SET button held down , press 1 3 ( sounds , volumes , etc . ) one of the numbered buttons of the PANEL MEMORY ( 1 to 8 ) . Use the NEXT BANK button to select a 2 bank ( A , B , C ) . PANEL MEMORY 1 2 3 4 SET NEXT BANK BANK VIEW 5 6 7 8 NEXT BANK • The bank numbers are shown on the • The current panel settings are now display . stored in the specified bank and number . When you select the same Bank number bank and number again , the stored panel settings are recalled . • If you do not wish to recall the rhythm , tempo , etc . with the PANEL MEMORY , press and hold the SET button for a few seconds to show the PANEL MEMORY MODE display , and select NORMAL . 24 QQTG0692 Page: 25 04_Basic functions.fm 25 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions Record your performance ( SEQUENCER ) Basic EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL CMULTIT SET OFF / ON SPLIT MODE OFF / ON EFFECT EFFE CHORUS REVERB SUSTAIN POINT CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & ION POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORD PIANO MALLET & SIMPLE DANCE TRAD T & Z SAX & USA BRASS SYNTH ORCH PERC BEAT CLUB WAL WOODWIND � JAZZ & BALLROOM LATIN L & D DRUM SOUND SWING & SHOW WOR MEMORY BASS KITS EXPLORER MEMORY LOAD MUSIC STYLIST DIGITAL DRAWBAR OTHER PARTS / TR DISPLAY EXIT HELP HOLD ONE TOUCH LCD CONTRAST < > PLAY MUTE PAGE PUSH RELEASE MAIN VOLUME AUTO SETTING BANK STOP / DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAMS MUSIC STYLE RECORD IN OUT MENU � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & DTECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHOR 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC S D SD IN USE S D NEXT BANK 4 6 SOLO MIN SEQUENCER COUNT 5 LOAD CONDUCTOR RESET INTRO POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN 2 1 Sonatina Sound : Piano ( RIGHT 1 part ) Right hand Left hand In the SEQUENCER section , press the Press the OK button . 1 2 EASY REC button to turn it on . SEQUENCER PLAY EASY REC • The display changes to the REALTIME RECORD display . ( Continued on the next page ) 25 QQTG0692 Page: 26 04_Basic functions.fm 26 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions Basic EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL MULTI SET OFF / ON SPLIT MODE OFF / ON EFFECT EFFECT CHORUS REVERB SUSTAIN POINT CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORDION PIANO MALLET & RC SIMPLE DANCE TRAD T & Z SAX & USA ORCH PE BRASS SYNTH BEAT CLUB WAL WOODWIND � JAZZ & BALLROOM LATIN L & D DRUM SOUND SWING & SHOW WOR MEMORY KITS EXPLORER BASS MEMORY LOAD MUSIC STYLIST DIGITAL DRAWBAR SOTHER / TR PART DDISPLAY EXIT HELP ONE TOUCH LCD CONTRAST HOL < > PLAY MUTE PAGE PUSH RELEASE MAIN VOLUME AUTO SETTING BANK STOP / DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAM MUSIC STYLE RECORD IN OUT MENUS � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & DTECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHOR 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC S D SD IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNT 5 LOAD CONDUCTOR RESET INTRO POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN 3 A B 4 Playing back your recorded Play the song on the keyboard . performance 3 Press the SEQUENCER RESET ( FILL A IN 1 ) button . When you have finished playing , press 4 the EASY REC button again to turn it off . FILL IN 1 SEQUENCER PLAY EASY REC SEQUENCER RESET • The PLAY button in the Press the START / STOP button . SEQUENCER section turns on . B START / STOP 1 2 3 4 BEAT • Your performance is played back just as you recorded it . • When you are finished playing back your performance , press the PLAY button in the SEQUENCER section to turn it off . 26 QQTG0692 Page: 27 04_Basic functions.fm 27 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions ( KN2600 ) Save data on an SD card ic EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL MULTI SET OFF / ON SPLIT MODE OFF / ON EFFECT CHORUS EFFECT REVERB SUSTAIN POINT s CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORDION PIANO a MALLET & SIMPLE DANCE TRAD T & Z SAX & WIND USA BRASS SYNTH ORCH PERC BEAT CLUB WAL WOOD � B JAZZ & BALLROOM LATIN & DRUM SOUNDRER SWING & SHOW WORLD MEMORY BASS KITS EXPLO MEMORY LOAD MUSIC STYLIST DIGITAL DRAWBAR OTHER PARTS / TR DISPLAY EXIT HELP ONE TOUCH LCD CONTRAST HOLD < > PLAY MUTE PAGE LPUSHEASE RE MAIN VOLUME AUTO SETTING BANK RSTOP / D DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAM MUSIC STYLE RECO IN OUT MENUS � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & DTECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHOR 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC S D SD IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNT 5 LOAD CONDUCTOR RESET INTRO POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN 3 4 5 6 2 Insert an SD card you wish to save to Select TECHNICS FORMAT . 1 4 into the SD slot . ( Refer to page 19 ) Specify the FOLDER and a SONG 5 number to save to . • Close the cover securely . Press the SD button . 2 S D SD IN USE LOAD On the SD MENU display , select SAVE . 3 Press the SAVE button . 6 • The performance data of the song recorded in the SEQUENCER is saved on the SD card . 27 QQTG0692 Page: 28 04_Basic functions.fm 28 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions ic EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL MULTI SET OFF / ON SPLIT MODE OFF / ON EFFECT EFFECT CHORUS REVERB SUSTAIN POINT s CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & ION POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORD PIANO a MALLET & SIMPLE DANCE TRAD T & Z SAX & USA ORCH PERC BRASS SYNTH BEAT CLUB WAL WOODWIND � B JAZZ & BALLROOM LATIN & DRUM SOUNDRER MEMORY SWING & SHOW WORLD BASS KITS EXPLO MEMORY LOAD MUSIC STYLIST DIGITAL DRAWBAR SOTHER / TR PART DISPLAY EXIT HELP HOLD ONE TOUCH LCD CONTRAST < > PLAY MUTE PAGE LPUSHEASE RE MAIN VOLUME AUTO SETTING BANK STOP / DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAM MUSIC STYLE RECORD IN OUT MENUS � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & DTECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHOR 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC S D SD IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNTO 5 LOAD CONDUCTOR RESET INTR POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN 2 3 5 1 4 Recall data from an SD card Press and hold the SD button for a few Press the LOAD button . 1 3 seconds . • The data is copied to the internal memory of this instrument . S D SD IN USE Press the PLAY button in the LOAD 4 SEQUENCER section to turn it on . SEQUENCER PLAY EASY REC Select the FOLDER and the SONG you 2 wish to load . Press the START / STOP button . 5 START / STOP 1 2 3 4 BEAT • The recalled song is played back . � The following data can be saved / loaded : � CURRENT PANEL ( The current panel settings ) PANEL MEMORY SEQUENCER COMPOSER ( MEMORY contents ) PERFORMANCE SOUND MEMORY PERFORMANCE PADS ( USER memories ) EFFECT MEMORY BACKUP MIDI ( USER memories for the MIDI PRESETS ) & FAVORITES • KN2400 : The data can be saved in the disk . ( Refer to page 125 . ) 28 QQTG0692 Page: 29 04_Basic functions.fm 29 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 1 分 functions Load rhythm data from a Technics ( COMPOSER LOAD ) ( KN2400 ) pattern disk Basic EFFECT SOUND ARRANGER AUTO PLAY CHORD DIGITAL CMULTIT SET OFF / ON SPLIT MODE OFF / ON EFFECT EFFE CHORUS REVERB SUSTAIN POINT CHORD FINDER SOUND GROUP RHYTHM GROUP STRINGS & GUITAR & ORGAN & POP ROCK DANCE POP BALLAD VOCAL HARPSI ACCORDION PIANO MALLET & SIMPLE DANCE TRAD T & Z SAX & USA ORCH PERC BRASS SYNTH BEAT CLUB WAL WOODWIND � JAZZ & BALLROOM LATIN L & D DRUM SOUND SWING & SHOW WOR MEMORY BASS MEMORY KITS EXPLORER LOAD MUSIC STYLIST DIGITAL DRAWBAR OTHER / TR PARTS DISPLAY EXIT HELP ONE TOUCH LCD CONTRAST HOLD < > PLAY MUTE PAGE PUSH RELEASE MAIN VOLUME AUTO SETTING BANK STOP / DEMO FADE TRANSPOSE TEMPO / PROGRAM PANEL MEMORY SEQUENCER PROGRAMS MUSIC STYLE RECORD IN OUT MENU � + PLAY EASY REC MAX ARRANGER PART SELECT 1 2 3 4 SET PERFORMANCE PADS 1 2 3 BANK VIEW SYNCHRO & TECHNI - VARIATION & MSA FILL IN INTRO & ENDING START / STOP CHORD STEP BREAK LEFT RIGHT 2 RIGHT 1 CHORD 1 2 3 4 1 2 1 2 1 2 3 4 BEAT TAP TEMPO 5 6 7 8 REC S D SD IN USE NEXT BANK 4 6 SOLO MIN SEQUENCER COUNT 5 LOAD CONDUCTOR RESET INTRO POWER OFF ON PITCH BEND MODULATION UP MAX DOWN MIN 2 3 4 Insert a commercially sold Technics Press the LOAD button . 1 4 pattern disk into the Disk Drive slot . In the RHYTHM GROUP section , press 2 and hold the LOAD ( MEMORY ) button for a few seconds . RHYTHM GROUP POP ROCK DANCE POP BALLAD SIMPLE DANCE TRAD & USA BEAT CLUB WALTZ • Rhythm data is loaded to the COMPOSER memory ( MEMORY ) . You can use the rhythms during your JAZZ & BALLROOM LATIN L & D SWING & SHOW WOR MEMORY performance , just like the preset rhythms . LOAD Select the name of the pattern to load . 3 29 QQTG0692 Page: 30 05_About the display.fm 30 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 1 2 時 1 � 分 About the display A large - size display , easy to operate with excellent readability , is used for displaying various information such as the names of the selected sounds and rhythms etc . and when setting the functions . Let’s take a look . • The display illustrations shown in this User’s Manual are examples for the sake of clarification ; the actual displays on your instrument may differ from the illustrations . display Normal display ( HOME PAGE ) This is the kind of information you see on the dis - the play during a normal performance . About RIGHT 1 part sound Selected rhythm Tempo RIGHT 2 part sound LEFT part sound Volume of each part Volume balance At the bottom half of the normal display , the vol - ume balance of each part is represented in a fader illustration and by a number ( 0 to 127 ) . You can use the balance buttons below the display to adjust the volumes . SOTHER / TR PART MUTE APC : AUTO PLAY CHORD PADS : PERFORMANCE PADS METR : METRONOME When setting the volume balance , press the MUSIC � upper button to increase the volume and the “ MUSIC � pertains to the SEQUENCER’s volume . lower button to decrease it . • Affects the sound of all parts except the keys . • Hold a button down to scroll the volume • KN2600 : does not affect SD - AUDIO data play - quickly . back . < Auto accompaniment part > MUTE � Pressing the OTHER PARTS / TR button will dis - To mute a part , press both the corresponding play the auto accompaniment part setting upper and lower buttons at the same time . screen . • The volume display for a muted part is shown • DRM : DRUMS ACP : ACCOMP as “ MUTE . � • Pressing either balance button for a muted part will cancel the mute function . 30 QQTG0692 Page: 31 05_About the display.fm 31 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 1 2 時 1 � 分 ( PT ) is used to playback recording and song OTHER PARTS / TR � data . By the pressing the OTHER PARTS / TR button , the screen sequentially switches to the respec - • When there are other parts or tracks to tive volume balance screens of the play part , access , the OTHER PARTS / TR indicator is lit . auto accompaniment part , playback part ( 1 to 8 ) , and playback part ( 9 to 16 ) . The playback part PAGE Menu display dispoay When there are additional parts to the current The PROGRAM MENUS button controls multiple display , a page number indication , for example functions . Press the button to access its menu PAGE1 / 2 , appears in the upper right corner of display . the the screen . For example , 1 / 2 indicates that there t are two pages of the display , and the current PROGRAMS Abou MENU page is page 1 . In this case , you can use the upper and lower PAGE buttons , to the right of the balance buttons , to view different “ pages � of the display . Example of menu display : PROGRAM � MENUS Select a function from the menu display by pressing the corresponding button to the left or PAGE � � right of the display indicated by the and arrows . • Press the upper button to view the next page of the display , and the lower button to view the previous page of the display . • On the last page of the display , pressing the upper button returns to the first page . And conversely , on the first page of the display , pressing the lower button will skip to the last page . • In this manual , the steps describing how to select a function from a menu display are gen - erally abbreviated as follows , for example : “ On the PROGRAM MENUS display , select SOUND . � 31 QQTG0692 Page: 32 05_About the display.fm 32 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 1 2 時 1 � 分 Setting display EXIT When you select an item from the menu display , While the setting display is shown , press this but - the setting display for the item is shown . ton to go back to the previous display . The buttons to the right , left and / or directly below the display are used to select and adjust the set - DDISPLAY tings . HOL EXIT HELP Example of setting display : MASTER � display TUNING the About DISPLAY HOLD Press this button to turn it on when you wish to maintain the current display . You can keep a dis - play which is normally automatically canceled , for example , or even during a performance , you can monitor information which is not shown on the normal display . Press the button corresponding to the or but - ∧ ∨ DDISPLAY HOL EXIT HELP ton on the display to change the value . • In this manual , this procedure is written as fol - lows : “ Use the and buttons to adjust the ∧ ∨ pitch . � • The indicator for this button may flash if the TEMPO / PROGRAM current display is one which is normally auto - If the TEMPO / PROGRAM indicator is lit while matically canceled . you are using the display to adjust the setting , it • If the PROGRAM MENUS button , for exam - indicates that these buttons can be used to ple , is pressed , the DISPLAY HOLD mode is quickly change the displayed value or setting . canceled . TEMPO / PROGRAM CONTRAST Press the CONTRAST button and adjust the dis - and buttons on play's viewability using the ∧ ∨ the screen . CONTRAST • The setting which can be adjusted is high - lighted on the display . • When adjusting the CONTRAST , the set value is shown shortly on the display . 32 QQTG0692 Page: 33 05_About the display.fm 33 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 1 2 時 1 � 分 • An explanation of the button’s function is HELP shown on the display . You can find an explanation of each button’s function on the display . Press the HELP button again to exit the help 5 . mode . Press the HELP button . 1 . • Attention display messages and error mes - DDISPLAY sages are also shown in the selected lan - EXIT HELP HOL guage . dispoay • The appearance of the display on your instru - ment may be different from the illustrated dis - the play in this manual depending on the region in which your instrument was purchased and the About • The following display appears . selected display language . Use the buttons below the display to select a 2 . language . Press the OK button . 3 . Press a button on the panel whose explana - 4 . tion you wish to read . Favorites With up to 9 types of sounds , rhythms , functions , etc . , you can arrange them to make up your own unique screen pattern . • The display looks similar to the following . Press the FAVORITES button to turn it on . 1 . FAVORITES • The display looks similar to the following . Select the desired item . 3 . • Use the CATEGORY and ∧ ∨ buttons to spec - ify a category , and then the ITEM and but - ∧ ∨ tons to select an item . • The MUTE KEYS function silences the sound of the keyboard keys . This is convenient when you wish to pretend to play the keyboard while playing back a recorded performance . Press the FAVORITES SETTING button . 2 . • The PANIC function interrupts the sound , for example , when it fails to cease during a MIDI performance . ( Continued on the next page ) 33 QQTG0692 Page: 34 05_About the display.fm 34 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 1 2 時 1 � 分 While pressing the SET button , specify where Repeat steps 3 and 4 to create the display you 4 . 5 . you wish to paste ( put ) the item . want . • While the SET button is depressed , the dis - • There are nine settable items on the display . play appears as shown below . Use the but - tons to the left and right of the display to On the FAVORITES SETTINGS display , 6 . specify where you wish to paste the item . press the OK button . • Your customized display is stored . display the About Recall a FAVORITES display � Press the FAVORITES button to turn it on . 1 . Use the buttons to the left and right of the dis - 2 . play to specify the ITEM you wish to recall . • The FAVORITES settings can be saved to a disk / card . 34 QQTG0692 Page: 35 06_Part I.fm 35 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 8 分 Part I Sounds and effects Overview of sounds and effects The following is an overview of the sound parts of this instrument . NX SOUND Part NX SOUND is the Technics original sound gen - This instrument is organized into the following erator format which evokes realtime perform - parts . ance quality and expressive power , and dramatically expands the number of sounds RIGHT 1 , RIGHT 2 , LEFT : and effects generated . This format includes These are the parts the performer plays on GM2 ( General MIDI Level 2 ) , and make various the keyboard . effects controls possible when data is created and • These are independent from the playback reproduced by computer . parts . For example one can to perform on the keyboard while playing back a song disk with and • For information about GM2 , refer to page 16 - part standard MIDI files ( SMF ) . 118 . Sounds PART1 to 16 : • Equipment with the logo shown below is SMF song disk playback parts , or parts for compatible with NX SOUND song data . MIDI receive . ACCOMP1 to 5 , BASS , DRUMS 1 , 2 : Parts for the automatic accompaniment . PADS : Parts for the PERFORMANCE PADS 35 QQTG0692 Page: 36 06_Part I.fm 36 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 8 分 Part I Sounds and effects Selecting sounds Select the sounds for the three parts you can play on the keyboard — RIGHT 1 , RIGHT 2 and LEFT . After first selecting a part and a SOUND GROUP , choose the desired sound from the display . Select a sound In the PART SELECT section , choose RIGHT Select the desired sound from the list on the 1 . 3 . 1 , RIGHT 2 or LEFT . display . effects PART SELECT LEFT RIGHT 2 RIGHT 1 and • The CONDUCTOR buttons are used to spec - Sounds ify which part is heard . ( Refer to page 39 . ) • For the RIGHT 1 and RIGHT 2 parts , when a CONDUCTOR button is selected , the corre - • When you select a sound , the optimum effects sponding PART SELECT button is also acti - for the sound are automatically applied . vated . You can also choose to cancel this automatic feature . ( Refer to page 153 . ) In the SOUND GROUP section , select a 2 . • You can use the PAGE buttons to view a dif - sound group . ferent page of the list . SOUND GROUP • Use the OCTAVE and buttons to select ∧ ∨ STRINGS & GUITAR & ORGAN & ION VOCAL HARPSI ACCORD PIANO the octave . • The sound you select is memorized for the part you selected in step 1 . MALLET & RC SAX & WIND BRASS SYNTH ORCH PE WOOD • The sounds that can be selected for the � RIGHT 1 , RIGHT 2 and LEFT parts and for PART 1 - 16 vary . DRUM SOUNDRER BASS KITS EXPLO MEMORY • The illustrated display shows one example , and the actual display may be different . DIGITAL DRAWBAR Play the keyboard . 4 . • This instrument features INITIAL TOUCH ( the volume , for example , changes depending on • The sounds in DRUM KITS are percussion how hard the keyboard is played ) . sounds that you play by striking the keyboard keys . • MEMORY is reserved for storing sounds you modify . ( Refer to page 170 . ) 36 QQTG0692 Page: 37 06_Part I.fm 37 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 8 分 Part I Sounds and effects SOUND EXPLORER This is a convenient feature for finding the sound Use the GRP and buttons to select a ∧ ∨ 3 . you want from the many available sounds . GROUP of sound . In the PART SELECT section , choose RIGHT 1 . Use the buttons on both side of the display to 4 . 1 , RIGHT 2 or LEFT . select the sound . • The numerical value that is displayed for each Press the SOUND EXPLORER button to turn 2 . sound is the MIDI [ BANK MSB , LSB ] - PRO - GRAM CHANGE number . it on . . • GM2 sounds are selected on this display . SOUNDRER EXPLO ALPHABET � Press the CTG button to show the sound names in alphabetical order . effects • Press the ALP button to return to the CATE - GORY display . and Sounds Digital Drawbar You can play organ sounds while controlling the drawbars on the display . corresponding balance buttons to adjust the In the PART SELECT section , select a part . 1 . volume . • The DIGITAL DRAWBAR can not be selected Press the DIGITAL DRAWBAR button to turn 2 . for the ACCOMP and BASS parts of the it on . COMPOSER , SOUND ARRANGER or PER - DIGITAL DRAWBAR FORMANCE PADS . < DRAWBAR SETTING > Press the DRAWBAR SETTING button . • The display looks similar to the following . ( Continued on the next page ) Use the balance buttons below the display to 3 . adjust the volume of each drawbar . • The volume of each drawbar is illustrated on the display and changes when you press the 37 QQTG0692 Page: 38 06_Part I.fm 38 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 8 分 Part I Sounds and effects Change the sound type Other settings � � � Use the < Jazz Drawbars > / < Rock Drawbars > Use the buttons on either side of the display to button to select the type of sound . and select a setting item , and use one of the ∧ ∨ buttons , whichever is relevant for the selection , PERCUSSIVE TONE � and set . PERCUSSIVE TONE adds a tone with a fast ini - tial attack to the drawbar sounds . You can select two pitch levels of attack tones . Use the PERCUSSIVE TONE 2 2 / 3 ’ and 4 ’ but - tons to turn the respective tone on or off . TREMOLO � Tremolo is a rapid oscillation in volume , like the effect of a rotating speaker . The tremolo speed ATTACK TIME : effects can be changed while you are playing . and buttons to adjust the time it Use the ∧ ∨ takes for the drawbar sound to sound after Use the TREMOLO button to switch between the a key is played . and SLOW and FAST rotating speeds . RELEASE TIME : Use Soundsthe and buttons to adjust the time it ∧ ∨ • The tremolo setting is effective for each part in takes for the drawbar sound to die out after common . the keys are released . DECAY : • The TREMOLO is disabled if the MULTI Use the and buttons to adjust the time it ∧ ∨ EFFECT button is turned ON . takes for the percussive tone to die out . LEVEL : Use the ∧ and ∨ buttons to adjust the vol - ume of the percussive tone . • The above settings are effective for the RIGHT 1 , RIGHT 2 and LEFT parts in com - mon . About foot marks The foot indication ( for example 8 ’ ) refers to the pitch of a rank of pipes in a pipe organ . If 8 ’ is used as the standard ( the pitch as played on the keyboard ) , a 16 ’ rank pitch will be one octave below the 8 ’ rank pitch , and a 4 ’ rank pitch one octave above . 3 When the C key is pressed , the sounds of the different pitch ranks are as follows . 2 2 2 2 2 2 2 3 3 3 3 3 3 3 4 4 4 4 4 4 4 5 5 5 5 5 5 5 6 f d e g a b c c d e f g a b c d e f g a b c d e f g a b c 1 2 1 3 / 5 3 3 / 3 16 ' 8 ' 5 / ' 4 ' 2 / ' 2 ' 1 ' 1 ' 1 ' 38 QQTG0692 Page: 39 06_Part I.fm 39 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 8 分 Part I Sounds and effects Assigning parts to the keyboard The CONDUCTOR buttons are used to assign the parts ( RIGHT 1 , RIGHT 2 , LEFT ) to the keyboard in many different ways . For example , you can split the keyboard into right and left sections ( SPLIT ) , and assign a different sound to each section . CONDUCTOR CONDUCTOR settings How sounds are assigned to the keyboard All keys produce the RIGHT 1 sound . effects LEFT RIGHT 2 RIGHT 1 RIGHT 1 and CONDUCTOR Sounds All keys produce the RIGHT 2 sound . LEFT RIGHT 2 RIGHT 1 RIGHT 2 CONDUCTOR All keys produce both the RIGHT 1 sound and the RIGHT 2 sound . LEFT RIGHT 2 RIGHT 1 RIGHT 1 + RIGHT 2 CONDUCTOR The left keys produce the LEFT sound and the right keys produce the LEFT RIGHT 2 RIGHT 1 RIGHT 1 sound and the RIGHT 2 sound . LEFT RIGHT 1 + RIGHT 2 CONDUCTOR The left keys produce the LEFT sound and the right keys produce the LEFT RIGHT 2 RIGHT 1 RIGHT 1 sound . LEFT RIGHT 1 CONDUCTOR The left keys produce the LEFT sound and the right keys produce the LEFT RIGHT 2 RIGHT 1 RIGHT 2 sound . LEFT RIGHT 2 CONDUCTOR • The volume for each part can be adjusted independently . ( Refer to page 30 . ) • The following conditions are in effect when the AUTO PLAY CHORD is used . — BASIC , ADVANCED mode : You cannot assign sounds to all the keys . — PIANIST mode : The keyboard cannot be split . 39 QQTG0692 Page: 40 06_Part I.fm 40 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 8 分 Part I Sounds and effects SPLIT POINT When the keyboard is split into left and right sec - tions , the split point is usually C3 . C3 SPLITNT POI effects Customized split point � Use the following procedure if you wish to store a split point at a location other than andC3 . Sounds Press the SPLIT POINT button . 1 . SPLITNT POI • The following display appears . Press a key on the keyboard to specify the 2 . desired split point . • A split point is set at the location of the pressed key , and is indicated on the keyboard illustration on the display . • The key at the split point is the lowest note of the right keyboard section . • After a few seconds , the display exits the set - ting mode . 40 QQTG0692 Page: 41 06_Part I.fm 41 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 8 分 Part I Sounds and effects Effects SUSTAIN SUSTAIN is the gradual fading out of musical tones after the key is released . In the CONDUCTOR or PART SELECT sec - 1 . tion , turn on the part to which this effect will be effects applied . Press the SUSTAIN button to turn it on . 2 . and Sounds SUSTAIN • The SUSTAIN can be set to on or off for each part . • This effect does not work for the sounds in the DRUM KITS sound group . • This effect may not work for some sounds . • In the initialized state , the sustain can be turned on and off with the optional Foot Switch ( sold separately ) . DIGITAL EFFECT DIGITAL EFFECT gives the sound richness and enhances your performance . In the CONDUCTOR or PART SELECT sec - 1 . tion , turn on the part to which this effect will be applied . Press the DIGITAL EFFECT button to turn it 2 . on . CDIGITALT EFFE • The on or off status of the DIGITAL EFFECT is preset for each sound . • This effect does not work for the sounds in the DRUM KITS sound groups . • This effect may not work for some sounds . 41 QQTG0692 Page: 42 06_Part I.fm 42 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 8 分 Part I Sounds and effects MULTI EFFECT The MULTI EFFECT works like a studio effects EFFECT EDIT � processor , providing effects such as CHORUS , The effects can be edited and then stored in a PHASER , DELAY and DISTORTION . memory . In the CONDUCTOR or PART SELECT sec - Select an effect type to use as a base . 1 . 1 . tion , turn on the part to which this effect will be applied . Press the EDIT button . 2 . • The display changes to the following . Press the MULTI EFFECT button to turn it on . 2 . CMULTIT EFFE effects and Type and parameter settings � Use the PARAMETER � and � buttons to 3 . Press and hold the MULTI EFFECT button for 1 . Sounds select the parameter . a few seconds . • The display changes to the following . Use the VALUE and buttons to adjust the ∧ ∨ 4 . setting . • The parameters vary depending on the effect type selected as the base . • ( V ) is the abbreviation of VARIATION . Press the WRITE button . 5 . Use the � and � buttons to select an effect 2 . group . • The EFFECT MEMORY is for edited effects ( see below ) . Use the buttons to the right of the display to 3 . select the type . Press the EFFECT NAMING button and 6 . • If the types comprise more than one display assign a name to the effect , if necessary . “ page , � use the PAGE buttons to switch • Refer to page 65 for details about the pages . NAMING procedure . • Press the VARI button to enable the variation Use the EFFECT MEMORY � and � buttons 7 . effect . to specify the location in which to store the edited effect . • This display can also be accessed from the REVERB & EFFECT MENU display . ( Refer to Press the OK button . 8 . page 155 . ) 42 QQTG0692 Page: 43 06_Part I.fm 43 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 8 分 Part I Sounds and effects REVERB CHORUS Add breadth to the sound . REVERB applies a reverberation effect to the sound . Press the CHORUS button to turn it on . Press the REVERB button to turn it on . CHORUS REVERB Type and parameter settings Type and parameter settings � � � Press and hold the REVERB button for a few Press and hold the CHORUS button for a few 1 . 1 . effects seconds . seconds . • The display changes to the following . • The display looks similar to the following . and Sounds Use the � and � buttons to select an effect Use the � and � buttons to select the name 2 . 2 . group . of the effect group . • The EFFECT MEMORY is an edited effect • EFFECT MEMORY is an edited effect group . group . Use the buttons to the right of the display to 3 . Use the buttons to the right of the display to 3 . select a type . select a type . • If the types comprise more than one display EFFECT EDIT � “ page , � use the PAGE buttons to switch Your edited effect can be stored in a memory for pages . later recall . • The procedure is the same as for MULTI EFFECT . ( Refer to page 42 . ) Use the TOTAL DEPTH and buttons to ∧ ∨ 4 . set the depth of the effect . • This display can also be accessed from the REVERB & EFFECT MENU display . ( Refer to page 155 . ) EFFECT EDIT � Your edited effect can be stored in a memory for later recall . • The procedure is the same as for MULTI EFFECT . ( Refer to page 42 . ) 43 QQTG0692 Page: 44 06_Part I.fm 44 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 8 分 Part I Sounds and effects MIC You can add reverb and other effects to sound Select MIC REVERB & EFFECT . 3 . from a connected microphone . • The display looks similar to the following . • Connect a microphone to this instrument . ( Refer to page 188 . ) Set the PROGRAM MENUS button to ON . 1 . PROGRAMS MENU Set using the button on the left of the display . 4 . Select the effect name ( MIC REVERB / MIC EFFECT ) . effects • The display will appear as follows : Set the MIC REVERB . 5 . • Use the PARAMETER � and � buttons to and and ∧ select an attribute , and use the VALUE Sounds ∨ buttons to adjust the corresponding setting . • You can specify whether or not to apply the reverb with the MIC REV ON / OFF button . Set MIC EFFECT . 6 . • Use the PARAMETER � and � buttons to Select REVERB & EFFECT . 2 . and select an attribute , and use the VALUE ∧ ∨ buttons to adjust the corresponding setting . • Enable or disable the effect using the MIC EFF ON / OFF button . 44 QQTG0692 Page: 45 06_Part I.fm 45 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 8 分 Part I Sounds and effects Controller Use the controllers ( left next to the keyboard ) to change the nuance of the sound while you are playing . PITCH BEND MODULATION ( KN2600 ) The pitch of the instrument can be continuously The MODULATION wheel is used to apply a changed with the PITCH BEND wheel at the left vibrato effect , for example , to the sound . end of the keyboard . Using this control , you can While pressing a key on the keyboard , move the produce the effect of bending the strings on a wheel up to add the effect . guitar . MODULATION While pressing a key on the keyboard , move the MAX wheel up and down to control the pitch . effects PITCH BEND UP and MIN Sounds • When this effect is not needed , set the MOD - ULATION wheel to the MIN position . DOWN • This effect differs depending on the selected sound . • The vibrato effect does not function for the • When you release your hand from the wheel , it AUTO PLAY CHORD accompaniment pattern returns automatically to the center position or during a normal performance for the sounds and the pitch bend effect is turned off . of the LEFT part . • The pitch bend effect does not function for the AUTO PLAY CHORD accompaniment pattern or during a normal performance for the sounds of the LEFT part . • The amount of pitch bend can be set . ( Refer to page 149 . ) 45 QQTG0692 Page: 46 06_Part I.fm 46 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 8 分 Part I Sounds and effects Transpose The TRANSPOSE buttons are used to change the key of the entire instrument in semi - tone steps across an entire octave . Suppose you learn to play a song — in the key of C , for example — and decide you want to sing it , only to find that it’s either too high or too low for your voice . Your choice is to either learn the song all over again in a different key , or to use the TRANSPOSE feature . TRANSPOSE effects – + and Adjust the key with the + and – buttons . Sounds • The key is changed in half - tone increments up to plus or minus one octave . • If the two buttons are pressed at the same time , the key returns to C . • When the TRANSPOSE function is active , the transposed key is shown on the HOME PAGE display . < Example : transposed to D > Played keys C major Notes that sound D major 46 QQTG0692 Page: 47 06_Part I.fm 47 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 3 8 分 Part I Sounds and effects Techni - chord TECHNI - CHORD turns your single note melodies into full chords and offers you a choice of different types from a simple duet which adds one harmony note to your melody note , to big band reeds which adds four harmony notes to your melody note . If TECHNI - CHORD is part of a ONE TOUCH PLAY or MUSIC STYLIST registration , a suitable TECHNI - CHORD type will be selected automatically . Example : C D G C Left hand ( chord ) effects Right hand ( melody ) and Split the keyboard into left and right sections . 1 . Type setting Sounds Press and hold the TECHNI - CHORD button 1 . Press the TECHNI - CHORD button to turn it 2 . for a few seconds . on . • The display looks similar to the following . DTECHNI - CHOR Play the keyboard . 3 . • The melody you play with your right hand is automatically played in chords which are based on the chords you play with your left hand . � � , Use the � , � , buttons to select the har - 2 . mony style . • This feature is very effective when used with • When the OCTAVE , HARD ROCK or FAN - the AUTO PLAY CHORD . FARE style is selected , the TECHNI - CHORD functions even when the keyboard is not split . ORCHESTRATOR � • In the case of EASY RECORD ( see page 77 ) , You can specify which part is used for the har - when set to CONDUCTOR or a part other than mony tones . Your TECHNI - CHORD perfor - PART 4 , the TECHNI - CHORD sound is not mance is enhanced by selecting harmony recorded ; so when you use EASY RECORD , sounds different from the sounds you play and please set to one or the other . the sounds produced by the automatic accompa - niment . Use the ORCHESTRATOR and buttons ∧ ∨ 1 . to select the part for the harmony notes . • If CONDUCTOR is selected , the harmony notes are produced in the sounds of the part which is currently selected in the CONDUC - TOR ( RIGHT 1 , RIGHT 2 ) . In other words , the harmony notes are produced in the same sound as the melody notes . If both RIGHT 1 and RIGHT 2 are on , the harmony notes are produced in the sound of the RIGHT 1 part . 47 QQTG0692 Page: 48 07_Part II.fm 48 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 4 � 分 Part II Playing the rhythm Overview of rhythm performance An explanation follows of the terms related to this instrument’s rhythm performance . Rhythm and accompaniment Rhythm and Style One rhythm of this instrument is comprised of pattern four VARIATION patterns , and for each one the Each rhythm is comprised of not only a DRUMS optimum sounds and effects are set . pattern , but also of accompaniment patterns All of these together comprise one STYLE . called BASS and ACCOMP . The combination of all of these is the rhythm . STYLE • The accompaniment pattern sounds when RHYTHM you perform using the AUTO PLAY CHORD PANEL setting VARIATION 1 ( APC ) . ( Refer to page 52 . ) . PANEL setting VARIATION 2 PANEL setting VARIATION 3 PANEL setting VARIATION 4 rhythm • In the MUSIC STYLIST ( page 60 ) and MUSIC STYLE ARRANGER ( page 62 ) theetc . this STYLE is summoned . Playing 48 QQTG0692 Page: 49 07_Part II.fm 49 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 4 � 分 Part II Playing the rhythm Selecting rhythms Many exciting rhythms are stored in the memory of this instrument . First select one of the rhythm groups and then choose the desired rhythm . Select a rhythm VARIATION � In the RHYTHM GROUP section , select a 1 . There are four variations available for each rhythm group . rhythm . Use the VARIATION buttons to select RHYTHM GROUP the desired variation . POP ROCK DANCE POP BALLAD MUSIC STYLER ARRANGE SIMPLE DANCE TRAD T & Z USA BEAT CLUB WAL VARIATION 1 2 3 4 JAZZ & BALLROOM LATIN L & D SWING & SHOW WOR MEMORY m LOAD rhyth • Confirm that the MUSIC STYLE ARRANGER • MEMORY is the group in which you store the button is off . ( If it is on , press it once to turn it rhythms you create with the COMPOSER . the off . ) ( Refer to page 111 . ) • The nuance of the pattern differs with each Playing variation number . Select the desired rhythm from the list on the 2 . • You can change to a different variation while display . the rhythm is playing . • If there is more than one page to the display , use the PAGE buttons to move from one screen page to another . 49 QQTG0692 Page: 50 07_Part II.fm 50 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 4 � 分 Part II Playing the rhythm Start the rhythm There are two ways to start the rhythm . Normal start Adjust the tempo � � � The tempo of the rhythm pattern is adjusted with the TEMPO / PROGRAM buttons . Select a rhythm . 1 . Press the START / STOP button to turn it on . 2 . TEMPO / PROGRAM START / STOP 1 2 3 4 BEAT • The selected rhythm pattern immediately begins to play . • You can stop the rhythm by pressing the • The tempo is shown on the display as a START / STOP button again to turn it off . numerical value ( = 40 to 300 ) . q • The BEAT indicators above the START / STOP • When the TEMPO / PROGRAM indicator is lit , button light to indicate the beat . the TEMPO / PROGRAM cannot be used to adjust the tempo . Synchronized start � • To adjust the tempo during playback , refer to With the synchronized start feature , the rhythm page 81 . rhythm pattern starts when you play a key on the key - board . TAP TEMPO � You can set the tempo of the rhythm by tapping the Select a rhythm . 1 . this button few times with your finger at the laying tempo you wish to play . Press the SYNCHRO & BREAK button to turn 2 . it on . TAP PTEMPO SYNCHRO & BREAK • The tempo at which the button is tapped is detected , and the tempo automatically Play a key to the left of the keyboard split 3 . changes correspondingly . point . • The rhythm pattern begins to play . • You can use the synchronized start feature even when the keyboard is not divided into left and right sections . To start the rhythm , press a key to the left of the specified split point . 50 QQTG0692 Page: 51 07_Part II.fm 51 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 4 � 分 Part II Playing the rhythm Playing the rhythm Intro , fill - in and ending patterns fitting each different rhythm pattern are permanently recorded in your Keyboard , thus allowing a versatile rhythm performance . Mode setting � INTRO You can select the mode for the count sound . Begin the rhythm performance with an intro pat - tern . Press the MODE button in the AUTO PLAY 1 . CHORD section to turn it on . Press the INTRO & ENDING 1 or INTRO & 1 . ENDING 2 button to turn it on . AUTO PLAY CHORD MODE OFF / ON INTRO & ENDING CHORD FINDER 1 2 • The display looks similar to the following . Press the START / STOP button to start the 2 . rhythm . rhythm START / STOP 1 2 3 4 BEAT the Playing Use the COUNT INTRO button to select a 2 . mode . • An intro pattern is played , after which the nor - mal rhythm pattern begins . VOICE : A spoken count ( initialized setting ) . CLICK : A clicking sound for the count . COUNT INTRO You can begin the rhythm performance with a FILL IN spoken one - measure count . You can insert a fill - in pattern any time during the rhythm performance . Choose from two different Press the COUNT INTRO ( FILL IN 2 ) button 1 . fill - in patterns . to turn it on . Select a rhythm and press the START / STOP 1 . FILL IN 2 button . Press the FILL IN 1 or FILL IN 2 button . 2 . COUNTO INTR FILL IN 1 2 Press the START / STOP button to start the 2 . rhythm . SEQUENCER COUNTO • A spoken one - measure count is played , after RESET INTR which the normal rhythm pattern begins . • A fill - in pattern is heard immediately for the remainder of the measure . • When a FILL IN button is pressed on the last beat of the measure , the fill - in pattern con - tinues to the end of the following measure . 51 QQTG0692 Page: 52 07_Part II.fm 52 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 4 � 分 Part II Playing the rhythm ENDING Finish the rhythm performance with an ending pattern . Select a rhythm and press the START / STOP 1 . button . Press the INTRO & ENDING 1 or INTRO & 2 . ENDING 2 button to turn it on . INTRO & ENDING 1 2 • An ending pattern is produced , and then the rhythm performance stops . • If you accidentally press the INTRO & END - ING button in the middle of the tune , you can press the FILL IN 1 or FILL IN 2 button . The ending pattern stops , and a fill - in pattern is produced , after which the normal rhythm per - formance continues . rhythm the Playing Auto Play Chord Simply by playing a chord on the keyboard , the AUTO PLAY CHORD function automatically plays an accompaniment pattern which matches perfectly the selected rhythm . With a real accompaniment as a background , you can concentrate on playing the melody . How the AUTO PLAY CHORD works When an AUTO PLAY CHORD mode is selected , an automatic accompaniment which matches the rhythm you have chosen is played Melody in the chord which you specify with your left Chord hand . The melody is played with your right hand . • The accompaniment pattern of the AUTO PLAY CHORD is composed of 8 parts : DRUMS 1 , 2 , BASS , ACCOMP 1 – 5 . • The volume of each part can be adjusted with the buttons below the display . ( Refer to page 30 . ) 52 QQTG0692 Page: 53 07_Part II.fm 53 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 4 � 分 Part II Playing the rhythm Playing chords < one finger > Choose from the 4 ways of playing chords . In the < one - finger > , a major chord can be played just by pressing the key for its root note . BASIC mode � This mode lets beginners specify chords with just one finger . With this mode , chords can be speci - Example : C chord fied either with one finger < one finger > or by pressing all of the chord's sound components < fingered > . Minor , seventh and minor seventh chords are also easily produced . minor chord seventh chord minor seventh chord Play the root note plus a Play the root note plus a Play the root note plus a black key to the left of it . white key to the left of it . black key and a white key to the left of it . Example : Cm Example : C7 Example : Cm7 rhythm the Playing • When three or more keys of a chord are pressed , it is recognized as a < fingered > chord . < fingered > PIANIST mode � In the < fingered > , you specify the chord by play - In the PIANIST mode , the entire keyboard can ing all the notes in the chord . be used to specify chords < fingered > ( ADVANCE ) for the automatic accompaniment ; a RIGHT part is assigned to all the keys , and the keyboard does not split . • When specifying chords , if you press a key a perfect 5th or more below the lowest note of the chord , the BASS part becomes a pattern based on that note . • Play at least three notes to specify the chord . < APC HOLD > ADVANCED 1 mode � If this function is assigned to the Foot Switch This mode accepts chords specified with < fin - ( sold separately ) , for example , pressing the Foot gered > and disregards all unrecognizable chord Switch will play the currently specified chord in specifications . that timing , allowing you to focus your perform - • It recognizes many more chords than the ance on a solo melody . BASIC mode’s < fingered > chords . • The accompaniment continues in the same chord as long as the Foot Switch is ADVANCED 2 mode � depressed , and it does not change even if This mode accepts chords specified with < fin - other chords are played . gered > and , for unrecognizable chords , it plays • To change the Foot Switch assignment , refer the auto accompaniment according to the keys to page 172 . pressed . • It recognizes many more chords than the BASIC mode’s < fingered > chords . 53 QQTG0692 Page: 54 07_Part II.fm 54 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 4 � 分 Part II Playing the rhythm How to use the AUTO PLAY CHORD • When you use FILL IN , INTRO and ENDING , Select the desired rhythm and sound ( s ) , and 1 . the automatic accompaniment is also used in set the tempo . these patterns . • You can set the mode which determines how Press the AUTO PLAY CHORD’s OFF / ON 2 . the LEFT part sounds during an AUTO PLAY button to turn it on . CHORD performance . ( Refer to the next page . ) AUTO PLAY CHORD MODE OFF / ON • In the initialized condition , when the rhythm is off , if an AUTO PLAY CHORD mode is on and a chord is specified , the specified root note ( R . CHORD FINDER BASS part ) and chord notes ( CHORD part ) are produced . The volumes of these notes can be adjusted . ( Refer to page 30 . ) Press the AUTO PLAY CHORD’s MODE but - 3 . ton to turn it on . To stop the automatic accompaniment , press 7 . • The display looks similar to the following . the START / STOP button . • If you wish the automatic accompaniment to begin and end the performance , set the OFF / ON button to off . MEMORY � Press the MEMORY button and select either one of the rhythmfollowing : ON : Even when removing your finger from the keys , the present chord is retained Select an AUTO PLAY CHORD mode . 4 . the until the next chord is specified . • After a few seconds , the display returns to the OFF : When removing your finger , the chord previous display . Playing is deleted . • If the BASIC or ADVANCED mode was AUTO : The chord is retained when auto selected , the keyboard automatically splits accompaniment is playing but is not into right and left sections . retained when stopped . Press the START / STOP button to begin the 5 . ON BASS � rhythm . If the ON BASS button is ON , the BASS part is • You can start the rhythm by playing a key on produced in the key of the lowest note of the the keyboard . ( Refer to page 50 . ) played chord , thus making it possible to play chords such as C on G . Specify a chord . 6 . • For example , with the ON BASS button on , if • If the BASIC or ADVANCED mode was you play a C chord by pressing the keys G , C selected , specify the chord on the keyboard and E , the BASS part is produced in the key of section to the left of the split point . G . • An accompaniment pattern in the specified chord is automatically played . Play the melody with your right hand . Example of how to play a BASIC < One - Finger > accompaniment Play the melody with C F G C your right hand . Left hand 54 QQTG0692 Page: 55 07_Part II.fm 55 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 4 � 分 Part II Playing the rhythm Left Hold CHORD FINDER This setting determines how the LEFT part The CHORD FINDER can help , for example , sounds when the LEFT button in the CONDUC - when you do not know which keys to press to TOR is on during a performance with the BASIC specify a given chord . When you input the chord or ADVANCED mode . name , the CHORD FINDER shows you which keys to press and even lets you hear the notes that make up . Press the MODE button to turn it on . 1 . • The display changes to the following . Press the AUTO PLAY CHORD’s MODE but - 1 . ton to turn it on . AUTO PLAY CHORD MODE OFF / ON CHORD FINDER Use the LEFT HOLD : ON / OFF button to set 2 . the mode to on or off . • The display changes to the following . OFF : The LEFT part sounds from the pressed chord keys . • When BASIC is selected , the LEFT part turns rhythm off . The LEFT part sounds if you turn it on , but < one - finger > chords cannot be specified . the ON : Specifying < one - finger > chords in the BASIC Playing Select CHORD FINDER . 2 . mode produces the full chords ; otherwise the • The display changes to the following . LEFT part notes are those of the pressed chord keys . • When BASIC is selected the LEFT part turns off , but it will sound if you turn it on . • Touch response does not function for the LEFT part . • When the mode is set to ON , during a rhythm performance , the LEFT part continues to play even when the keys are released . Use the APC MODE button to select the auto - 3 . matic accompaniment mode you will use to specify chords ( BASIC , ADVANCED 1 ) . • In the list column are shown the chords which can be specified in each mode . ( Continued on the next page ) 55 QQTG0692 Page: 56 07_Part II.fm 56 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 4 � 分 Part II Playing the rhythm Use the ROOT buttons to select the root note 4 . BREAK function of the chord . Use the TYPE buttons to select With the break function , the rhythm starts when the type of chord . the left keyboard is played and stops when the • A typical way to finger the specified chord fingers are removed from the keys . ( TYPICAL ) is illustrated on a keyboard dia - gram . Select an AUTO PLAY CHORD mode . 1 . • Each time the INVERSION button is pressed , • At this time , the MEMORY ( APC SELECT ) different INVERSION fingerings are illustrated button should be OFF . in order . ( If there is no INVERSION fingering for the specified chord , this button is not Press the SYNCHRO & BREAK button to turn 2 . shown on the display . ) it on . • When the button with a picture of an ear is pressed , the notes of the chord sound . ( The octave of the illustrated keys and that of the SYNCHRO & BREAK played tones may differ . ) To exit the CHORD FINDER procedure , press 5 . the EXIT button . Specify a chord . 3 . • The automatic accompaniment begins to play ( synchronized start ) . • For the PIANIST mode , play the keys to the left of the currently set split point . rhythm Release the chord keys . 4 . • The automatic accompaniment stops . When the the keys are pressed again , the rhythm starts from the first beat . Playing 56 QQTG0692 Page: 57 07_Part II.fm 57 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 4 � 分 Part II Playing the rhythm Fade In / Fade Out Add interest to your performance by starting a part with a fade - in or ending it with a fade - out . • KN2600 : does not work for the SD - AUDIO data playback . FADE IN FADE OUT At the beginning of the song , the volume of each At the end of the song , the volume of each part part rises slowly . gradually fades to nothing . Set up the panel settings for your perform - Start the performance . 1 . 1 . ance . Turn on the FADE OUT button at the point you 2 . Turn on the FADE IN button . 2 . want the fade - out to start . FADE FADE IN OUT IN OUT rhythm • The indicator flashes . In this condition , the vol - • The volumes of all the parts slowly fade to 0 . umes for all parts change to 0 and no sound is • The indicator flashes to show that fade - out is the produced from this instrument until the FADE completed , and then goes out . The volumes IN is turned off or until step 3 is executed . for all parts return to their specified settings . Playing • If you wish to interrupt the fade - out , press the FADE OUT button to turn it off . Play the keyboard or press the START / STOP 3 . button . • The volume slowly builds to its preset level . • For the fade - in effect for a rhythm part or when playing back a SEQUENCER performance , turn on the FADE IN button before pressing the START / STOP button . • At the end of the fade - in , the FADE IN indica - tor goes out . • During the fade - in , FADE IN is shown in the upper right part of the normal display . 57 QQTG0692 Page: 58 07_Part II.fm 58 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 4 � 分 Part II Playing the rhythm FADE SET Adjust the settings for the FADE IN and FADE Use the � and � buttons to select the item . 2 . OUT . and buttons to change the set - ∧ ∨ Use the ting . Press and hold the FADE IN or FADE OUT 1 . button for a few seconds . FADE IN Time : Specify the time elapsed between 0 volume FADE IN OUT to the set volume ( 1 measure to 16 mea - sure ) . FADE OUT Time : • The display looks similar to the following . Specify the time elapsed between the set volume and 0 volume ( 1 measure to 16 measure ) . Auto Reset : Specify whether the volume of each part automatically returns to its specified setting ( ON , OFF ) . Rhythm Auto stop : Specify whether the rhythm turns off after fade - out is completed ( ON , OFF ) . SEQ Auto stop : rhythm Specify whether the SEQUENCER play - back automatically stops after fade - out is completed ( ON , OFF ) . the • The display returns to the previous display a Playing few seconds after you have changed the set - tings . • You can also access this display from the CONTROL MENU display . ( Refer to page 171 . ) 58 QQTG0692 Page: 59 07_Part II.fm 59 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 4 � 分 Part II Playing the rhythm Sound Arranger The SOUND ARRANGER feature lets you select other sounds for the AUTO PLAY CHORD parts of each rhythm . Select the rhythm whose sound you wish to 1 . Playing back the sounds change . • Do not select the MEMORY button . In the SOUND ARRANGER , press the 1 . OFF / ON button to turn it on . In the SOUND ARRANGER , press the SET 2 . button to turn it on . SOUND ARRANGER SET OFF / ON SOUND ARRANGER SET OFF / ON Start the rhythm ( automatic accompaniment ) . 2 . • When the OFF / ON button is off , the factory - • The display looks similar to the following . preset sounds are produced . rhythm • This setting can be set separately for each rhythm . the • If you wish to modify the settings you speci - Playing fied , while the OFF / ON button is on , press the SET button to turn it on . Use the � and � buttons to select the part 3 . whose sound you wish to change . Select the desired sound . 4 . • The DIGITAL EFFECT on / off status can also be specified ( except for DRUMS part ) . • For the DRUMS part , select sounds from the DRUM KITS group . • The sound and on / off status of the DIGITAL EFFECT are shown on the display . • The sounds marked with # cannot be changed . Repeat steps 3 and 4 for the other parts as 5 . desired . When you have finished selecting the sounds , 6 . press the SET button to turn it off . 59 QQTG0692 Page: 60 07_Part II.fm 60 ページ 2 � � 3 年 2 月 5 日   水 曜 日   � 後 2 時 4 � 分 Part II Playing the rhythm One Touch Play ONE TOUCH PLAY automatically sets a suggested combination of sounds and an appropriate tempo for your chosen rhythm style . Select a rhythm pattern . Play the keyboard . 1 . 3 . • Do not select the MEMORY button . • When you specify a chord , the automatic rhythm begins to play immediately . Press and hold the ONE TOUCH PLAY button 2 . for a few seconds . ONE TOUCH PLAY • During setting , the style name is shown on the display . • The AUTO PLAY CHORD and the SYNCHRO & BREAK are automatically turned on , and the sounds and effects , volume balances , rhythm tempo etc . that are ideal for your selected rhythm are automatically set . the Playing Music Stylist MUSIC STYLIST sets up your instrument with a suitable registration for a specific style of music or tune . Setup by music style Select a style from the MUSICAL CATEGORY . Press the MUSIC STYLIST button to turn it Select MUSICAL CATEGORY . 1 . 2 . on . • The display looks similar to the following . MUSIC STYLIST • The display looks similar to the following . Use the CATEGORY � and � buttons to 3 . select a category . Use the STYLE � and � buttons to select a 4 . music style . ∧ • During the search , you can use the SKIP and buttons to skip to the previous or follow - ∨ ing subcategory . 60 QQTG0692 |