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SX - PR54 / M ENGLISH DIGITAL ENSEMBLE SX - PR54 / M Operating Instructions Matsushita Electric Industrial Co . , Ltd . Before connecting , operating or adjusting this product , please read these This manual was printed Web Site : http : / / www.panasonic.co.jp / global / instructions completely . Please keep this manual for future reference . Printed in Japan with soy based ink . QQTG0701 ENGLISH ENGLISH QQTG0701 Se0503S0
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01_Caution for AC Mains Lead.fm 2 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ３ 時 ４ ４ 分 Caution for AC Mains Lead WARNING : DO NOT CONNECT EITHER WIRE ( For United Kingdom ) TO THE EARTH TERMINAL WHICH IS MARKED ( For the type as shown in figures A WITH THE LETTER E , BY THE EARTH and B ) SYMBOL OR COLOURED GREEN OR GREEN / YELLOW . For your safety , please read the following text carefully . THIS PLUG IS NOT WATERPROOF — KEEP DRY . This appliance is supplied with a moulded three pin mains plug for your safety and convenience . Before use A 5 - ampere fuse is fitted in this plug . Should the Remove the connector cover . fuse need to be replaced please ensure that the replacement fuse has a rating of 5 - ampere and How to replace the fuse that it is approved by ASTA or BSI to BS1362 . The location of the fuse differ according to the type Check for the ASTA mark or the BSI mark of AC mains plug ( figures A and B ) . Confirm the AC mains plug fitted and follow the instructions on the body of the fuse . below . Illustrations may differ from actual AC mains plug . If the plug contains a removable fuse cover you must ensure that it is refitted when the fuse is Open the fuse cover with a screwdriver . 1 . replaced . If you lose the fuse cover the plug must not be used until a replacement cover is obtained . Figure A Figure B A replacement fuse cover can be purchased from Fuse cover your local dealer . CAUTION ! IF THE FITTED MOULDED PLUG IS UNSUITABLE FOR THE SOCKET OUTLET IN Replace the fuse and close or attach the fuse 2 . YOUR HOME THEN THE FUSE SHOULD BE cover . REMOVED AND THE PLUG CUT OFF AND DISPOSED OF SAFELY . THERE IS A Figure A Figure B DANGER OF SEVERE ELECTRICAL SHOCK IF THE CUT OFF PLUG IS INSERTED INTO Fuse ANY 13 - AMPERE SOCKET . Fuse ( 5 ampere ) ( 5 ampere ) If a new plug is to be fitted please observe the wiring code as stated below . If in any doubt please For United Kingdom and Republic of Ireland consult a qualified electrician . www.panasonic.co.uk ( for UK customers only ) IMPORTANT The wires in this mains lead are coloured in accor - • Order accessory and consumable items for your product with ease and confidence by telephoning dance with the following code : our Customer Care Centre oMon – Fridaylidays . ) 9 : 00am – 5 : 30pm . ( Excluding public h Blue : Neutral , Brown : Live . • Or go on line through our Internet Accessory As these colours may not correspond with the col - ordering application . • Most major credit and debit cards aaccepted.cilities oured markings identifying the terminals in your • All enquiries transactions and distribution f plug , proceed as follows : are provided directly by Panasonic UK Ltd . • It couldn’t be simpler ! The wire which is coloured Blue must be con - Customer Care Centre nected to the terminal which is marked with the For UK customers : 08705 357357 For Republic of letter N or coloured Black or Blue . Ireland customers : 01 289 8333 The wire which is coloured Brown must be con - Technical Support nected to the terminal which is marked with the For UK customers : 0870 1 505610 letter L or coloured Brown or Red . This Technical Support Hot Line number is for Panasonic PC software related products only . For Republic of Ireland , please use the Customer Care Centre number listed above for all enquiries . For all other product related enquiries , please use the Customer Care Centre numbers listed above . 2 QQTG0701
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01_Caution for AC Mains Lead.fm 3 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ３ 時 ４ ４ 分 THE FOLLOWING APPLIES ONLY THE FOLLOWING APPLIES IN THE U.S.A . AND CANADA ONLY IN THE U.S.A . CAUTION : This equipment has been tested and found to CAUTION comply with the limits for a Class B digital device , RISK OF ELECTRIC SHOCK pursuant to Part 15 of the FCC Rules . These limits DO NOT OPEN are designed to provide reasonable protection against harmful interference in a residential instal - CAUTION : TO REDUCE THE RISK OF lation . This equipment generates , uses and can ELECTRIC SHOCK , DO NOT radiate radio frequency energy and , if not installed REMOVE SCREWS . NO USER - SERVICEABLE PARTS and used in accordance with the instructions , may INSIDE . cause harmful interference to radio communica - REFER SERVICING TO QUALIFIED tions . However , there is no guarantee that interfer - SERVICE PERSONNEL . ence will not occur in a particular installation . If this The lightning flash with arrowhead equipment does cause harmful interference to radio or television reception , which can be determined by symbol , within an equilateral tri - turning the equipment off and on , the user is angle , is intended to alert the user encouraged to try to correct the interference by one to the presence of uninsulated or more of the following measures : “ dangerous voltage � within the pro - • Reorient or relocate the receiving antenna . duct’s enclosure that may be of • Increase the separation between the equipment sufficient magnitude to constitute a and receiver . risk of electric shock to persons . • Connect the equipment into an outlet on a circuit different from that to which the receiver is con - The exclamation point within an nected . equilateral triangle is intended to • Consult the dealer or an experienced radio / TV alert the user to the presence of technician for help . important operating and main - FCC Warning : tenance ( servicing ) instructions in To assure continued FCC emission limit compli - the literature accompanying the ance , use only the provided power supply cord and appliance . the shielded interface cable when connecting this ( for U.S.A . and Canada ) device to the computer . Also , any unauthorized changes or modifications to CAUTION : this equipment would void the user’s authority to TO PREVENT ELECTRIC SHOCK MATCH WIDE operate this device . BLADE OF PLUG TO WIDE SLOT , FULLY IN - SERT . This device complies with Part 15 of the FCC Rules . Operation is subject to the following two con - ditions : ( 1 ) This device may not cause harmful inter - ference , and ( 2 ) this device must accept any WARNING : interference received , including interference that TO REDUCE THE RISK OF FIRE , ELECTRIC may cause undesired operation . SHOCK OR PRODUCT DAMAGE , DO NOT EXPOSE THIS APPARATUS TO RAIN , MOISTURE , DRIP - Responsible Party : PING OR SPLASHING AND THAT NO OBJECTS Matshshita Electric Corporation of America FILLED WITH LIQUIDS , SUCH AS VASES , SHALL One Panasonic Way BE PLACED ON THE APPARATUS . Secaucus , NJ , 07094 USA Telephone No . : 1 - 800 - 211 - 7262 THE FOLLOWING APPLIES ONLY IN THE U.S.A . The model number and serial number are found Notice : underneath the keyboard . This product has a fluorescent lamp that contains a Please note the model and serial numbers in the small amount of mercury . space provided below and retain this sheet as a It also contains lead in some components . Disposal of permanent record of your purchase to aid identification these materials may be regulated in your community in the event of theft . due to environmental considerations . MODEL NUMBER For disposal or recycling information please contact your local authorities , or the Electronics Industries SERIAL NUMBER Alliance : < http : / / www.eiae.org > THIS UNIT IS INTENDED FOR USE IN TROPICAL CLIMATES . DENNA ENHET ÄR AVSEDD FÖR ANVÄNDNING PÅ PLATSER MED TROPISKT KLIMAT . TÄMÄ LAITE ON TARKOITETTU KÄYTETTÄVÄKSI TROOPPISESSA ILMASTOSSA . DETTE APPARATET ER BEREGNET TIL BRUK UNDER TROPISKE KLIMAFORHOLD . 3 QQTG0701
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01_Caution for AC Mains Lead.fm 4 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ３ 時 ４ ４ 分 4 QQTG0701
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01_Caution for AC Mains Lead.fm 5 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ３ 時 ４ ４ 分 5 QQTG0701
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01_Caution for AC Mains Lead.fm 6 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ３ 時 ４ ４ 分 THE FOLLOWING APPLIES ONLY IN THE U.S.A . IMPORTANT SAFETY INSTRUCTIONS Read these operating instructions carefully before using the unit . Follow the safety instructions on the unit and the safety precautions listed below . Keep these operating instructions handy for future reference . 6 . Carts and stands — Use the unit only Safety with carts and stands recommended by 1 . Power Source — Connect the unit to a power the manufacturer . Move carts with care . source of the type described in these instructions or Sudden stops , excessive force , and as marked on the unit . uneven surfaces can cause carts to 2 . Polarization — The unit is equipped with a polarized overturn . power plug where one blade is wider than the other . 7 . Wall and ceiling mounting — Do not mount the unit This safety feature ensures that the plug fits into on walls or ceilings unless specified in the instruc - your household AC outlet only one way . If the plug tions . doesn’t fit one way , try reversing it . If the plug still Environment doesn’t fit , contact an electrician to replace the obsolete outlet . Do not attempt to defeat the safety 1 . Water and moisture — Do not use the unit near purpose of the plug . water , such as near a bathtub or swimming pool . 3 . Power Cord protection — Route the AC power sup - Avoid damp basements . ply cord so that it will not be walked on or pinched 2 . Heat — Situate the unit away from heat sources , by items placed on or against it . Never take hold of such as radiators . the plug or cord with wet hands . Always grasp the Do not situate where temperatures fall below 5 ° C plug body firmly when connecting and disconnect - ( 41 ° F ) or rise above 35 ° C ( 95 ° F ) . ing it . 4 . Overloading — When connecting the AC power Maintenance supply cord , be careful not to overload the house - ( See page 7 for details . ) hold AC outlet , extension cord , or outlet from any other device as this can result in fire or electric Unplug the unit from the household AC outlet before shock . cleaning . 5 . Nonuse periods — Turn the unit off when it is not in Clean with a damp cloth . use . Unplug the unit from the household AC outlet if Do not use abrasive pads , scouring powders , or sol - it is not to be used for a long time . Unplug the unit vents . during lightning storms . 6 . Attachments and accessories — Use only the Service attachments and accessories recommended in 1 . Damage Requiring Service — The unit should be these operating instructions . serviced by qualified service personnel if : ( a ) The AC power supply cord or the plug has been Installation damaged ; or ( b ) Objects or liquids have gotten into the unit ; or Placement ( c ) The unit has been exposed to rain ; or 1 . Ventilation — Situate the unit so that it receives ( d ) The unit does not operate normally or exhibits a proper ventilation . Do not install in a confined space marked change in performance ; or such as a bookcase or cabinet . Allow at least 10 cm ( e ) The unit has been dropped or the cabinet dam - ( 4 inches ) clearance from the rear of the unit . To aged . prevent the risk of electric shock or fire due to over - 2 . Servicing — Do not attempt to service the unit heating ensure curtains and other materials do not beyond that described in these operating instruc - obstruct the unit’s ventilation . tions . Refer all other servicing to authorized servic - 2 . Foreign material — Ensure objects and liquids do ing personnel . not get into the unit . Avoid exposing the unit to 3 . Replacement parts — When parts need replacing excessive smoke , dust , mechanical vibration , and ensure the servicer uses parts specified by the shock . manufacturer or parts that have the same charac - 3 . Magnetism — Situate the unit away from equipment teristics as the original parts . Unauthorized substi - and devices that generate strong magnetic fields . tutes may result in fire , electric shock , or other 4 . Stacking — Do not place heavy objects on top of hazards . this unit . 4 . Safety check — After repairs or service , ask the ser - 5 . Surface — Place the unit on a flat , level surface . vicer to perform safety checks to confirm that the unit is in proper working condition . 6 QQTG0701
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01_Caution for AC Mains Lead.fm 7 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ３ 時 ４ ４ 分 Cautions for safest use of this unit Installation location If operation seems abnormal Immediately turn off the power , disconnect the power A well - ventilated place . 1 . cord plug from the electrical outlet , and contact the Take care not to use this unit in a place where it store where it was purchased . will not receive sufficient ventilation , and not to permit the ventilation holes to be covered by cur - Discontinue using the unit at once . Failure to do so tains , or any similar materials . may result in additional damage or some other unex - Place away from direct sunlight and excessive 2 . pected damage or accident . heat from heating equipment . • Because the power source is located inside the A place where humidity , vibration and dust are 3 . unit , it is normal for the cabinet to become warm . minimized . A word about the power cord Power source If the power cord is scarred , is partially cut or Be sure the line voltage selector is in accordance 1 . bronken , or has a bad contact , it may cause a fire or with local voltage in your area before connecting serious electrical shock if used . NEVER use a dam - the plug to the socket . aged power cord for any appliance . Moreover , the DC power cannot be used . 2 . power cord should never be forcibly bent . Handling the power cord Don’t touch the inside parts of this unit . Never touch the power cord , or its plug , with wet 1 . hands . Some places inside this unit have high voltage poten - Don’t pull the power cord . 2 . tial . Never try to remove the top or back panels of this unit , or to touch inside parts by hand or with tools . Metal items inside the unit maymage . Contact someone who is qualified in order to inspect result in electric shock or da the inside , or to replace a fuse , if such becomes nec - essary . Never attempt to do these things yourself . Do not permit metal articles to get inside the unit . Be especially careful with regard to this point if Maintenance children are near this unit . They should be warned The following suggestions will assist you in keeping never to try to put anything inside . the unit in top condition . • Be sure to switch the instrument off after use , and If , nevertheless , some such article does get inside , do not switch the unit on and off in quick disconnect the power cord plug from the electrical succession , as this places an undue load on the outlet , and contact the store where the unit was electronic components . purchased . • To keep the luster of the surface and buttons , sim - ply use a clean , damp cloth ; polish with a soft , dry If water gets into the unit cloth . Polish may be used but do not use thinners or petro - chemical - based polishes . Disconnect the power cord plug from the electrical • A wax - based polish may be used on the cabinet , outlet , and contact the store where it was purchased . although you will find that rubbing with a soft cloth will suffice . As a precaution , it is suggested that flower vases and other containers which hold liquids not be placed on the top of this unit . SVENSK : Det kan inträffa att den här produkten • This product may receive radio interference under användningen tar emot radiostörningar , caused by mobile telephones during use . If such orsakade av mobiltelefoner . Öka avståndet mellan interference is apparent , please increase separa - produkten och mobiltelefonen om störningarna är tion between the product and the mobile tele - uppenbara . phone . SERVICE MUST BE CARRIED OUT BY DEALER OR OTHER QUALIFIED PERSON 7 QQTG0701
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02_Contents.fm 8 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ３ 時 ４ ８ 分 Contents Cautions for safest use of this unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Controls and functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 BASIC FUNCTIONS Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Playing the piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Progressive Pianist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 See and listen to the demonstration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Select a sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Select the registration for a music style ( PIANO STYLIST ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Automatic panel settings ( ONE TOUCH PLAY ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Record your performance ( SEQUENCER ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Store your panel settings ( PANEL MEMORY ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Save data on a floppy disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Load rhythm data from a Technics pattern disk ( COMPOSER LOAD ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Play back commercial song disks ( DIRECT PLAY ) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 PRACTICAL APPLICATIONS About the display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Favorites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Part I Sounds and effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Overview of sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Selecting sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Assigning parts to the keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Touch Sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Techni - chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Part II Playing the rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Overview of rhythm performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Selecting rhythms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Playing the rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Auto Play Chord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Fade In / Fade Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Sound Arranger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 One Touch Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 Piano Stylist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 Music Style Arranger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 Panel Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 Part III Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 Outline of the Sequencer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 Sequencer parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 Easy Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 Realtime Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 Sequencer Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61 Naming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 Panel Write . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 Song Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Punch Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Step Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 Track Assign . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70 Quantize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71 Song Clear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 Track Clear . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 Note Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 Drum Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 Copy and paste the recorded data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 Changing the note position etc . of the recorded data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 Part IV Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80 Outline of the Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80 Simple recording method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 Create a completely new rhythm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 Chord Modify Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85 Step Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86 Measure Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87 Pattern Copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 8 QQTG0701
Page: 9

02_Contents.fm 9 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ３ 時 ４ ８ 分 Part V Disk Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Outline of the Disk Drive function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Outline of the procedure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Loading data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 Direct Play . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 Song Medley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96 Saving data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Disk management . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99 Set the automatic display when a disk is inserted . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100 Part VI Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101 Outline of the Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101 Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102 Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Master Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 Key Scaling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 Sound Load Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107 APC Reverb Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107 Part VII Reverb & Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 Outline of the Reverb & Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 Tone Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 Part VIII Sound Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 Outline of the Sound Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 Easy Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110 Tone Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110 Pitch Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 Filter Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114 Amplitude Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116 LFO Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117 Effect Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118 Controller Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118 Store the new sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119 Part IX Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 Outline of Control functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 Pedal Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 Part X Customize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Outline of Customize functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 Display Time Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123 Data Protection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 MIDI Setting Load Option . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 Part XI MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125 What is MIDI ? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125 Outline of MIDI functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126 Part Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127 Control Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128 Realtime Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128 Common Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 Mode Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130 Input / output Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130 MIDI Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 Computer Connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132 Initialize . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133 Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134 Assembly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135 Symptoms which appear to be signs of trouble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136 Error messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140 Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141 Supplied accessories � Please check the supplied accessories . Music stand CD - ROM □ □ AC cord □ 9 QQTG0701
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03_Controls and functions.fm 10 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ３ 時 ５ � 分 Controls and functions PIANO STYLIST RHYTHM GROUP AUTO PLAY CHORD You can choose to have Various rhythm patterns are Add an automatic all the settings of this available for each rhythm accompaniment to your instrument automatically group . selected rhythm . set . ( Refer to page 50 . ) ( Refer to page 41 . ) ( Refer to page 44 . ) FADE AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME SOUNDGER ONE TOUCH FUNK & BALLROOMW SPLIT MAINUME POINT MODE IN OUT ARRAN OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO VOL MAX MAX SET CHORD FINDER WALTZ JAZZ & LATIN & LD PROGRESSIVE 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN LOAD 1 2 1 2 1 1 2 3 4 BEAT 3 4 2 MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DEMO M SEQUENCER COUNT RESET INTRO TRANSPOSE PROGRESSIVE PIANIST FADE IN / OUT Raise or lower the key Your piano offers a fun method Begin your song with a slowly of the entire keyboard . of learning to play piano . increasing volume , or end it by ( Refer to page 39 . ) ( Refer to page 14 . ) having the sound slowly fade away . ( Refer to page 48 . ) Tuning Unlike an acoustic piano , your PR Series Digital Ensemble never needs tuning . The pitch of this instrument can be adjusted for when playing along with other instruments . ( Refer to page 106 . ) 10 QQTG0701
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03_Controls and functions.fm 11 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ３ 時 ５ � 分 FAVORITES Fashion a customized display in which all your favorite sounds , rhythms and styles etc . are assembled . ( Refer to page 30 . ) DISPLAY Displays performance information , SOUND GROUP SEQUENCER function settings and other messages . Various sounds are Record and play ( Refer to page 27 . ) available for each back your Use the CONTRAST buttons to sound group . performance . adjust the display so that it is easy to ( Refer to page 31 . ) ( Refer to page 54 . ) read . SEQUENCER SOUND GROUP GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK LOAD CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT ORCH PERC WORLD MIXTURES MIXTURES DRAWBARS DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 EFFECT EFFE CHORUS REVERB BASS P.MEM 5 - 8 C A B DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 PAGE PIANO PANEL MEMORY CONDUCTOR EFFECT PANEL MEMORY Assign a different sound to Add various effects Store the panel settings , each part , then assign the to the sounds . then recall them desired parts to sections of ( Refer to page 37 . ) instantaneously just by the keyboard . pressing a button or two . ( Refer to page 34 . ) ( Refer to page 52 . ) TECHNI - CHORD Block chords are automatically added to the melody . ( Refer to page 40 . ) 11 QQTG0701
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04_Basic functions.fm 12 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions Getting started asic FADE SEQUENCER SOUND BGROUP APC / SEQUENCER AUTO PLAY CHORD TEMPO / PROGRAM RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SOUNDGER SPLIT ONE TOUCH FUNK & BALLROOMW MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME MODE IN OUT ARRAN OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO POINT VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFE WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB BASS 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO 4 Plug the power cord into an outlet . Set the MAIN VOLUME to an 1 4 appropriate level with the sliding control . MAINUME VOL MAX Press the POWER button to turn it on . 2 POWER OFF ON MIN ( Right end of the keyboard ) • The power indicator in the left front of the body is lit . Touch any note on the keyboard . • Your piano features Touch Response . You 3 control the volume by playing the keys harder or softer . Keyboard cover Music Stand Open and close the cover slowly . Insert the music stand in the two holes as shown in the diagram . 12 QQTG0701
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04_Basic functions.fm 13 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions Playing the piano Your piano is equipped with various fine functions which make it an extremely versatile instrument . But it Basic should be remembered that it is first of all a fine piano . Select one of the piano sounds and enjoy its excellent quality . When you activate the SIMPLE PIANO feature , the entire keyboard is instantly transformed into a piano , regardless of the current instrument settings . FADE SEQUENCER SOUND GROUP APC / SEQUENCER AUTO PLAY CHORD TEMPO / PROGRAM RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SOUNDGER SPLIT ONE TOUCH FUNK & BALLROOMW MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME MODE IN OUT ARRAN POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFE BASS 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO 2 1 Press the SIMPLE PIANO button to turn 1 it on . SIMPLE PIANO • The indicator lights . • The display changes to the SIMPLE PIANO display . Select the desired type of piano sound . 2 • The sounds and effects are automatically set . • “ COMPLETED ! � is shown on the display , and then the normal display reappears . Play anywhere on the keyboard . 3 • This procedure will cancel the current settings for sounds and effects , etc . Therefore , if you wish to later recall the current settings , be sure to store them in the PANEL MEMORY ( page 52 ) or save them to a disk ( page 97 ) before beginning this procedure . 13 QQTG0701
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04_Basic functions.fm 14 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions Progressive Pianist Your piano offers a fun method of learning to play piano . Start one of the 100 etudes incorporated in this Basic piano , read the music in the display , listen to the gentle accompaniment for your own and , have a good practice ! FADE SEQUENCER SOUND GROUP APC / SEQUENCER AUTO PLAY CHORD TEMPO / PROGRAM RHYTHM GROUP VOLUME GUITAR & SOUND EASY SAX & ORGAN & PROGRAM DISK SPLIT ONE TOUCH FUNK & BALLROOMW SOUNDGER MENUS IN USE STRINGS VOCAL HARPSI BRASS SYNTH EXPLORER PLAY REC FAVORITES DISK WOODWIND ACCORDION MAINUME OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO MODE IN OUT ARRAN POINT VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE ORCH PERC WORLD MIXTURES MIXTURES DRAWBARS DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 EFFECT EFFE CHORUS REVERB BASS MEMORY 8 BEAT 16 BEAT USA & TRAD SWING WOR PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 1 2 1 2 1 1 2 3 4 BEAT 3 4 2 MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO 1 · 9 2 - 8 Press the PROGRESSIVE PIANIST When you have finished listening , press 1 button . 6 the appropriate button to access the next step . PROGRESSIVE • In the Practice Makes Perfect / Musical Discovery PIANIST mode , press the PLAY ( STEP2 ) button , and for the Grand Performer / Pianist Mode Session mode , follow the step number to continue your practice . Select the goal of the practice . Press the RESET button . 2 • The MEASURE returns to the beginning of the 7 song . Press the START / STOP button to start 8 the exercise . Play the keyboard and follow the music exactly . • To redo your exercise from the beginning , press the START / STOP button to stop the music and press the SEQUENCER RESET ( FILL IN 1 ) button . You can also use the MEAS button to Use the SONG and buttons to select ∧ ∨ start from a desired position . 3 a preferred song . • If the tempo of the accompaniment is too fast , press the SLOW 1 button in the ONE TOUCH TEMPO section . If it is still too fast , press the SLOW 2 button . ( You can also use the TEMPO / PROGRAM dial to adjust the tempo . ) • The music pages shown on the display turn automatically . If you wish to turn them manually , set TURN PAGE to MANUAL and you can press the PAGE button to change the display ( upper ; previous page , lower ; next page ) . In this case , you can also turn the page by depressing the left pedal . • To play a different song while the performance is Press the LISTEN button . stopped , press the EXIT button , and then repeat 4 the above procedure from step 2 . To exit this feature , press the Press the START / STOP button on the 9 PROGRESSIVE PIANIST button again . 5 control panel and listen to the model interpretation while watching the music on the display . • Press the START / STOP button to stop the model performance . Press it again to continue the interpretation from the point at which it was interrupted . 14 QQTG0701
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04_Basic functions.fm 15 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions See and listen to the demonstration Basic FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SOUNDGER SPLIT ONE TOUCH FUNK & BALLROOMW MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME MODE IN OUT ARRAN OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO POINT VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFE BASS 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO 1 · 3 2 Press the DEMO button . 1 DEMO Use the buttons to the left and right the 2 display to select the demonstration tune you wish to see and listen to . • The demonstration performance and display corresponding to your selection will begin . • To end the demonstration before it has finished , press the START / STOP button . When you are finished listening to the 3 demonstration tunes , press the DEMO button again . • If you press and hold the DEMO button for a few seconds , or if you press first the DEMO button and then the START / STOP button , all the internal demo tunes are demonstrated in order in a medley performance . The medley performance continues until the START / STOP button or the DEMO button is pressed again . • Some of the buttons do not function during the DEMO mode . 15 QQTG0701
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04_Basic functions.fm 16 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions Select a sound asic FADE SEQUENCER SOUND BGROUP APC / SEQUENCER AUTO PLAY CHORD TEMPO / PROGRAM RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SOUNDGER SPLIT ONE TOUCH FUNK & BALLROOMW MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME MODE IN OUT ARRAN OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO POINT VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFE WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB BASS 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO 3 21A In the CONDUCTOR section on the Add reverberation . 1 panel , press the RIGHT 1 button to turn Press the REVERB button to turn it on . it on . A CONDUCTOR LEFT RIGHT 2 RIGHT 1 REVERB In the SOUND GROUP or PIANO 2 section , press one of the sound buttons . SOUND GROUP GUITAR & SOUNDRER SAX & ORGAN & ION HARPSI BRASS EXPLO STRINGS VOCAL SYNTH WOODWIND ACCORD MALLET & PIANO ORCH DIGITALARS BASS ORCH PERC WORLD MIXTURES MIXTURES DRAWB DRUM KITS MEMORY GRAND UPRIGHT ELECTRIC MODERN PIANO Select a sound from the list of sounds 3 shown on the display . • For most of the buttons , the list of sounds is contained on two or more screen “ pages . � To see a different part of the list , press either PAGE button . Play the keyboard . 4 16 QQTG0701
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04_Basic functions.fm 17 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions Select the registration for a music style ( PIANO STYLIST ) Basic FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SOUNDGER SPLIT ONE TOUCH FUNK & BALLROOMW MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME MODE IN OUT ARRAN OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO POINT VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE ORCH PERC WORLD MIXTURES MIXTURES DRAWBARS DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 EFFECT EFFE CHORUS REVERB BASS 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO 1 · 7 2 - 6 Press the PIANO STYLIST button to Use the GENRE / ERA / ALPHABET 1 turn it on . 5 button to select a group . Use the STYLE button to select a style . • In the above example , GENRE was selected . • If the list covers more than one screen “ page , � PIANO STYLIST the MORE button is shown on the display . Use the MORE button to switch between screen pages . • The AUTO PLAY CHORD and SYNCHRO & BREAK turn on , and the sounds , effects , rhythm , tempo , volume balance , etc . which are Press the PIANO STYLES button . best suited for the selected music style are automatically selected . 2 Play the keyboard . • When you specify a chord on the left area of the 6 keyboard , the automatic accompaniment immediately begins to play . • You can use the TEMPO / PROGRAM dial to adjust the tempo . When you are finished selecting the 7 Use the ARRANGE MODE button to style , turn the PIANO STYLIST button 3 select the desired type of arrangement . off . • Select the type you wish to play ( PIANO SOLO / PIANO & COMBO / PIANO & ENSEMBLE ) . Use the SELECT MODE button to 4 specify how you wish to select a style . GENRE : Select a style by musical genre . ERA : Select a style by era . ALPHABET : Select a style from an alphabetical list . 17 QQTG0701
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04_Basic functions.fm 18 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions Automatic panel settings ( ONE TOUCH PLAY ) Basic FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SOUNDGER SPLIT ONE TOUCH FUNK & BALLROOMW MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME MODE IN OUT ARRAN OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO POINT VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE ORCH PERC WORLD MIXTURES MIXTURES DRAWBARS DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 EFFECT EFFE CHORUS REVERB BASS 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO 3 5 1 2 In the RHYTHM GROUP section , press Use your left hand to play the chords 1 4 the button for a desired rhythm . and your right hand to play the melody . • Pressing a key on the left area of the keyboard RHYTHM GROUP will cause the automatic rhythm pattern to start FUNK & BALLROOMW METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO playing ( synchro start ) . At the end of your performance , press WALTZ JAZZ & LATIN & LD 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY 5 the INTRO & ENDING 1 or 2 button . LOAD INTRO & ENDING • Do not select the METRONOME or the MEMORY button . Select a rhythm from the list of rhythms • An ending pattern is played , after which the 2 on the display . automatic accompaniment stops . • If the START / STOP button is pressed , the accompaniment stops immediately . Press and hold the ONE TOUCH PLAY 3 button for a few seconds . ONE TOUCH PLAY • The sound , effects and tempo suitable for the selected rhythm are automatically selected . The tempo can be adjusted with the TEMPO / PROGRAM dial . 18 QQTG0701
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04_Basic functions.fm 19 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions Basic C F G7 C C F G7 C C G7 F • In this example you played chords by pressing the keys for the “ root notes � ( ONE FINGER chords ) . But you can also specify the chord by playing all the notes in the chord . ( Refer to page 45 . ) • You can insert a fill - in pattern while the preset rhythm pattern is playing by pressing either the FILL IN 1 or FILL IN 2 button . 19 QQTG0701
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04_Basic functions.fm 20 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions Record your performance ( SEQUENCER ) Basic FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SOUNDGER SPLIT ONE TOUCH FUNK & BALLROOMW MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME MODE IN OUT ARRAN OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO POINT VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE ORCH PERC WORLD MIXTURES MIXTURES DRAWBARS DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 EFFECT EFFE CHORUS REVERB BASS 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO 2 1 Sonatina Right hand Left hand In the SEQUENCER section , press the Press the OK button . 1 2 EASY REC button to turn it on . SEQUENCER EASYC PLAY RE • The display changes to the REALTIME RECORD display . 20 QQTG0701
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04_Basic functions.fm 21 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions Basic FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SOUNDGER SPLIT ONE TOUCH FUNK & BALLROOMW MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME MODE IN OUT ARRAN OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO POINT VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE ORCH PERC WORLD MIXTURES MIXTURES DRAWBARS DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 EFFECT EFFE CHORUS REVERB BASS 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO A B 4 Playing back your recorded Play the song on the keyboard . performance 3 Press the SEQUENCER RESET ( FILL A IN 1 ) button . When you have finished playing , press 4 the EASY REC button again to turn it off . 1 2 FILL IN SEQUENCER EASYC PLAY RE SEQUENCER COUNT RESET INTRO Press the START / STOP button . • The PLAY button in the SEQUENCER section turns on . B 1 2 3 4 BEAT START / STOP • Your performance is played back just as you recorded it . • When you are finished playing back your performance , press the PLAY button in the SEQUENCER section to turn it off . 21 QQTG0701
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04_Basic functions.fm 22 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions Store your panel settings ( PANEL MEMORY ) Basic FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SOUNDGER SPLIT ONE TOUCH FUNK & BALLROOMW MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME MODE IN OUT ARRAN OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO POINT VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE ORCH PERC WORLD MIXTURES MIXTURES DRAWBARS DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 EFFECT EFFE CHORUS REVERB BASS 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO 2 3 Set up the desired panel settings With the SET button held down , press 1 3 ( sounds , volumes , etc . ) one of the numbered buttons of the PANEL MEMORY ( 1 to 8 ) . Use the BANK button to select a bank P.MEM 5 - 8 2 ( A , B , C ) . SET 1 / 5 2 / 6 3 / 7 4 / 8 C A B BANK PANEL MEMORY • Turning the P.MEM 5 - 8 button ON enables the selection of panel settings for numbers 5 to 8 . • Lighting up both the A and B indicators enables • The current panel settings are now stored in the C to be selected . specified bank and number . When you select • The bank names are shown on the display . the same bank and number again , the stored panel settings are recalled . BANK 22 QQTG0701
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04_Basic functions.fm 23 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions Save data on a floppy disk asic FADE SEQUENCER SOUND GROUP APC / SEQUENCER AUTO PLAY CHORD TEMPO / PROGRAM RHYTHM GROUP B VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SOUNDGER SPLIT ONE TOUCH FUNK & BALLROOMW MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME MODE IN OUT ARRAN POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFE BASS 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO 2 - 5 Insert a disk you wish to save to into the Specify a file number to save to . 1 4 Disk Drive slot . Push it all the way in until you hear a click . MUTE On the DISK MENU display , select 2 SAVE . Press the SAVE button . 5 • If you attempt to use the SAVE procedure when an unformatted disk is inserted into the Disk • The performance data of the song recorded in Drive slot , the FORMAT display appears . Follow the SEQUENCER is saved on the floppy disk . the instructions on the display to format the disk . ( Formatting the disk will clear any data which is currently stored on the disk . ) Select TECHNICS FORMAT . 3 23 QQTG0701
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04_Basic functions.fm 24 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions asic FADE SEQUENCER SOUND GROUP APC / SEQUENCER AUTO PLAY CHORD TEMPO / PROGRAM RHYTHM GROUP B VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SOUNDGER SPLIT ONE TOUCH FUNK & BALLROOMW MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME MODE IN OUT ARRAN POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFE BASS 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO 2 · 5 3 41 Press the LOAD button . Recall data from a floppy disk • The data is copied to the internal memory of this 3 instrument . Press and hold the DISK button for a few 1 seconds . Press the PLAY button in the DISK 4 SEQUENCER section to turn it on . IN USE DISK SEQUENCER EASYC LOAD PLAY RE CHORD STEP REC Select the file you wish to load . 2 Press the START / STOP button . 5 1 2 3 4 BEAT START / STOP MUTE • The recalled song is played back . � The following data can be saved / loaded : � CURRENT PANEL ( The current panel settings ) PANEL MEMORY SEQUENCER PERFORMANCE COMPOSER ( MEMORY contents ) SOUND MEMORY EFFECT MEMORY BACKUP MIDI ( USER memory of the MIDI PRESETS ) & FAVORITES • For detailed infomation , refer to page 90 . 24 QQTG0701
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04_Basic functions.fm 25 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions Load rhythm data from a Technics ( COMPOSER LOAD ) pattern disk Basic FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SOUNDGER SPLIT ONE TOUCH FUNK & BALLROOMW MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME MODE IN OUT ARRAN OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO POINT VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE ORCH PERC WORLD MIXTURES MIXTURES DRAWBARS DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 EFFECT EFFE CHORUS REVERB BASS 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO 3 · 2 4 Insert a commercially sold Technics Press the LOAD button . 1 4 pattern disk into the Disk Drive slot . In the RHYTHM GROUP section , press 2 and hold the LOAD ( MEMORY ) button for a few seconds . RHYTHM GROUP FUNK & BALLROOMW METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO • Rhythm data is loaded to the COMPOSER memory ( MEMORY ) . You can use the rhythms WALTZ JAZZ & LATIN & LD 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY during your performance , just like the preset rhythms . LOAD Select the name of the pattern to load . 3 MUTE 25 QQTG0701
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04_Basic functions.fm 26 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ２ 分 functions Play back commercial song disks ( DIRECT PLAY ) Basic FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SOUNDGER SPLIT ONE TOUCH FUNK & BALLROOMW MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME MODE IN OUT ARRAN POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFE BASS 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO 2 - 4 Insert the song disk into the Disk Drive Use a the buttons below the display to 1 3 slot . select a song . MUTE On the DISK MENU display , select 2 DIRECT PLAY . • For SMF songs , use the PLAY AS button to specify a sound arrangement mode . Press the START button . • The selected song is played back . 4 • DIRECT PLAY is possible from the following disks : Standard MIDI File Standard MIDI File with Lyrics DISK ORCHESTRA COLLECTION ™ ( DOC ) PianoDisc ™ * All product and company names are trademarks or registered trademarks of their respective owners . * DISK ORCHESTRA COLLECTION is a trademark of the YAMAHA Corporation . 26 QQTG0701
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05_About the display.fm 27 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ９ 分 About the display A large - size display , easy to operate with excellent readability , is used for displaying various information such as the names of the selected sounds and rhythms etc . and when setting the functions . Let’s take a look . • The display illustrations shown in this User’s Manual are examples for the sake of clarification ; the actual displays on your instru - ment may differ from the illustrations . display Normal display ( HOME PAGE ) This is the kind of information you see on the dis - play during a normal performance . the About RIGHT 1 part sound Selected rhythm Tempo RIGHT 2 part sound LEFT part sound Volume of each part Volume balance At the bottom half of the normal display , the vol - ume balance of each part is represented in a fader illustration and by a number ( 0 to 127 ) . You can use the balance buttons below the display to adjust the volumes . OTHER PARTS / TR MUTE APC : AUTO PLAY CHORD RT : RIGHT METR : METRONOME • Pressing either balance button for a muted part will can - When setting the volume balance , press the cel the mute function . upper button to increase the volume and the lower button to decrease it . OTHER PARTS / TR � • Hold a button down to scroll the volume quickly . By the pressing the OTHER PARTS / TR button , the screen sequentially switches to the respec - < Auto accompaniment part > tive volume balance screens of the play part , Pressing the OTHER PARTS / TR button will dis - auto accompaniment part , playback part ( 1 to 8 ) , play the auto accompaniment part setting and playback part ( 9 to 16 ) . The playback part screen . ( PT ) is used to playback recording and song • DRM : DRUMS ACP : ACCOMP data . MUTE � To mute a part , press both the corresponding upper and lower buttons at the same time . • The volume display for a muted part is shown as “ MUTE . � 27 QQTG0701
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05_About the display.fm 28 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ９ 分 PAGE Setting display When there are additional parts to the current When you select an item from the menu display , display , a page number indication , for example the setting display for the item is shown . PAGE1 / 2 , appears in the upper right corner of The buttons to the right , left and / or directly below the screen . For example , 1 / 2 indicates that there the display are used to select and adjust the set - are two pages of the display , and the current tings . page is page 1 . In this case , you can use the upper and lower PAGE buttons , to the right of Example of setting display : MASTER � display the balance buttons , to view different “ pages � of TUNING the display . the About PAGE • Press the upper button to view the next page of the dis - play , and the lower button to view the previous page of MUTE the display . • On the last page of the display , pressing the upper button returns to the first page . And conversely , on the first page of the display , pressing the lower button will skip to the last page . or but - Press the button corresponding to the ∧ ∨ ton on the display to change the value . • In this manual , this procedure is written as follows : “ Use ∧ ∨ the and buttons to adjust the pitch . � Menu display The PROGRAM MENUS button controls multiple functions . Press the button to access its menu TEMPO / PROGRAM display . If the TEMPO / PROGRAM indicator is lit while you are using the display to adjust the setting , it PROGRAM MENUS indicates that this dial can be used to quickly change the displayed value or setting . TEMPO / PROGRAM Example of menu display : PROGRAM � MENUS Select a function from the menu display by pressing the corresponding button to the left or � � right of the display indicated by the and arrows . • The setting which can be adjusted is highlighted on the display . EXIT While the setting display is shown , press this but - ton to go back to the previous display . DISPLAY HOLD EXIT • In this manual , the steps describing how to select a func - tion from a menu display are generally abbreviated as fol - lows , for example : “ On the PROGRAM MENUS display , select SOUND . � 28 QQTG0701
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05_About the display.fm 29 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ９ 分 • The following display appears . DISPLAY HOLD Press this button to turn it on when you wish to maintain the current display . You can keep a dis - play which is normally automatically canceled , for example , or even during a performance , you can monitor information which is not shown on the normal display . display Use the buttons below the display to select a 2 . DISPLAY HOLD EXIT language . the Press the OK button . 3 . About Press a button on the panel whose explana - 4 . • The indicator for this button may flash if the current dis - play is one which is normally automatically canceled . tion you wish to read . • If the PROGRAM MENUS button , for example , is • An explanation of the button’s function is shown on the pressed , the DISPLAY HOLD mode is canceled . display . Press the HELP button again to exit the help 5 . CONTRAST mode . Press the CONTRAST button and adjust the dis - play's viewability using the and buttons on ∧ ∨ • Attention display messages and error messages are also the screen . shown in the selected language . • The appearance of the display on your instrument may CONTRAST be different from the illustrated display in this manual depending on the region in which your instrument was purchased and the selected display language . • When adjusting the CONTRAST , the set value is shown shortly on the display . HELP You can find an explanation of each button’s function on the display . Press the HELP button . 1 . HELP OTHER PARTS / TR 29 QQTG0701
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05_About the display.fm 30 ページ ２ � � ３ 年 ５ 月 １ ９ 日 　 月 曜 日 　 � 後 １ 時 ３ ９ 分 Favorites FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME SAX & ORGAN & PROGRAM DISK GUITAR & SOUND EASY SPLIT ONE TOUCH FUNK & BALLROOM SOUND MENUS IN USE WOODWIND ACCORDION STRINGS VOCAL HARPSI BRASS SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHOW MODE IN OUT ARRANGER VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 EFFECT EFFE CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 1 2 1 2 1 1 2 3 4 BEAT 3 4 2 MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO With up to 9 types of sounds , rhythms , functions , etc . , you can arrange them to make up your own unique screen pattern . display Press the FAVORITES button to turn it on . 1 . While pressing the SET button , specify where 4 . you wish to paste ( put ) the item . the • While the SET button is depressed , the display appears FAVORITES as shown below . Use the buttons to the left and right of About the display to specify where you wish to paste the item . • The display looks similar to the following . Repeat steps 3 and 4 to create the display you 5 . want . • There are nine settable items on the display . Press the FAVORITES SETTING button . 2 . On the FAVORITES SETTINGS display , 6 . • The display looks similar to the following . press the OK button . • Your customized display is stored . Select the desired item . 3 . ∧ ∨ buttons to specify a cate - • Use the CATEGORY and ∧ ∨ gory , and then the ITEM and buttons to select an item . • The MUTE KEYS function silences the sound of the key - board keys . This is convenient when you wish to pretend to play the keyboard while playing back a recorded per - formance . • The PANIC function interrupts the sound , for example , when it fails to cease during a MIDI performance . Recall a FAVORITES display � Press the FAVORITES button to turn it on . 1 . Use the buttons to the left and right of the dis - 2 . play to specify the ITEM you wish to recall . • The FAVORITES settings can be saved to a disk . 30 QQTG0701
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06_Part I.fm 31 ページ ２ � � ３ 年 ５ 月 ２ � 日 　 � 曜 日 　 � 後 ５ 時 ２ ４ 分 Part I Sounds and effects Overview of sounds The following is an overview of the sound parts of this instrument . NX SOUND Part NX SOUND is the Technics original sound gen - This instrument is organized into the following erator format which evokes realtime perform - parts . ance quality and expressive power , and dramatically expands the number of sounds RIGHT 1 , RIGHT 2 , LEFT : and effects generated . This format includes These are the parts the performer plays on GM2 ( General MIDI Level 2 ) , and make various the keyboard . effects • These are independent from the playback parts . For controls possible when data is created and example one can to perform on the keyboard while reproduced by computer . playing back a song disk with 16 - part standard MIDI files ( SMF ) . • For information about GM2 , refer to page 91 . and PART1 to 16 : Sounds • Equipment with the logo shown below is compatible SMF song disk playback parts , or parts for with NX SOUND song data . MIDI receive . ACCOMP1 to 5 , BASS , DRUMS 1 , 2 : Parts for the automatic accompaniment . METRONOME : METRONOME part . Selecting sounds FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SPLIT ONE TOUCH FUNK & BALLROOMW SOUNDGER MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO POINT MODE IN OUT ARRAN VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE BASS ORCH PERC WORLD MIXTURES MIXTURES DRAWBARS DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 EFFECT EFFE CHORUS REVERB MEMORY 8 BEAT 16 BEAT USA & TRAD SWING WOR PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 1 2 1 2 1 1 2 3 4 BEAT 3 4 2 MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO Select the sounds for the three parts you can play on the keyboard — RIGHT 1 , RIGHT 2 and LEFT . After first selecting a part and a SOUND GROUP , choose the desired sound from the display . Select a sound In the CONDUCTOR section , choose RIGHT In the SOUND GROUP section , select a 1 . 2 . 1 , RIGHT 2 or LEFT . sound group . SOUND GROUP CONDUCTOR SAX & ORGAN & ION GUITAR & SOUNDRER LEFT RIGHT 2 RIGHT 1 WOODWIND ACCORD STRINGS VOCAL HARPSI BRASS SYNTH EXPLO MALLET & PIANO ORCH DIGITALARS • The CONDUCTOR buttons are used to specify which ORCH PERC WORLD MIXTURES MIXTURES DRAWB DRUM KITS MEMORY BASS part is heard . ( Refer to page 34 . ) GRAND UPRIGHT ELECTRIC MODERN PIANO ( Continued on the next page ) 31 QQTG0701
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06_Part I.fm 32 ページ ２ � � ３ 年 ５ 月 ２ � 日 　 � 曜 日 　 � 後 ５ 時 ２ ４ 分 Part I Sounds and effects • The sounds in DRUM KITS are percussion sounds that ALPHABET � you play by striking the keyboard keys . Press the CTG button to show the sound names • MEMORY is reserved for storing sounds you modify . in alphabetical order . ( Refer to page 119 . ) • Press the ALP button to return to the CATEGORY display . Select the desired sound from the list on the 3 . display . Digital Drawbar You can play organ sounds while controlling the drawbars on the display . In the CONDUCTOR section , select a part . 1 . Press the DIGITAL DRAWBAR button to turn 2 . it on . DIGITALARS • When you select a sound , the optimum effects for the DRAWB sound are automatically applied . You can also choose to cancel this automatic feature . effects ( Refer to page 107 . ) • If there is more than one page to the display , use the PAGE buttons to move from one screen page to another . • Use the andOCTAVE ∧ ∨ and buttons to select the octave . • The display looks similar to the following . • To exit the sound select display , press the EXIT button . • The sound you select is memorized for the part Soundsyou selected in step 1 . • The sounds that can be selected for the RIGHT 1 , RIGHT 2 and LEFT parts and for PART 1 - 16 vary . • The illustrated display shows one example , and the actual display may be different . Play the keyboard . 4 . Use the balance buttons below the display to 3 . adjust the volume of each drawbar . SOUND EXPLORER • The volume of each drawbar is illustrated on the display This is a convenient feature for finding the sound and changes when you press the corresponding balance buttons to adjust the volume . you want from the many available sounds . • The DIGITAL DRAWBAR can not be selected for the ACCOMP and BASS parts of the COMPOSER or In the CONDUCTOR section , choose RIGHT 1 . SOUND ARRANGER . 1 , RIGHT 2 or LEFT . < DRAWBAR SETTING > Press the SOUND EXPLORER button to turn 2 . Press the DRAWBAR SETTING button . it on . . SOUNDRER EXPLO Change the sound type � Use the < Jazz Drawbars > / < Rock Drawbars > button to select the type of sound . PERCUSSIVE TONE � Use the GRP and buttons to select a ∧ ∨ 3 . PERCUSSIVE TONE adds a tone with a fast ini - GROUP of sound . tial attack to the drawbar sounds . You can select two pitch levels of attack tones . Use the buttons on both side of the display to 4 . select the sound . Use the PERCUSSIVE TONE 2 2 / 3 ’ and 4 ’ but - • The numerical value that is displayed for each sound is tons to turn the respective tone on or off . the MIDI [ BANK MSB , LSB ] - PROGRAM CHANGE num - ber . • GM2 sounds are selected on this display . 32 QQTG0701
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06_Part I.fm 33 ページ ２ � � ３ 年 ５ 月 ２ � 日 　 � 曜 日 　 � 後 ５ 時 ２ ４ 分 Part I Sounds and effects ATTACK TIME : TREMOLO � Use the Tremolo is a rapid oscillation in volume , like the and buttons to adjust the time it ∧ ∨ effect of a rotating speaker . The tremolo speed takes for the drawbar sound to sound after can be changed while you are playing . a key is played . RELEASE TIME : Use the Use the TREMOLO button to switch between the and buttons to adjust the time it ∧ ∨ SLOW and FAST rotating speeds . takes for the drawbar sound to die out after the keys are released . • The tremolo setting is effective for each part in common . DECAY : Use the and buttons to adjust the time it ∧ ∨ • The TREMOLO is disabled if the MULTI EFFECT button takes for the percussive tone to die out . is turned ON . LEVEL : Use the ∧ and ∨ buttons to adjust the vol - Other settings � ume of the percussive tone . Use the buttons on either side of the display to • The above settings are effective for the RIGHT 1 , RIGHT select a setting item , and use one of the and ∧ ∨ 2 and LEFT parts in common . buttons , whichever is relevant for the selection , and set . effects and Sounds About foot marks The foot indication ( for example 8 ’ ) refers to the pitch of a rank of pipes in a pipe organ . If 8 ’ is used as the standard ( the pitch as played on the keyboard ) , a 16 ’ rank pitch will be one octave below the 8 ’ rank pitch , and a 4 ’ rank pitch one octave above . When the C key is pressed , the sounds of the different pitch ranks are as follows . 1 2 1 3 / 5 3 3 / 3 16 ' 8 ' 5 / ' 4 ' 2 / ' 2 ' 1 ' 1 ' 1 ' 33 QQTG0701
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06_Part I.fm 34 ページ ２ � � ３ 年 ５ 月 ２ � 日 　 � 曜 日 　 � 後 ５ 時 ２ ４ 分 Part I Sounds and effects Assigning parts to FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME SAX & ORGAN & PROGRAM DISK GUITAR & SOUND EASY SPLIT ONE TOUCH FUNK & BALLROOMW SOUNDGER MENUS IN USE WOODWIND ACCORDION STRINGS VOCAL HARPSI BRASS SYNTH EXPLORER PLAY REC FAVORITES DISK MAIN POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO MODE IN OUT ARRAN VOLUME MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL MULTI WALTZ JAZZ & LATIN & PROGRESSIVE BASS WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFECT 8 BEAT 16 BEAT USA & TRAD SWING WORLD MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO the keyboard MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO The CONDUCTOR buttons are used to assign the parts ( RIGHT 1 , RIGHT 2 , LEFT ) to the keyboard in many different ways . For example , you can split the keyboard into right and left sections ( SPLIT ) , and assign a different sound to each section . CONDUCTOR CONDUCTOR settings How sounds are assigned to the keyboard All keys produce the RIGHT 1 sound . CONDUCTOR LEFT RIGHT 2 RIGHT 1 effects RIGHT 1 and All keys produce the RIGHT 2 sound . Sounds CONDUCTOR LEFT RIGHT 2 RIGHT 1 RIGHT 2 All keys produce both the RIGHT 1 sound and the RIGHT 2 sound . CONDUCTOR LEFT RIGHT 2 RIGHT 1 RIGHT 1 + RIGHT 2 The left keys produce the LEFT sound and the right keys produce the RIGHT 1 sound and the RIGHT 2 sound . CONDUCTOR LEFT RIGHT 2 RIGHT 1 LEFT RIGHT 1 + RIGHT 2 The left keys produce the LEFT sound and the right keys produce the RIGHT 1 sound . CONDUCTOR LEFT RIGHT 2 RIGHT 1 LEFT RIGHT 1 The left keys produce the LEFT sound and the right keys produce the CONDUCTOR RIGHT 2 sound . LEFT RIGHT 2 RIGHT 1 LEFT RIGHT 2 • The volume for each part can be adjusted independently . ( Refer to page 27 . ) • The following conditions are in effect when the AUTO PLAY CHORD is used . — BASIC , ADVANCED mode : You cannot assign sounds to all the keys . — PIANIST mode : The keyboard cannot be split . 34 QQTG0701
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06_Part I.fm 35 ページ ２ � � ３ 年 ５ 月 ２ � 日 　 � 曜 日 　 � 後 ５ 時 ２ ４ 分 Part I Sounds and effects SPLIT POINT You can split the keyboard into right and left sec - Customized split point � tions ( SPLIT ) , and assign a different sound to Use the following procedure if you wish to store a each section . split point at a location other than G2 / C3 / C4 . Press the LEFT button in the CONDUCTOR Press and hold the SPLIT POINT button for a 1 . 1 . to turn it on . few seconds . • If the LEFT part does not turn on , then turn off the AUTO SPLIT PLAY CHORD , or select any mode except PIANIST . POINT Use the SPLIT POINT button to define the 2 . point that divides the left and right keyboard • The following display appears . sections . SPLIT G2 C4 C3 POINT effects and Press a key on the keyboard to specify the 2 . Sounds desired split point . • Each time the SPLIT POINT button is pressed , the indi - • A split point is set at the location of the pressed key , and cation moves to the next split point in the following order . is indicated on the keyboard illustration on the display . G2 → C3 → C4 → customized split point ( all indicators • The key at the split point is the lowest note of the right off ) ( see below ) . keyboard section . • After a few seconds , the display exits the setting mode . • Whenever the keyboard is split , you can select your cus - tomized split point by pressing the SPLIT POINT button until none of the split point indicators is lit . In this case , the customized split point is indicated on the display . Pedals Sustain pedal � When a key is released while this pedal is Sustain pedal depressed , the sound is sustained so that it lin - gers and slowly fades out . Soft pedal • This effect does not work for the sounds in the DRUM KITS group . • This effect does not work for some sounds . • The length of the sustain can be set for each part . ( Refer to page 102 . ) Soft pedal � When this pedal is depressed , the sound is softer and the volume is slightly lower . • You can select a different function to control with this pedal . ( Refer to page 120 . ) String resonance String resonance is the sound heard in an acous - Press and hold the GRAND button for a few 1 . tic piano when the struck strings produce a sym - seconds . pathetic resonance of the other unstruck strings . GRAND For the GRAND PIANO and UPRIGHT PIANO sounds , string resonance is produced as long as the sustain pedal is depressed . The amount of string resonance can be adjusted . • STRING RESONANCE DEPTH is shown on the display . ( Continued on the next page ) 35 QQTG0701
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06_Part I.fm 36 ページ ２ � � ３ 年 ５ 月 ２ � 日 　 � 曜 日 　 � 後 ５ 時 ２ ４ 分 Part I Sounds and effects • The higher the number , the greater the amount of reso - Use the and buttons to adjust the amount ∧ ∨ 2 . nance . of resonance ( 0 to 99 ) . • When set to 0 , there is no string resonance . Touch Sensitivity FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK BALLROOM SPLIT ONE TOUCH FUNK & L SOUNDGER MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME OFF / ON PLAY METRONOME POP ROCK SOU DISCO POP BALLAD BALLAD & SHOW POINT MODE IN OUT ARRAN VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFE WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO effects Adjust keyboard touch response . and MINIMUM RANGE : Specify whether or not the keyboard Press the PROGRAM MENUS button to turn it 1 . keys function when the keys are pressed very softly on . Sounds ( ON / OFF ) . PROGRAM • When set to ON , the keys do not function when they are MENUS pressed very softy , as in an acoustic piano . When set to OFF , the keys function even when they are pressed very softly . When you have finished adjusting the settings , 4 . • The display looks similar to the following . press the PROGRAM MENUS button again . Select TOUCH SENSITIVITY . 2 . • The display looks similar to the following . Use the buttons to the left of the display to 3 . select the function you wish to set . Use the � and � buttons to adjust the setting . TOUCH SENSITIVITY : This is the keyboard touch response setting . • Select from HEAVY 3 , HEAVY 2 , HEAVY 1 , NORMAL and LIGHT . 36 QQTG0701
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06_Part I.fm 37 ページ ２ � � ３ 年 ５ 月 ２ � 日 　 � 曜 日 　 � 後 ５ 時 ２ ４ 分 Part I Sounds and effects Effects FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME SAX & ORGAN & PROGRAM DISK SOUND GUITAR & EASY SPLIT ONE TOUCH FUNK & BALLROOMW SOUND MENUS IN USE WOODWIND ACCORDION STRINGS VOCAL HARPSI BRASS SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO MODE IN OUT ARRANGER VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFE WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WORLD MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO Use the buttons to the right of the display to 3 . DIGITAL EFFECT select the type . DIGITAL EFFECT gives the sound richness and • If the types comprise more than one display “ page , � use enhances your performance . the PAGE buttons to switch pages . • Press the VARI button to enable the variation effect . In the CONDUCTOR or PART SELECT sec - 1 . tion , turn on the part to which this effect will be • This display can also be accessed from the REVERB & applied . EFFECT MENU display . ( Refer to page 108 . ) effects Press the DIGITAL EFFECT button to turn it 2 . EFFECT EDIT � on . The effects can be edited and then stored in a memory . CDIGITALT and EFFE Select an effect type to use as a base . 1 . Sounds Press the EFFECT EDIT button . 2 . • The on or off status of the DIGITAL EFFECT is preset for • The display changes to the following . each sound . • This effect does not work for the sounds in the DRUM KITS sound groups . • This effect may not work for some sounds . MULTI EFFECT The MULTI EFFECT works like a studio effects processor , providing effects such as CHORUS , PHASER , DELAY and DISTORTION . Use the PARAMETER � and � buttons to 3 . select the parameter . In the CONDUCTOR or PART SELECT sec - 1 . tion , turn on the part to which this effect will be Use the VALUE and buttons to adjust the ∧ ∨ 4 . applied . setting . • The parameters vary depending on the effect type selected as the base . Press the MULTI EFFECT button to turn it on . 2 . • ( V ) is the abbreviation of VARIATION . CMULTIT EFFE Press the WRITE button . 5 . Type and parameter settings � Press and hold the MULTI EFFECT button for 1 . a few seconds . • The display changes to the following . Press the EFFECT NAMING button and 6 . assign a name to the effect , if necessary . • Refer to page 52 for details about the NAMING proce - dure . Use the EFFECT MEMORY � and � buttons 7 . to specify the location in which to store the edited effect . Use the � and � buttons to select an effect 2 . group . Press the OK button . 8 . • The EFFECT MEMORY is for edited effects ( see below ) . 37 QQTG0701
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06_Part I.fm 38 ページ ２ � � ３ 年 ５ 月 ２ � 日 　 � 曜 日 　 � 後 ５ 時 ２ ４ 分 Part I Sounds and effects • The display looks similar to the following . REVERB REVERB applies a reverberation effect to the sound . Press the REVERB button to turn it on . REVERB Use the � and � buttons to select the name 2 . of the effect group . • EFFECT MEMORY is an edited effect group . Type and parameter settings � Press and hold the REVERB button for a few 1 . Use the buttons to the right of the display to 3 . seconds . select a type . • The display changes to the following . EFFECT EDIT � effects Your edited effect can be stored in a memory for later recall . • The procedure is the same as for MULTI EFFECT . ( Refer to page and37 . ) Sounds BRILLIANCE Use the � and � buttons to select an effect 2 . The brightness of the sound can be set for each group . performance part . • The EFFECT MEMORY is an edited effect group . Press the PROGRAM MENUS button to turn it 1 . Use the buttons to the right of the display to 3 . on . select a type . • If the types comprise more than one display “ page , � use the PAGE buttons to switch pages . PROGRAM MENUS Use the TOTAL DEPTH and buttons to ∧ ∨ 4 . set the depth of the effect . • This display can also be accessed from the REVERB & • The display will appear as follows : EFFECT MENU display . ( Refer to page 108 . ) EFFECT EDIT � Your edited effect can be stored in a memory for later recall . • The procedure is the same as for MULTI EFFECT . ( Refer to page 37 . ) Select BRILLIANCE . 2 . CHORUS Add breadth to the sound . Press the CHORUS button to turn it on . CHORUS Use the PART and buttons to select a ∧ ∨ 3 . part . Type and parameter settings � Press and hold the CHORUS button for a few 1 . Use the buttons to the left of the display to 4 . seconds . select the level of brightness . • For some sounds , the brightness does not change . 38 QQTG0701
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06_Part I.fm 39 ページ ２ � � ３ 年 ５ 月 ２ � 日 　 � 曜 日 　 � 後 ５ 時 ２ ４ 分 Part I Sounds and effects Select MIC REVERB & EFFECT . 3 . MIC REVERB & EFFECT • The display looks similar to the following . You can add reverb and other effects to sound from a connected microphone . • Connect a microphone to this instrument . ( Refer to page 134 . ) Press the PROGRAM MENUS button to turn it 1 . on . Set using the button on the left of the display . 4 . PROGRAM MENUS Select the effect name ( MIC REVERB / MIC EFFECT ) . Set the MIC REVERB . 5 . • Use the PARAMETER � and � buttons to select an • The display will appear as follows : ∧ ∨ buttons to adjust attribute , and use the VALUE and effects the corresponding setting . • You can specify whether or not to apply the reverb with the MIC REV ON / OFF button . and Set the MIC EFFECT . 6 . • Use the PARAMETER � and � buttons to select an Sounds ∧ ∨ attribute , and use the VALUE buttons to adjust and the corresponding setting . • You can specify whether or not to apply the effect with Select REVERB & EFFECT . 2 . the MIC EFF ON / OFF button . Transpose FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME SAX & ORGAN & PROGRAM DISK GUITAR & SOUND EASY SPLIT ONE TOUCH FUNK & BALLROOM SOUND MENUS IN USE WOODWIND ACCORDION STRINGS VOCAL HARPSI BRASS SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHOW MODE IN OUT ARRANGER VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE BASS ORCH PERC WORLD MIXTURES MIXTURES DRAWBARS DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 EFFECT EFFE CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 1 2 1 2 1 1 2 3 4 BEAT 3 4 2 MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO The TRANSPOSE buttons are used to change the key of the entire instrument in semi - tone steps across an entire octave . Suppose you learn to play a song — in the key of C , for example — and decide you want to sing it , only to find that it’s either too high or too low for your voice . Your choice is to either learn the song all over again in a different key , or to use the TRANSPOSE feature . < Example : transposed to D > - TRANSPOSE + Played keys Adjust the key with the + and – buttons . C major • The key is changed in half - tone increments up to plus or minus one octave . Notes that sound • If the two buttons are pressed at the same time , the key returns to C . • When the TRANSPOSE function is active , the trans - posed key is shown on the HOME PAGE display . D major 39 QQTG0701
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06_Part I.fm 40 ページ ２ � � ３ 年 ５ 月 ２ � 日 　 � 曜 日 　 � 後 ５ 時 ２ ４ 分 Part I Sounds and effects Techni - chord FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME SAX & ORGAN & PROGRAM DISK SOUND GUITAR & EASY SPLIT ONE TOUCH FUNK & BALLROOMW SOUNDGER MENUS IN USE WOODWIND ACCORDION STRINGS VOCAL HARPSI BRASS SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO MODE IN OUT ARRAN VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL MULTI WALTZ JAZZ & LATIN & LD PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFECT WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 1 2 1 2 1 1 2 3 4 BEAT 3 4 2 MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO TECHNI - CHORD turns your single note melodies into full chords and offers you a choice of different types from a simple duet which adds one harmony note to your melody note , to big band reeds which adds four harmony notes to your melody note . If TECHNI - CHORD is part of a ONE TOUCH PLAY or PIANO STYLIST registration , a suitable TECHNI - CHORD type will be selected automatically . Example : C D G7 C Left hand ( chord ) Right hand ( melody ) effects Split the keyboard into left and right sections . 1 . Type setting Press and hold the TECHNI - CHORD andbutton 1 . Press the TECHNI - CHORD button to turn it 2 . for a few seconds . on . Sounds • The display looks similar to the following . TECHNI - CHORD Play the keyboard . 3 . • The melody you play with your right hand is automatically played in chords which are based on the chords you play with your left hand . � � , Use the � , � , buttons to select the har - 2 . • This feature is very effective when used with the AUTO PLAY CHORD . mony style . • When the OCTAVE , HARD ROCK or FANFARE style is selected , the TECHNI - CHORD functions even when the keyboard is not split . � ORCHESTRATOR You can specify which part is used for the har - mony tones . Your TECHNI - CHORD perfor - mance is enhanced by selecting harmony sounds different from the sounds you play and the sounds produced by the automatic accompa - niment . Use the ORCHESTRATOR and buttons ∧ ∨ 1 . to select the part for the harmony notes . • If CONDUCTOR is selected , the harmony notes are pro - duced in the sounds of the part which is currently selected in the CONDUCTOR ( RIGHT 1 , RIGHT 2 ) . In other words , the harmony notes are produced in the same sound as the melody notes . If both RIGHT 1 and RIGHT 2 are on , the harmony notes are produced in the sound of the RIGHT 1 part . • In the case of EASY RECORD ( see page 58 ) , when set to a PART other than PART 4 , the TECHNI - CHORD sound is not recorded ; so when you use EASY RECORD , please set to CONDUCTOR or PART 4 . 40 QQTG0701
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07_Part II.fm 41 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 １ ６ 分 Part II Playing the rhythm Overview of rhythm performance An explanation follows of the terms related to this instrument’s rhythm performance . Rhythm and accompaniment Rhythm and Style One rhythm of this instrument is comprised of pattern four VARIATION patterns , and for each one the Each rhythm is comprised of not only a DRUMS optimum sounds and effects are set . pattern , but also of accompaniment patterns All of these together comprise one STYLE . called BASS and ACCOMP . The combination of all of these is the rhythm . STYLE • The accompaniment pattern sounds when you perform RHYTHM using the AUTO PLAY CHORD ( APC ) . ( Refer to page PANEL setting VARIATION 1 44 . ) . PANEL setting VARIATION 2 PANEL setting VARIATION 3 PANEL setting VARIATION 4 rhythm • In the PIANO STYLIST ( page 50 ) and MUSIC STYLE ARRANGER ( page 51 ) etc . this STYLE is summoned . the laying Selecting rhythms FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SPLIT ONE TOUCH FUNK & BALLROOMW SOUNDGER MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO MODE IN OUT ARRAN VOL MAX MAX P SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFE WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO Many exciting rhythms are stored in the memory of this instrument . First select one of the rhythm groups and then choose the desired rhythm . Select a rhythm In the RHYTHM GROUP section , select a Select the desired rhythm from the list on the 1 . 2 . rhythm group . display . RHYTHM GROUP FUNK & BALLROOMW METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO WALTZ JAZZ & LATIN & LD 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY • If there is more than one page to the display , use the LOAD PAGE buttons to move from one screen page to another . • MEMORY is the group in which you store the rhythms you create with the COMPOSER . ( Refer to page 85 . ) 41 QQTG0701
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07_Part II.fm 42 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 １ ６ 分 Part II Playing the rhythm VARIATION Synchronized start � � � There are four variations available for each With the synchronized start feature , the rhythm rhythm . Use the VARIATION buttons to select pattern starts when you play a key on the key - the desired variation . board . Select a rhythm . 1 . 1 2 3 4 Press the SYNCHRO & BREAK button to turn 2 . MUSIC STYLE ARRANGER VARIATION it on . SYNCHRO & BREAK • Confirm that the MUSIC STYLE ARRANGER button is off . ( If it is on , press it once to turn it off . ) • The nuance of the pattern differs with each variation number . Play a key to the left of the keyboard split 3 . • You can change to a different variation while the rhythm point . is playing . • The rhythm pattern begins to play . • You can use the synchronized start feature even when the keyboard is not divided into left and right sections . To start the rhythm , press a key to the left of the specified METRONOME split point . In the RHYTHM GROUP section , select MET - 1 . RONOME . Adjust the tempo � • The following display appears . The tempo of the rhythm pattern is adjusted with the TEMPO / PROGRAM dial . TEMPO / PROGRAM rhythm the Playing Select the time signature for the metronome . 2 . • Select “ Metronome Off � if you do not wish the first beat of • The tempo is shown on the display as a numerical value the measure to be accented . q ( = 40 to 300 ) . • Press the START / STOP button to start the metronome . • When the TEMPO / PROGRAM indicator is lit , the TEMPO / PROGRAM cannot be used to adjust the tempo . • To adjust the tempo during playback , refer to page 61 . Start the rhythm TAP TEMPO � There are two ways to start the rhythm . You can set the tempo of the rhythm by tapping this button few times with your finger at the Normal start � tempo you wish to play . Select a rhythm . 1 . TAP TEMPO Press the START / STOP button to turn it on . 2 . 1 2 3 4 BEAT • The tempo at which the button is tapped is detected , and START / STOP the tempo automatically changes correspondingly . • The selected rhythm pattern immediately begins to play . • You can stop the rhythm by pressing the START / STOP button again to turn it off . • The BEAT indicators above the START / STOP button light to indicate the beat . 42 QQTG0701
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07_Part II.fm 43 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 １ ６ 分 Part II Playing the rhythm Playing the rhythm FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME SAX & ORGAN & PROGRAM DISK SOUND GUITAR & EASY SPLIT ONE TOUCH FUNK & BALLROOMW SOUND MENUS IN USE WOODWIND ACCORDION STRINGS VOCAL HARPSI BRASS SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO MODE IN OUT ARRANGER VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFE WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 1 2 1 2 1 1 2 3 4 BEAT 3 4 2 MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO Intro , fill - in and ending patterns fitting each different rhythm pattern are permanently recorded in your PR , thus allowing a versatile rhythm performance . Mode setting � INTRO You can select the mode for the count sound . Begin the rhythm performance with an intro pat - tern . Press the MODE button in the AUTO PLAY 1 . CHORD section to turn it on . Press the INTRO & ENDING 1 or INTRO & 1 . AUTO PLAY CHORD ENDING 2 button to turn it on . MODE OFF / ON 1 2 INTRO & ENDING CHORD FINDER • The display looks similar to the following . Press the START / STOP button to start the 2 . rhythm . rhythm 1 2 3 4 BEAT START / STOP the Playing Use the COUNT INTRO button to select a 2 . mode . • An intro pattern is played , after which the normal rhythm pattern begins . VOICE : A spoken count ( initialized setting ) . CLICK : A clicking sound for the count . COUNT INTRO You can begin the rhythm performance with a FILL IN spoken one - measure count . You can insert a fill - in pattern any time during the Press the COUNT INTRO ( FILL IN 2 ) button 1 . rhythm performance . Choose from two different to turn it on . fill - in patterns . 2 Select a rhythm and press the START / STOP 1 . button . FILL IN Press the FILL IN 1 or FILL IN 2 button . 2 . COUNT INTRO 1 2 FILL IN Press the START / STOP button to start the 2 . rhythm . • A spoken one - measure count is played , after which the SEQUENCER COUNT RESET INTRO normal rhythm pattern begins . • A fill - in pattern is heard immediately for the remainder of the measure . • When a FILL IN button is pressed on the last beat of the measure , the fill - in pattern continues to the end of the fol - lowing measure . 43 QQTG0701
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07_Part II.fm 44 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 １ ６ 分 Part II Playing the rhythm Press the INTRO & ENDING 1 or INTRO & 2 . ENDING ENDING 2 button to turn it on . Finish the rhythm performance with an ending pattern . 1 2 INTRO & ENDING Select a rhythm and press the START / STOP 1 . button . • An ending pattern is produced , and then the rhythm per - formance stops . • If you accidentally press the INTRO & ENDING button in the middle of the tune , you can press the FILL IN 1 or FILL IN 2 button . The ending pattern stops , and a fill - in pattern is produced , after which the normal rhythm per - formance continues . Auto Play Chord FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME SAX & ORGAN & PROGRAM DISK GUITAR & SOUND EASY BALLROOM SPLIT ONE TOUCH FUNK & L SOUNDGER MENUS IN USE WOODWIND ACCORDION STRINGS VOCAL HARPSI BRASS SYNTH EXPLORER PLAY REC FAVORITES DISK MAIN OFF / ON PLAY METRONOME POP ROCK SOU DISCO POP BALLAD BALLAD & SHOW POINT MODE IN OUT ARRAN VOLUME MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL MULTI WALTZ JAZZ & LATIN & LD PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFECT WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR SET 1 / 5 2 / 6 3 / 7 4 / 8 DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO Simply by playing a chord on the keyboard , the AUTO PLAY CHORD function automatically plays an accompaniment pattern which matches perfectly the selected rhythm . With a real accompaniment as a background , you can concentrate on playing the melody . rhythm How the AUTO PLAY CHORD works Playing chords Choose from the 4 ways of playing thechords . Playing BASIC mode � Melody Chord This mode lets beginners specify chords with just one finger . With this mode , chords can be speci - fied either with one finger < one finger > or by pressing all of the chord's sound components < fingered > . < one finger > When an AUTO PLAY CHORD mode is In the < one - finger > , a major chord can be played selected , an automatic accompaniment which just by pressing the key for its root note . matches the rhythm you have chosen is played in the chord which you specify with your left hand . The melody is played with your right hand . Example : C chord • The accompaniment pattern of the AUTO PLAY CHORD is composed of 8 parts : DRUMS 1 , 2 , BASS , ACCOMP 1 – 5 . • The volume of each part can be adjusted with the buttons below the display . ( Refer to page 27 . ) 44 QQTG0701
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07_Part II.fm 45 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 １ ６ 分 Part II Playing the rhythm Minor , seventh and minor seventh chords are also easily produced . minor chord seventh chord minor seventh chord Play the root note plus a Play the root note plus a Play the root note plus a black key to the left of it . white key to the left of it . black key and a white key to the left of it . Example : Cm Example : C7 Example : Cm7 • When three or more keys of a chord are pressed , it is recognized as a < fingered > chord . < fingered > In the < fingered > , you specify the chord by play - ing all the notes in the chord . • Play at least three notes to specify the chord . • If the CHORD FINDER procedure is used , you can see the types of chords that can be specified and the keys you rhythm press to play them . ( Refer to page 47 . ) How to use the AUTO PLAY CHORD ADVANCED 1 mode � the This mode accepts chords specified with < fin - Select the desired rhythm and sound ( s ) , and 1 . gered > and disregards all unrecognizable chord set the tempo . Playing specifications . • It recognizes many more chords than the BASIC mode’s Press the AUTO PLAY CHORD’s OFF / ON 2 . < fingered > chords . button to turn it on . AUTO PLAY CHORD ADVANCED 2 mode � This mode accepts chords specified with < fin - MODE OFF / ON gered > and , for unrecognizable chords , it plays the auto accompaniment according to the keys CHORD FINDER pressed . • It recognizes many more chords than the BASIC mode’s < fingered > chords . Press the AUTO PLAY CHORD’s MODE but - 3 . ton to turn it on . PIANIST mode � • The display looks similar to the following . In the PIANIST mode , the entire keyboard can be used to specify chords < fingered > ( ADVANCE ) for the automatic accompaniment ; a RIGHT part is assigned to all the keys , and the keyboard does not split . • When specifying chords , if you press a key a perfect 5th or more below the lowest note of the chord , the BASS part becomes a pattern based on that note . < APC HOLD > Select an AUTO PLAY CHORD mode . 4 . If this function is assigned to the left pedal , for • After a few seconds , the display returns to the previous display . example , pressing the left pedal will play the cur - • If the BASIC or ADVANCED mode was selected , the key - rently specified chord in that timing , allowing you board automatically splits into right and left sections . to focus your performance on a solo melody . • The accompaniment continues in the same chord as long Press the START / STOP button to begin the 5 . as the PEDAL is depressed , and it does not change even if rhythm . other chords are played . • You can start the rhythm by playing a key on the key - • To change the PEDAL assignment , refer to page 120 . board . ( Refer to page 42 . ) ( Continued on the next page ) 45 QQTG0701
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07_Part II.fm 46 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 １ ６ 分 Part II Playing the rhythm Specify a chord . MEMORY 6 . � • If the BASIC or ADVANCED mode was selected , specify Press the MEMORY button and select either one the chord on the keyboard section to the left of the split of the following : point . ON : Even when removing your finger from • An accompaniment pattern in the specified chord is auto - the keys , the present chord is retained matically played . Play the melody with your right hand . until the next chord is specified . • When you use FILL IN , INTRO and ENDING , the auto - matic accompaniment is also used in these patterns . OFF : When removing your finger , the chord • You can set the mode which determines how the LEFT is deleted . part sounds during an AUTO PLAY CHORD perfor - AUTO : The chord is retained when auto mance . ( See below . ) accompaniment is playing but is not • In the initialized condition , when the rhythm is off , if an retained when stopped . AUTO PLAY CHORD mode is on and a chord is speci - fied , the specified root note ( R . BASS part ) and chord notes ( CHORD part ) are produced . The volumes of these ON BASS � notes can be adjusted . ( Refer to page 27 . ) If the ON BASS button is ON , the BASS part is produced in the key of the lowest note of the To stop the automatic accompaniment , press 7 . played chord , thus making it possible to play the START / STOP button . chords such as C on G . • If you wish the automatic accompaniment to begin and • For example , with the ON BASS button on , if you play a end the performance , set the OFF / ON button to off . C chord by pressing the keys G , C and E , the BASS part is produced in the key of G . Example of how to play a BASIC < One - Finger > accompaniment C F G C Play the melody with your right hand . rhythm Left hand the Playing ON : Left Hold Specifying < one - finger > chords in the BASIC This setting determines how the LEFT part mode produces the full chords ; otherwise the sounds when the LEFT button in the CONDUC - LEFT part notes are those of the pressed TOR is on during a performance with the BASIC chord keys . or ADVANCED mode . • When BASIC is selected the LEFT part turns off , but it will sound if you turn it on . • Touch response does not function for the LEFT part . Press the MODE button to turn it on . 1 . • When the mode is set to ON , during a rhythm perfor - • The display changes to the following . mance , the LEFT part continues to play even when the keys are released . APC VOLUME To adjust the volume balance between the auto - matic accompaniment and the parts you play manually on the keyboard , the volume of all the automatic accompaniment parts can be lowered Use the LEFT HOLD : ON / OFF button to set 2 . as one . the mode to on or off . ⇒ Use the APC / SEQUENCER VOLUME slide OFF : control to adjust the volume . The LEFT part sounds from the pressed chord APC / SEQUENCER keys . VOLUME • When BASIC is selected , the LEFT part turns off . The LEFT part sounds if you turn it on , but < one - finger > MAX chords cannot be specified . OFF 46 QQTG0701
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07_Part II.fm 47 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 １ ６ 分 Part II Playing the rhythm • Use this control to lower the automatic accompaniment Use the ROOT buttons to select the root note 4 . volume when it is too loud relative to your manual perfor - of the chord . Use the TYPE buttons to select mance . the type of chord . • At the MAX position , the volumes of the automatic • A typical way to finger the specified chord ( TYPICAL ) is accompaniment parts correspond to their current set - illustrated on a keyboard diagram . tings ; at the OFF position , the volume is 0 . The volume • Each time the INVERSION button is pressed , different should normally be set to MAX . INVERSION fingerings are illustrated in order . ( If there is • The set values are shown in the APC column of the vol - no INVERSION fingering for the specified chord , this but - ume balance display . ( Refer to page 27 . ) ton is not shown on the display . ) • The volume can be adjusted for each part . ( Refer to page • When the button with a picture of an ear is pressed , the 27 . ) notes of the chord sound . ( The octave of the illustrated • When the position of the slide control coincides with the keys and that of the played tones may differ . ) actual volume , the indicator is lit . When the volume is changed by of the PANEL MEMORY or SEQUENCER To exit the CHORD FINDER procedure , press 5 . playback , the actual volume differs from that indicated by the position of the slide control . In this case , the indicator the EXIT button . is not lit . • During SEQUENCER playback or disk DIRECT PLAY , operation of this slide control affects the total volume of all the playback parts . BREAK function With the break function , the rhythm starts when the left keyboard is played and stops when the CHORD FINDER fingers are removed from the keys . The CHORD FINDER can help , for example , Select an AUTO PLAY CHORD mode . 1 . when you do not know which keys to press to • At this time , the MEMORY ( APC SELECT ) button should specify a given chord . When you input the chord be OFF . name , the CHORD FINDER shows you which keys to press and even lets you hear the notes Press the SYNCHRO & BREAK button to turn 2 . that make up . it on . rhythm Press the AUTO PLAY CHORD’s MODE but - 1 . ton to turn it on . the SYNCHRO & BREAK AUTO PLAY CHORD Playing MODE OFF / ON Specify a chord . 3 . CHORD FINDER • The automatic accompaniment begins to play ( synchro - nized start ) . • For the PIANIST mode , play the keys to the left of the currently set split point . • The display changes to the following . Release the chord keys . 4 . • The automatic accompaniment stops . When the keys are pressed again , the rhythm starts from the first beat . Select CHORD FINDER . 2 . • The display changes to the following . Use the APC MODE button to select the auto - 3 . matic accompaniment mode you will use to specify chords ( BASIC , ADVANCED 1 ) . • In the list column are shown the chords which can be specified in each mode . 47 QQTG0701
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07_Part II.fm 48 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 １ ６ 分 Part II Playing the rhythm Fade In / Fade Out FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME SAX & ORGAN & PROGRAM DISK GUITAR & SOUND EASY SPLIT ONE TOUCH FUNK & BALLROOMW SOUNDGER MENUS IN USE WOODWIND ACCORDION STRINGS VOCAL HARPSI BRASS SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO POINT MODE IN OUT ARRAN VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL MULTI WALTZ JAZZ & LATIN & PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFECT WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WORLD MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO Add interest to your performance by starting a part with a fade - in or ending it with a fade - out . FADE IN FADE SET At the beginning of the song , the volume of each Adjust the settings for the FADE IN and FADE part rises slowly . OUT . Set up the panel settings for your perform - Press and hold the FADE IN or FADE OUT 1 . 1 . ance . button for a few seconds . FADE Turn on the FADE IN button . 2 . IN OUT FADE IN OUT • The display looks similar to the following . • The indicator flashes . In this condition , the volumes for all parts change to 0 and no sound is produced from this instrument until the FADE IN is turned off or until step 3 is rhythm executed . Play the keyboard or press the START / STOP 3 . the button . Use the � and � buttons to select the item . 2 . • The volume slowly builds to its preset level . Use Playingthe and buttons to change the set - ∧ ∨ • For the fade - in effect for a rhythm part or when playing ting . back a SEQUENCER performance , turn on the FADE IN button before pressing the START / STOP button . • At the end of the fade - in , the FADE IN indicator goes out . FADE IN • During the fade - in , FADE IN is shown in the upper right Time : part of the normal display . Specify the time elapsed between 0 volume to the set volume ( 1 measure to 16 mea - sure ) . FADE OUT FADE OUT Time : At the end of the song , the volume of each part Specify the time elapsed between the set gradually fades to nothing . volume and 0 volume ( 1 measure to 16 measure ) . Start the performance . 1 . Auto Reset : Specify whether the volume of each part Turn on the FADE OUT button at the point you 2 . automatically returns to its specified setting want the fade - out to start . ( ON , OFF ) . FADE Rhythm Auto stop : IN OUT Specify whether the rhythm turns off after fade - out is completed ( ON , OFF ) . SEQ Auto stop : Specify whether the SEQUENCER play - back automatically stops after fade - out is completed ( ON , OFF ) . • The volumes of all the parts slowly fade to 0 . • The indicator flashes to show that fade - out is completed , and then goes out . The volumes for all parts return to • The display returns to the previous display a few seconds their specified settings . after you have changed the settings . • If you wish to interrupt the fade - out , press the FADE OUT • You can also access this display from the CONTROL button to turn it off . MENU display . ( Refer to page 120 . ) 48 QQTG0701
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07_Part II.fm 49 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 １ ６ 分 Part II Playing the rhythm Sound Arranger FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME SAX & ORGAN & PROGRAM DISK GUITAR & SOUND EASY SPLIT ONE TOUCH FUNK & BALLROOMW SOUNDGER MENUS IN USE WOODWIND ACCORDION STRINGS VOCAL HARPSI BRASS SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO POINT MODE IN OUT ARRAN VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL MULTI WALTZ JAZZ & LATIN & PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFECT WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WORLD MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO The SOUND ARRANGER feature lets you select other sounds for the AUTO PLAY CHORD parts of each rhythm . • For the DRUMS part , select sounds from the DRUM Select the rhythm whose sound you wish to 1 . KITS group . change . • The sound and on / off status of the DIGITAL EFFECT are • Do not select the METRONOME or the MEMORY button . shown on the display . • The sounds marked with # cannot be changed . Press and hold the SOUND ARRANGER but - 2 . ton for a few seconds . Repeat steps 3 and 4 for the other parts as 5 . desired . SOUNDGER ARRAN • Pressing the ORIGINAL button will reset the sounds to their original settings . SET When you have finished selecting the sounds , 6 . press the EXIT button . • This display can also be accessed from the SOUND • The display looks similar to the following . MENU display . ( Refer to page 101 . ) Playing back the sounds rhythm Press the SOUND ARRANGER button to turn 1 . it on . the Start the rhythm ( automatic accompaniment ) . 2 . Playing Use the � and � buttons to select the part 3 . • When the SOUND ARRANGER button is off , the factory - whose sound you wish to change . preset sounds are produced . Select the desired sound . 4 . • This setting can be set separately for each rhythm . • The DIGITAL EFFECT on / off status can also be speci - fied ( except for DRUMS part ) . CDIGITALT EFFE One Touch Play FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SPLIT ONE TOUCH FUNK & BALLROOMW SOUNDGER MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHO MODE IN OUT ARRAN VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & LD PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFE WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO ONE TOUCH PLAY automatically sets a suggested combination of sounds and an appropriate tempo for your chosen rhythm style . • During setting , the style name is shown on the display . Select a rhythm pattern . 1 . • The AUTO PLAY CHORD and the SYNCHRO & BREAK • Do not select the METRONOME or the MEMORY button . are automatically turned on , and the sounds and effects , volume balances , tempo etc . that are ideal for your Press and hold the ONE TOUCH PLAY button 2 . selected rhythm are automatically set . for a few seconds . Play the keyboard . 3 . ONE TOUCH PLAY • When you specify a chord , the automatic rhythm begins to play immediately . 49 QQTG0701
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07_Part II.fm 50 ページ ２ � � ３ 年 ５ 月 ２ � 日 　 � 曜 日 　 � � ８ 時 １ ２ 分 Part II Playing the rhythm Piano Stylist FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME GUITAR & SAX & ORGAN & SOUND EASY PROGRAM DISK SPLIT ONE TOUCH FUNK & BALLROOM SOUND MENUS IN USE STRINGS VOCAL HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY REC FAVORITES DISK MAIN POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHOW MODE IN OUT ARRANGER VOLUME MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL CMULTIT WALTZ JAZZ & LATIN & PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFE WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WORLD MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO This feature automatically launches the appropriate instrument settings when you select the style of the arrangement you wish to play in . By using this feature , you can easily achieve a performance like that of a first - rate pianist . PIANO STYLES Select a suitable style for your performance Play the keyboard . 6 . • When you specify a chord on the left area of the key - based principally on the piano sound . board , the automatic accompaniment begins to play . • You can use the TEMPO / PROGRAM dial to adjust the Press the PIANO STYLIST button to turn it on . 1 . tempo . When you are finished selecting the style , turn 7 . PIANO STYLIST the PIANO STYLIST button off . ENSEMBLE STYLES • The display looks similar to the following . Select a style suitable for an ensemble perfor - mance that uses the many sounds and rhythms incorporated in this instrument . rhythm On the PIANO STYLIST display , press the 1 . ENSEMBLE STYLES button . • The display looks similar to the following . the Playing Press the PIANO STYLES button . 2 . • The display looks similar to the following . Use the GROUP button the select a style 2 . group . • These are the same as the groups for the RHYTHM GROUP button . Use the ARRANGE MODE button to select 3 . the desired type of arrangement . Use the RHYTHM button to select a rhythm , 3 . • Select the type you wish to play ( PIANO SOLO / PIANO & and the STYLE button to select a style . COMBO / PIANO & ENSEMBLE ) . • The AUTO PLAY CHORD and SYNCHRO & BREAK turn on , and the sounds , effects , rhythm , tempo , volume Use the SELECT MODE button to specify how 4 . balance etc . which are best suited for the selected music you wish to select a style . style are automatically selected . GENRE : Select a style by musical genre . ERA : Select a style by era . Play the keyboard . 4 . ALPHABET : Select a style from an alphabetical list . • When you specify a chord on the left area of the key - board , the automatic accompaniment immediately begins Use the GENRE / ERA / ALPHABET button 5 . to play . below the display to select a group . Use the • You can use the TEMPO / PROGRAM dial to adjust the STYLE button to select a style . tempo . • In the above example , GENRE was selected . • If the list covers more than one screen “ page , � the MORE When you are finished selecting the style , turn 5 . button is shown on the display . Use the MORE button to the PIANO STYLIST button off . switch between screen pages . • The AUTO PLAY CHORD and SYNCHRO & BREAK turn on , and the sounds , effects , rhythm , tempo , volume balance , etc . which are best suited for the selected music style are automatically selected . 50 QQTG0701
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07_Part II.fm 51 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 １ ６ 分 Part II Playing the rhythm FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP Music Style Arranger VOLUME SAX & ORGAN & PROGRAM DISK GUITAR & SOUND EASY SPLIT ONE TOUCH FUNK & BALLROOM SOUND MENUS IN USE WOODWIND ACCORDION STRINGS VOCAL HARPSI BRASS SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHOW MODE IN OUT ARRANGER VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL MULTI WALTZ JAZZ & LATIN & PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFECT WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB MEMORY 8 BEAT 16 BEAT USA & TRAD SWING WORLD PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO The MUSIC STYLE ARRANGER helps you to make professional registration changes during your perfor - mance . Select between four contrasting registrations at the push of a button , or let your instrument change the registration automatically for you when you use FILL IN 1 or 2 . The MUSIC STYLE ARRANGER will also alter the accompaniment in character with the registration change creating a pol - ished sounding arrangement . • Each time the FILL IN 1 button is pressed , the FILL IN 1 How to use the MUSIC STYLE pattern plays , and then the music style changes in the 4 � 3 � 2 � 1 order . And each time the FILL IN 2 button is ARRANGER pressed , the FILL IN 2 pattern plays , and then the style Select a rhythm pattern . 1 . changes in the 1 � 2 � 3 � 4 order . • Do not select the METRONOME or the MEMORY button . MUSIC STYLE ARRANGER mode � Press the MUSIC STYLE ARRANGER button 2 . You can define which panel settings change by to turn it on . pressing a FILL IN button when the MUSIC STYLE ARRANGER is used . MUSIC STYLE ARRANGER Press and hold the MUSIC STYLE AR - 1 . RANGER button for a few seconds . • The display changes to the following . Use the VARIATION buttons to select a style 3 . rhythm ( 1 to 4 ) . the 1 2 3 4 MUSIC STYLE ARRANGER VARIATION Playing Select the mode . 2 . • The nuance of the pattern differs with each number . RHYTHM : • The panel settings ( including the tempo ) change accord - Only the rhythm changes . ing to the selected rhythm and music style . The AUTO PLAY CHORD , the MEMORY and the SYNCHRO & SOUND & RHYTHM : BREAK button are automatically turned on . When a key The sound , effects , rhythms , etc . change . on the left section of the keyboard is pressed , the auto - matic rhythm begins to play immediately . • During your performance , the style can be changed , but PANEL MEMORY : the tempo does not change . The PANEL MEMORY number ( BANK A : 1 to 4 ) changes . You can store your desired panel settings in the PANEL MEMORY beforehand How to change the music style and switch from one to another quickly . • After a few seconds , the display exits the setting mode . during your performance • You can also access this setting display from the CON - While you are playing the keyboard with the TROL MENU display . ( Refer to page 120 . ) MUSIC STYLE ARRANGER on , press the FILL IN 1 or FILL IN 2 button . 1 2 FILL IN SEQUENCER COUNT RESET INTRO 51 QQTG0701
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07_Part II.fm 52 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 １ ６ 分 Part II Playing the rhythm FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME SAX & ORGAN & PROGRAM DISK GUITAR & SOUND EASY SPLIT ONE TOUCH FUNK & BALLROOM SOUND Panel Memory MENUS IN USE WOODWIND ACCORDION STRINGS VOCAL HARPSI BRASS SYNTH EXPLORER PLAY REC FAVORITES DISK MAIN POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHOW MODE IN OUT ARRANGER VOLUME MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL MULTI WALTZ JAZZ & LATIN & LD PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFECT WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WOR MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO PANEL MEMORY stores all the current panel settings so you can recall them at the push of a button . • You can use the bank names on PAGE 1 / 2 to select the How to store the panel settings bank . By storing all the panel settings you use for a song in the same bank , for example , you can switch from one panel setup to the next in a Assign a name to the bank / memory flash . You can assign names to the banks and memo - ries . Set up the desired panel settings ( sounds , vol - 1 . umes , etc . ) Select one of the numbered buttons marked 1 . PANEL MEMORY and hold it down for sev - Use the BANK button to select a bank ( A , B , 2 . eral seconds . C ) . C A B BANK SET rhythm • Lighting up both the A and B indicators enables C to be Press the BANK NAMING button to assign a 2 . selected . name to the bank , or the MEMORY NAMING the button for the memory . With the SET button held down , press one of 3 . • The display looks similar to the Playingfollowing . the numbered buttons of the PANEL MEMORY ( 1 to 8 ) . P.MEM 5 - 8 C A B BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 PANEL MEMORY Use the buttons below the display to assign a 3 . name . • Turning the P.MEM 5 - 8 button ON enables the selection • Set the character input position with the POSITION but - of panel settings for numbers 5 to 8 . tons , select the characters with the alphanumeric buttons • The panel settings are now stored in the specified bank and repeat name assignment . and number . • Switch from upper to lower case letters with the ABC , abc button . • Use the ! # $ button to switch to the symbols character set . • Press the INS button to enter a space at the cursor posi - BANK VIEW � tion . Select one of the numbered buttons marked • Press the DEL button to erase the character at the cursor PANEL MEMORY and hold it down for several position . seconds to check the 8 memory names of the • Press the CLR button to erase the entire name . • Press the → � button to center the name . selected bank . When you have finished assigning the name , 4 . press the OK button . ∧ ∨ • You can use the BANK and buttons to view other banks . 52 QQTG0701
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07_Part II.fm 53 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 １ ６ 分 Part II Playing the rhythm Use the ∧ and ∨ buttons to select the item . 2 . Recall the panel setup Use the BANK button to select a bank ( A , B , 1 . Use the ON and OFF buttons to store the on 3 . C ) . or off status for the selected item . Press the desired PANEL MEMORY number 2 . button ( 1 to 8 ) . • Turning the P.MEM 5 - 8 button ON enables the selection of panel settings for numbers 5 to 8 . • The panel setup changes to the one stored in the speci - fied memory . • You can then change the sound settings , etc . manually ; however , the contents of the memory remain unchanged until you store them again . • The currently selected bank , memory number and mem - ory name are shown in the top line on the normal display . PANEL MEMORY mode You can define which panel settings are recalled when the PANEL MEMORY is used . Press and hold the SET button for a few sec - 1 . onds . • The display changes to the following . rhythm the Playing Select the mode . 2 . NORMAL : The sounds and volume balance , and CON - DUCTOR status are stored . EXPAND : All the instrument’s settings are stored , includ - ing the rhythm ( except for SOUND ARRANGER on / off status ) , TRANSPOSE , tempo , etc . • After a few seconds , the display exits the setting mode . EXPAND MODE FILTER � You can specify which data is stored in the EXPAND mode . Use the PAGE buttons to access the PAGE 1 . 2 / 3 – 3 / 3 EXPAND MODE FILTER display . • The display looks similar to the following . 53 QQTG0701
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08_Part III.fm 54 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 ４ １ 分 Part III Sequencer Outline of the Sequencer FADE SEQUENCER SOUND GROUP AUTO PLAY CHORD TEMPO / PROGRAM APC / SEQUENCER RHYTHM GROUP VOLUME SAX & ORGAN & PROGRAM DISK GUITAR & SOUND EASY SPLIT ONE TOUCH FUNK & BALLROOM SOUND MENUS IN USE WOODWIND ACCORDION STRINGS VOCAL HARPSI BRASS SYNTH EXPLORER PLAY REC FAVORITES DISK MAINUME POINT OFF / ON PLAY METRONOME POP ROCK SOUL DISCO POP BALLAD BALLAD & SHOW MODE IN OUT ARRANGER VOL MAX MAX SET LOAD CHORD FINDER CHORD STEP REC CONDUCTOR MALLET & PIANO ORCH DIGITAL DIGITAL MULTI WALTZ JAZZ & LATIN & PROGRESSIVE BASS ORCH PERC MIXTURES MIXTURES DRAWBARS EFFECT EFFECT WORLD DRUM KITS MEMORY LEFT RIGHT 2 RIGHT 1 CHORUS REVERB 8 BEAT 16 BEAT USA & TRAD SWING WORLD MEMORY PIANIST PIANO STYLIST CONTRAST OFF MIN P.MEM 5 - 8 LOAD C A B 3 4 2 1 2 1 2 1 1 2 3 4 BEAT MUSIC STYLE ARRANGER VARIATION FILL IN INTRO & ENDING SYNCHRO & BREAK START / STOP TAP TEMPO - TRANSPOSE + HELP OTHER PARTS / TR DISPLAY HOLD EXIT GRAND UPRIGHT ELECTRIC MODERN SIMPLE PIANO TECHNI - CHORD BANK SET 1 / 5 2 / 6 3 / 7 4 / 8 DEMO MUTE PAGE SEQUENCER COUNT PIANO PANEL MEMORY RESET INTRO A sequencer records your performance in a similar way to a tape recorder . This instrument’s SEQUENCER allows you to record up to 10 performances in a variety of ways . You may want to record your entire performance in one go ( especially if you are using AUTO PLAY CHORD to provide the accompaniment ) , or to build up a complex arrangement with several different parts playing together , like an orchestral score . This instrument’s SEQUENCER has 16 tracks . This means that you can record 16 different parts . However , you don’t have to use all 16 tracks . For some uses you may only need to use one or two tracks . This instrument’s SEQUENCER enables you to edit your recorded performance . Unlike a tape recorder you can change the sound or the tempo during playback , or correct wrong notes or timing errors . SEQUENCER features Popular features You can change the tempo without Simplified recording method � � � changing the pitch EASY RECORD is a feature that allows you to When you record your performance at a slow bypass the more complex recording procedures tempo and play it back at a faster tempo , the so you can record and play back your perform - pitch stays the same . ance quickly and easily . • You can also record an accompaniment from the AUTO PLAY CHORD . Consistent sound � Your performance is reproduced by a sound Create a one - man ensemble � module as it reads digital data . So , unlike a Use the REALTIME RECORD function to record recorded tape , the sound never deteriorates no your performance in up to 16 tracks and create matter how many times you play back your per - your own orchestra or band . formance . Store individual data to create your song � Edit your recorded performance � For repeating patterns or those especially com - Comprehensive editing functions allow you Sequencerto plicated phrases , the STEP RECORD feature is modify your recorded performance . Data can convenient for recording the notes one - by - one . easily be erased , corrected or copied , providing an especially convenient tool for creating your Memory capacity original tunes . Up to 10 songs can be stored in the Instant search � SEQUENCER . Expressed in terms of notes , the A recorded tape has to be rewound , but digital total number of notes which can be stored in all action means you can return to the beginning of the SEQUENCER songs and tracks is about your performance , or find any measure , instantly . 40,000 . The remaining memory available for recording is shown on the display as a percent - age ( MEMORY = % ) . • When “ Memory full ! � appears on the display , no more data can be stored in the SEQUENCER . 54 QQTG0701
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08_Part III.fm 55 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 ４ １ 分 Part III Sequencer < RECORD & EDIT > SEQUENCER menu The configuration of the SEQUENCER setting display is as follows . Press the PROGRAM MENUS button to turn it 1 . on . PROGRAM MENUS < COPY & PASTE > • The display looks similar to the following . < RANGE EDIT > Select SEQUENCER . 2 . • The display looks similar to the following . ∧ ∨ and buttons are used to select a song . • TheSONG • You can press the NAMING button and assign a name to the song . ( Refer to page 63 . ) • You can press the PANEL WRITE button to store the cur - rent settings of the instrument at the beginning of the song . ( Refer to page 63 . ) Sequencer Select RECORD & EDIT , COPY & PASTE or 3 . RANGE EDIT , and follow the corresponding procedure . 55 QQTG0701
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08_Part III.fm 56 ページ ２ � � ３ 年 ５ 月 ２ � 日 　 � 曜 日 　 � � ８ 時 １ ４ 分 Part III Sequencer Summary of the SEQUENCER menu items TRACK MERGE ( page 76 ) RECORD & EDIT Merge the recorded contents of two tracks These functions are recording and editing and store in a third track . operations used for creating a new perfor - mance . TRACK CLEAR ( page 72 ) Erase the contents of a specific track . REALTIME RECORD ( page 59 ) Record each part of your performance just SONG CLEAR ( page 72 ) as you play it on the keyboard . Erase all the recorded data of a song . PUNCH RECORD ( page 64 ) MEASURE COPY ( page 76 ) Correct a selected portion of your recorded Copy the contents of specific measures . performance . MEASURE ERASE ( page 76 ) STEP RECORD ( page 65 ) Erase the contents of specific measures . Store the sounds note - by - note on the dis - MEASURE DELETE ( page 77 ) play . Delete specific measures from the perfor - • You can also store the chord , control or rhythm pro - mance . gression for the AUTO PLAY CHORD . MEASURE INSERT ( page 77 ) TRACK ASSIGN ( page 70 ) Insert additional measures in the perfor - Assign parts to tracks . mance . QUANTIZE ( page 71 ) APC TO SMF CONVERT ( page 78 ) Correct the timing of your performance . Save automatic accompaniment patterns SONG SELECT ( page 64 ) data in a Standard MIDI File ( SMF ) . Select a song . SONG CLEAR ( page 72 ) RANGE EDIT Erase all the recorded data of a song . Change the note position etc . in the recorded data . TRACK CLEAR ( page 72 ) Erase the contents of a specific track . QUANTIZE ( page 71 ) Correct the timing of your performance . NOTE EDIT ( page 73 ) Store and correct performance ( NOTE ) NOTE CHANGE ( page 78 ) data on a piano roll display . Change the pitch of specific notes . DRUM EDIT ( page 74 ) VELOCITY CHANGE ( page 79 ) Store and correct DRUMS part data on a Modify the recorded velocity ( how hard the special display . keyboard was played ) of performance data . Sequencer TRANSPOSE ( page 79 ) COPY & PASTE Change the key of the performance data . Copy recording data and paste it to the ADVANCE / DELAY ( page 79 ) desired location . Speed up or delay the sound production of TRACK COPY ( page 75 ) performance data . Copy data of specific tracks . SONG COPY ( page 75 ) Copy data of specific songs . About the measure count The measure count on the display corresponds to the time signature of the selected rhythm . However , if rhythm data is stored in the RHYTHM part and that part is played back , the measure count on the dis - play corresponds to the stored rhythm data . ( Refer to page 69 . ) • If you wish to use a time signature not available in the preset rhythms , use the COMPOSER to create a new time signature . ( Refer to page 82 . ) 56 QQTG0701
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08_Part III.fm 57 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 ４ １ 分 Part III Sequencer Sequencer parts The following summary explains what is stored in each SEQUENCER part . Part name Used for Recorded contents [ name on display ] • Sound and volume settings Recording the perform - RIGHT1 [ RT1 ] • PART EXPRESSION ance of each part RIGHT2 [ RT2 ] • Contents of sound and effect settings that can be set ( REALTIME / STEP ) LEFT [ LFT ] on the MIXER display ( Refer to page 104 . ) PART1 [ P 1 ] • PITCH BEND , MODULATION data – PART9 [ P 9 ] • Pedal operation PART11 [ P 11 ] – PART16 [ P16 ] • Sound and volume settings DRUMS [ DRM ] Recording the drums • PART EXPRESSION ( PART 10 ) performance with the • Contents of sound and effect settings that can be set DRUM KITS group on the MIXER display ( Refer to page 104 . ) sounds ( REAL - TIME / STEP ) • Rhythm setting and selection changes CONTROL [ CTL ] Recording changes in • RHYTHM VARIATION 1 – 4 setting the panel button status • REVERB on / off ( REALTIME / STEP ) • AUTO PLAY CHORD status , volume balance • MUSIC STYLE ARRANGER status • FILL IN 1 , 2 , INTRO & ENDING 1 , 2 on • PANEL MEMORY selection changes • TRANSPOSE status • TECHNI - CHORD status • START / STOP on / off • TEMPO setting • CONDUCTOR status • FADE IN / OUT operation • TOTAL EXPRESSION • Chord progression AUTO PLAY CHORD Recording chords for the AUTO PLAY CHORD • AUTO PLAY CHORD status , volume balance [ APC ] ( REALTIME ) • START / STOP on / off • FILL IN 1 , 2 , INTRO & ENDING 1 , 2 on • Chord progression CHORD [ CHD ] Recording chord Sequencer • FILL IN 1 , 2 , INTRO & ENDING 1 , 2 on progression for the AUTO PLAY CHORD ( STEP ) RHYTHM [ RHY ] Settings related to • Rhythm settings and selection changes rhythm ( STEP ) • RHYTHM VARIATION 1 – 4 setting • FILL IN 1 , 2 , INTRO & ENDING 1 , 2 on • START / STOP on / off • TEMPO setting • You can use the TRACK ASSIGN function to assign parts to tracks as you wish . ( Refer to page 70 . ) • Those items above which are not operations available with this instrument can be recorded only from MIDI input . 57 QQTG0701
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08_Part III.fm 58 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 ４ １ 分 Part III Sequencer Easy Record Suppose you are playing your instrument and you wish to record and play back your performance to hear how it sounds . You can bypass the set - up procedures of the full - scale sequencer and begin recording quickly and easily . • Note that by executing EASY REC , the original data in the selected song number is erased . Recording procedure Press the EASY REC button to turn it on . Press the OK button . 1 . 4 . • The display changes to the REALTIME RECORD dis - play . SEQUENCER EASYC PLAY RE Play the keyboard . 5 . • Recording begins as soon as you start the rhythm or play the keyboard . CHORD STEP REC When you have finished recording , press the 6 . • The display changes to the following . EASY REC button to turn it off . • The PLAY button turns on . Use the SONG and buttons to select the 2 . ∧ ∨ song number in which to record ( 1 to 10 ) . • If you press the NAMING button , you can assign a name to your song . ( Refer to page 63 . ) Set the desired sounds , effects , rhythms , etc . 3 . Sequencer Playback Press the SEQUENCER RESET ( FILL IN 1 ) 1 . button . 1 FILL IN SEQUENCER RESET Press the START / STOP button . 2 . • Your recorded performance is played back automatically . • When you are finished playing back your performance , press the SEQUENCER PLAY button to turn it off . 58 QQTG0701
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08_Part III.fm 59 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 ４ １ 分 Part III Sequencer Realtime Record With REALTIME RECORD , your performance is recorded with the timing exactly as you played it on the keyboard . Use this mode to record your performance in up to 16 tracks and create your own orchestra or band . Recording procedure • The display looks similar to the following . Press the PROGRAM MENUS button to turn it 1 . on . • The display changes to the following . Use the buttons below the display to turn on 6 . the “ REC � indication above the track numbers you are going to record . Select SEQUENCER . 2 . • While you are recording , you can play back tracks which • The display looks similar to the following . are already recorded . Press the corresponding balance buttons to display “ PLAY � above the track number you wish to have played back . • For the RIGHT 1 , RIGHT 2 and LEFT parts , you can select two or more tracks to record at one time ; however , to record a performance part , the corresponding button in the CONDUCTOR must also be on . For parts that are not in the CONDUCTOR , multiple parts cannot be recorded at one time . • To record AUTO PLAY CHORD ( APC ) parts , turn on the AUTO PLAY CHORD’s OFF / ON button . In this case , • When you press the PANEL WRITE button , the PANEL press the START / STOP button when beginning record - WRITE display appears . To store the currently active set - ing . tings , such as the sounds , at the beginning of the song , • The track for the RHYTHM ( RHY ) part can be selected press the OK button . for recording only when STEP RECORD is active . Use the SONG and buttons to select a ∧ ∨ 3 . Set the sounds , effects , volumes , etc . for the 7 . song number in which to record . ( The song parts you are going to record . number is shown on the display . ) Sequencer • If you press the MIXER button , you can use the MIXER display to visually adjust the settings for each track . • The LOCAL ON / OFF setting on the MIXER display is Select RECORD & EDIT . 4 . used to specify whether the part assigned to that track • The display looks similar to the following . sounds when it is played on the keyboard during record - ing . For the LOCAL ON / OFF during playback , use the TRACK ASSIGN display to adjust the settings . ( Refer to page 70 . ) • If you are recording GM2 song data , select from the GM2 group in the SOUND EXPLORER . • The panel settings which are active at the beginning of recording are stored . Use the TEMPO / PROGRAM to adjust the 8 . Select REALTIME RECORD . 5 . recording tempo . q • The tempo is shown on the display as = . • If you wish to record the tempo setting and tempo changes , store them in the control ( CTL ) part , or use the step record to store them in the rhythm ( RHY ) part . Turn the metronome on or off as desired with 9 . the ON / OFF button at the upper right of the display . • The metronome selection alternates between ON and OFF each time the button is pressed . • When set to ON , the metronome volume setting display is momentarily shown . • The metronome sound is not recorded . ( Continued on the next page ) 59 QQTG0701
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08_Part III.fm 60 ページ ２ � � ３ 年 ５ 月 １ ６ 日 　 金 曜 日 　 � 後 ５ 時 ４ １ 分 Part III Sequencer Play the keyboard . 10 . CYCLE RECORD • Recording begins . This mode allows you to have specified record - • You can also press the START / STOP button to start the ing measures continuously repeated . Thus you rhythm and begin recording . • If the metronome is on , when you press the can record measures by adding notes during any START / STOP button , a two - measure count plays , after cycle . which recording automatically begins . In this case , the rhythm does not start . Recording does not start until the On the REALTIME RECORD display , specify 1 . two - measure count is completed . “ REC � for a track number you are going to • The recording status is continuously updated on the dis - play : record , and “ PLAY � for track numbers you MEASURE = indicates the current measure . wish to have played back . TIME SIG . = indicates the current time signature . MEMORY = indicates the remaining memory ( % ) avail - Press the CYCLE : OFF button . 2 . able for recording . • The display looks similar to the following . • If you wish to redo the recording , press the REC STOP button and then record again . To change the sounds and effects , etc . please set them again . • If you make a mistake in recording , you can correct a specific portion of your performance without having to redo the whole part . ( Refer to page 64 . ) When you have finished recording , press the 11 . REC STOP button on the display , or turn off Use the START MEASURE and buttons ∧ ∨ 3 . the PROGRAM MENUS button . to specify the beginning measure number . • When the PROGRAM MENUS button is turned off , the ending command ( END ) is recorded . Note that , as long as the ending command is not recorded , blank recording Use the END MEASURE and buttons to ∧ ∨ 4 . continues even if you stop playing . specify the ending measure number . • The SEQUENCER PLAY button turns on . • The measure in which the END command has been stored can also be specified . START END Multi - track recording � Use the following procedure to record one track 1 2 3 4 while listening to the track or tracks already recorded . CYCLE END MEASURE : 4 Follow the procedure to record the first track , 1 . Press the START / STOP button . 5 . and press the REC STOP button at the end of • If the metronome is on , cycle recording of the specified measures begins after a two - measure count . the Sequencerrecording . • The indication for the track just recorded changes from “ REC � to “ PLAY � . Play the keyboard . 6 . • The specified measures are repeated , during which time you can record by adding notes little by little at the correct Turn on the “ REC � indication for the track you 2 . timing ( over - dubbing ) . wish to record next , and select the sounds and • If you wish to erase all the performance data from the effects , etc . specified measures , press the CLEAR button . • If the CYCLE : ON button is pressed , it changes to OFF . Press the START / STOP button and begin 3 . This button does not function during recording . • To return to the REALTIME RECORD display , press the recording . EXIT button . • Tracks for which “ PLAY � is shown are played back , and • Cycle record can also be started from the REALTIME you can record in time with this . RECORD display whenever the CYCLE : ON indication is • If you turn on the “ REC � for the CONTROL track and shown . begin recording , the rhythm start will not be recorded . When you have finished recording , press the 7 . Press the REC STOP button at the end of the 4 . REC STOP button on the display , or turn off recording . the PROGRAM MENUS button . Repeat steps 2 to 4 for other tracks , as 5 . desired . When multi - track recording is finished , turn off 6 . the PROGRAM MENUS button . • If you wish to store part settings that you modified after recording as beginning song data , press the MIXER but - ton and follow the PANEL WRITE procedure . ( Refer to page 63 . ) 60 QQTG0701